In Concert Archive

Buzz Center Stage

Buzz Center Stage

Music Theater Works is proud to announce the cast and creative team for the second production of its 2026 season, West Side Story, in the George Van Dusen Theatre, at the North Shore Center for the Performing Arts in Skokie, 9501 Skokie Blvd., Skokie, August 13 - 30.  West Side Story has a book by Arthur Laurents, with music by Leonard Bernstein and lyrics by Stephen Sondheim. Music Theater Works’ production is directed by Sasha Gerritson, choreographed by Clayton Cross and Isa Ramirez, and music directed by Linda MadoniaWest Side Story includes a preview performance Thursday, Aug. 13 at 7:30 p.m. All performances include Spanish supertitles. The performance schedule is Saturday, Aug. 15 at 7:30 p.m., Sunday, Aug. 16 at 2 p.m. (Post-show discussion), Wednesday, Aug. 19 at 2 p.m., Friday, Aug. 21 at 7:30 p.m. (ASL Interpreted performance), Saturday, Aug. 22 at 2 p.m. and 7:30 p.m. (Post-show discussion), Sunday, Aug. 23 at 2 p.m., Wednesday, Aug. 26 at 2 p.m., Friday, Aug. 28 at 7:30 p.m., Saturday, Aug. 29 at 2 p.m. and 7:30 p.m. and Sunday, Aug. 30 at 2 p.m. Tickets are now on sale from $19.50 to $106 with tickets for guests 25 years old and younger available at half-price at MusicTheaterWorks.com or by calling the Music Theater Works box office at the North Shore Center, 847.673.6300. Memberships for the 2026 season are also available at MusicTheaterWorks.com and group discounts for 10 or more people are available by contacting This email address is being protected from spambots. You need JavaScript enabled to view it..

A timeless tale of love and rivalry, West Side Story brings Shakespeare’s Romeo and Juliet to the streets of 1950s New York. Caught between the tensions of two warring gangs—the Jets and the Sharks—Tony and Maria find themselves drawn to each other despite the violence that surrounds them. Featuring iconic songs like “Tonight,” “America” and “Somewhere,” West Side Story remains one of the most powerful and enduring musicals of all time.

The cast of West Side Story includes Luke Nowakowski (any, Tony); Isabella Ruano (she/her, Maria); Connor Ripperger (he/they, Riff); Pauleth Jauregui (she/her, Anita); Emmanuel Ramirez (he/him, Bernardo); Kameron Rojas-Schueneman (he/him, Chino); Callan Roberts (he/him, Action/U/S Tony); Nathaniel Urie (he/him, A-Rab, social media captain); Elliott Hansen (he/him, Snowboy); Sterling Ford (he/him, Big Deal); Albert Johnston (he/him, Diesel/U/S Lt. Schrank); Mollyanne Nunn (she/her, Graziella); Jenny Couch (she/her, Velma); Jordan Beyeler (she/her, Anybodys, dance captain); Henry Cartaya (he/him, Pepe/U/S Bernardo, fight captain); Alex Villaseñor (he/him, Indio/U/S Chino/assistant choreographer); Jordan “J.Ro” Ordoñez (he/they, Luis); Xander Ramirez (he/him, Toro); Harmony Rose (she/her, Rosalia/U/S Anita); Veronica Camargo (she/her, Consuela); Juliet Lopez-Gutierrez (she/her, Teresita); Isabella Gomez-Barrientos (she/her, Margarita/U/S Maria); Matt Rosin (he/him, Doc); Ivan James (he/him, Lt. Schrank); Eric Desnoyers (he/him, Officer Krupke); Rob Schroeder (he/him, Glad Hand); Emma Jean Eastlund (she/her, ensemble Jet/U/S Anybodys, non-equity deputy); Cristina Benninghoff-Uribe (she/her, ensemble Shark/Female ENS swing); Eric Amundson (he/him, ensemble Jet/U/S Riff) and Thomas M. Shea (he/him, swing); Will Fischer (he/him, ensemble Jet/swing) and Jaxson Smith (he/him, Baby John).

West Side Story’s creative team includes Sasha Gerritson (she/her, director); Clayton Cross (he/him, co-choreographer); Isa Ramirez (she/her, co-choreographer); Linda Madonia (she/her, music director); Justin Kono (he/him, conductor); Nick Sandys (he/him, intimacy and violence choreographer); Rachel Rock (she/her, stage manager); Bob Knuth (he/him, scenic designer); Cecilia Chan (she/her, props designer); Bob Kuhn (he/him, costume designer); Kristen Brinati (she/her, wardrobe head); Alice Salazar (she/her, hair, wig, makeup designer); Melanie Saso (she/her, hair, wig and makeup lead); Chelsea Lynn (she/her, lighting designer); Forrest Gregor (he/him, production sound engineer); Keely Vasquez (she/her, casting director); Chris Chase (he/him, production manager); Katie Meine (she/her, company manager) and Kyle Dougan-LeBlanc (any with respect, producing artistic director).

West Side Story Special Events

Post Show Discussions

Behind the Curtain with Thomas M. Shea

Audiences are invited to stay after the 2 p.m. performance on Sunday, Aug. 16 and the 2 p.m. performance on Sunday, Aug. 23 to join musical theater historian Thomas M. Shea, author of “Broadway’s Most Wanted,” for a post-show talk exploring the behind-the-scenes history of West Side Story. Free with the performance ticket, this engaging discussion is perfect for audiences to learn about the production, its history and more.

“Somewhere: Belonging, Safety and the American Dream” 

With members of our community partners Chicago Latino Theater AllianceLatinos Progresando and others

Audiences are invited to stay after the 2 p.m. performance on Saturday, Aug. 22 for a discussion hosted by Lauren Harper and members of West Side Story’s community partners 

Binny’s Broadway Lounge

Join Music Theater Works before the show and at intermission for a drink and snack in Binny’s Broadway Lounge. Located on the second floor at the North Shore Center for the Performing Arts in Skokie, the Binny’s Broadway Lounge doesn’t need a reservation, just check-in when you arrive for the performance. 

West Side Story dates are:

  • Saturday, Aug. 15 (Lounge opens at 6:30 p.m.)
  • Sunday, Aug. 16 (Lounge opens at 1 p.m.)
  • Saturday, Aug. 22 (Lounge opens at 1 p.m.)
  • Saturday, Aug. 22 (Lounge opens at 6 p.m.)

ASL Interpreted Performance

The Friday, Aug. 21 at 7:30 p.m. performance will be ASL interpreted.

ABOUT SASHA GERRITSON, DIRECTOR

Sasha Gerritson is an opera and musical theater stage director who directs shows for many local and regional companies. Most recently having directed the critically acclaimed Music Theater Works’ production of Carousel, in addition to previous Music Theater Works’ shows Guys & DollsBrigadoon and Irving Berlin's White Christmas, she is proud to return for West Side Story. Known for her expertise in the standard repertoire, Gerritson is also a highly sought after opera director, having most recently directed Puccini's Manon Lescaut and Il Assassinio Nella Cattedrale for The Opera Festival of Chicago, where she serves as general director. In addition to her work as a stage director, Gerritson is a choral conductor and serves as the director of Music Ministries for the Park Ridge Community Church. Previous work as a choral conductor included positions with the Chicago Children's Choir and Merit School of Music. Gerritson is a proud board member of Music Theater Works, in addition to The Goodman Theatre, the Brookfield Zoo and DePaul University, where she serves as vice chair of the Board of Trustees. She served as the opera and music theatre director of Northeastern Illinois University from 2010-2022, has directed for Musica Nelle Marche (Urbino, Italy), Opera Piccola, DePaul University, the Cherub Music Theatre program for Northwestern University, in addition to various other summer programs in the area. She lives in Glenview with her husband Eugene Jarvis and their two sons, Nate and Josh. 

ABOUT CLAYTON CROSS, CO-CHOREOGRAPHER

Clayton Cross works nationwide as a choreographer, performer and dance instructor. Cross was most recently in the ensemble and dance captain of Rock Of Ages with Mercury Theater Chicago, with Drury Lane in the ensemble and dance captain in Grease as well as in the ensemble in Evita. He most recently choreographed Brigadoon for Music Theater Works. He was last seen on the Music Theater Works stage as “Scuttle” in Disney’s The Little Mermaid, in the ensemble of Mamma Mia! and as choreographer for Irving Berlin’s White Christmas and Billy Elliot The Musical. He was choreographer in residence with Music Theater Works under the direction of Rudy Hogenmiller for seven seasons where he choreographed and/or performed in Joseph and the Amazing Technicolor Dreamcoat as “Benjamin,” The Hunchback of Notre Dame, How to Succeed in Business Without Really TryingInto The WoodsAnything Goes as “ensemble,” Pirates of Penzance as “ensemble,” Peter Pan as “Nana/Croc,” Gypsy as “Tulsa,” Mame as “ensemble,” CandideGuys and Dolls, My Fair LadyDie FledermausThe Fantasticks as “Mute,” Damn Yankees as “Eddie” and in A Chorus Line as “Greg” with Porchlight Music Theatre. Cross also performed at Marriott Theatre in La Cage Aux Follies as “Mercedes.” He is an instructor and choreographer for M.A. Dance Nation, a Texas based traveling convention circuit, where he has been choreographing, teaching and judging since 1999. Cross has five times been a consultant and contributed choreography for the Capital One Bowl’s “All American Halftime Show.” Throughout his 25 year career as a dancer he has worked with Robert BattleFernando BujonesSherry ZunkerPaul Taylor and Ann Reinking. Cross’s television credits include “Every Dancer Has a Story,” a PBS special on the River North Chicago Dance Company, where he was a company member for 10 seasons and toured nationally and internationally. He is originally from Midland, Texas where he received his early training from La Petite Dance Co., Coleman Academy and the Midland Community Theatre as a member of the Pickwick Players. He holds a double B.F.A. in Ballet and Modern Dance from Texas Christian University.

ABOUT ISA RAMIREZ, CO-CHOREOGRAPHER

Isa Ramirez is thrilled to be coming back to Music Theater Works as a choreographer -- especially for this show. Music Theater Works credits include: Brigadoon as “Maggie Anderson/ensemble,” Irving Berlin’s White Christmas as “ensemble” and Zorro! The Musical as “ensemble.” Ramirez has also had the pleasure of performing in other regional theaters such as: Oklahoma as “Ado Annie” and “Gertie,” West Side Story as “Rosalia” and “Margarita,” and Matilda as “ensemble/U/S acrobat” at the Fireside Theater and In The Heights as “ensemble/2nd U/S Daniela” at the Marriott Theater. When she isn't performing, she is teaching dance at Gus Giordano Dance School and dancing with their Legacy Dance Company. West Side Story is a story that is very near and dear to her heart, family and heritage.

ABOUT LINDA MADONIA, MUSIC DIRECTOR

Linda Madonia is thrilled to be back at Music Theater Works for West Side Story where she has previously music directed CATS, Guys and DollsShrekMamma Mia and Camelot. Other recent projects include Jersey BoysRock of Ages and Sister Act at Mercury Theater Chicago. Anything Goes, Cabaret and A Chorus Line at Porchlight Music Theatre. Madonia also serves as the contractor for the Chicago Federation of Musicians for Porchlight Music Theatre and Music Theater Works. She is the vocal coach for the master’s degree program in Music Theatre Pedagogy at Carthage College and owns American Eagle Productions, which has been at the forefront of Theatre Education in the Chicago area for the past 35 years.

ABOUT MUSIC THEATER WORKS

Music Theater Works is a resident professional not-for-profit music theater founded in

1980. During its 45-year history it has presented more than 150 productions and intimate presentations. Music Theater Works is a professional theater company whose mission is to present works for the musical stage including historic repertoire, revitalizing the Golden Age of Broadway and earlier works, celebrating the Great American Songbook and introducing modern classics. 

Chicago continues to produce some of the most exciting work in the country this Summer, offering a wide variety of plays and musicals, as well as comedy, dance, music, and more. To highlight these productions, The League of Chicago Theatres is publishing its Summer Theatre Guide, which showcases more than 100 productions; not just in Chicago's iconic theatre districts, but also across vibrant suburban communities. From Oak Park to Naperville, Glenview to Des Plaines, theatres across the region offer top-tier performances that make it easier than ever to experience the magic of live theatre close to home.

For additional details about this summer's performances and the Summer Theatre Guide visit the League of Chicago Theatres website, ChicagoPlays.com. Many summer shows will also be available at HotTix.org, Chicago's local, discounted ticketing service.

The following is a selection of notable work playing in Chicago this Summer, organized by location.

A selection of productions playing in theatres located Downtown are:

Brokeback Mountain

Chicago Shakespeare Theater

May 28 – June 28, 2026

When Ennis and Jack take jobs on the isolated Brokeback Mountain, all their certainties of life change forever as they flounder in unexpected emotional waters. This intense tale of a hidden love spans 20 years and is interwoven with soulful, original Country Western songs, performed live onstage.

Eugene Onegin

The Joffrey Ballet at Lyric Opera House

June 4 – 14, 2026

Set against the backdrop of 19th-century Russian society, this cautionary tale follows the enigmatic and aloof aristocrat after his fateful encounter with the earnest Tatiana. Richly layered and deeply human, Eugene Onegin explores the fragility of the human heart and how unspoken words can shape destinies.

Untitled Vampire Play

Lookingglass Theatre Company

June 4-July 12, 2026

This romantic-comedy-meets-horror-story world premiere by Kevin Douglas explores love, commitment, codependency...and, of course, vampires.

Champions of Magic

Studebaker Theater in the Fine Arts Building

June 6 – July 5, 2026

The production that critics have described as 'the most spectacular show,' 'two hours of mind-twisting, logic-defying entertainment' and 'the summer blockbuster of magic shows.'

SUFFS

Broadway In Chicago at CIBC Theatre

June 7– 19, 2026

Direct from Broadway comes the acclaimed Tony Award®-winning musical Suffs about the brilliant, passionate, and funny American women who fought tirelessly for the right to vote.

Kinky Boots

Broadway In Chicago at the James M. Nederlander Theatre

June 9 - 21, 2026

Kinky Boots follows the journey of two people with nothing in common—or so they think. As Charlie and Lola work together to turn a shoe factory around, this unlikely pair finds that they have more in common than they realized.

Iceboy!

Goodman Theatre

June 20 – July 26, 2026

Broadway's brightest star of 1938, Vera Vimm, is at the top of her game. But when she adopts a 40,000-year-old Neanderthal discovered frozen in the Arctic, the spotlight begins to shift. As Iceboy thaws, he unexpectedly becomes a theatrical sensation, inspiring Eugene O'Neill and challenging his legendary mother for center stage.

A Musical Tribute to John Williams & Steven Spielberg

Chicago Symphony Orchestra

June 23, 2026

Celebrate the legendary collaboration between composer John Williams and filmmaker Steven Spielberg. From Jurassic Park and Jaws to Indiana Jones and E.T. the Extra-Terrestrial, the scores born of this 50-year creative partnership have captured imaginations around the world.

Star Wars: A New Hope in Concert

Chicago Symphony Orchestra

June 25 – 27, 2026

Embark on an epic adventure to a galaxy far, far away with Star Wars: A New Hope! Experience the iconic film like never before as CSO performs John Williams' legendary Oscar-winning score live.

& Juliet

Broadway in Chicago at Auditorium Theatre

July 22 - August 2, 2026

Break free of the balcony scene and get into this romantic comedy that proves there's life after Romeo. The only thing tragic would be missing it.

Theatres are located in almost every neighborhood in Chicago.  A selection of productions playing throughout Chicago are:

Always...Patsy Cline

American Blues Theater

Playing through June 13, 2026

This musical play, complete with down home country humor and big-heart ed emotion, includes hits "Crazy," "I Fall to Pieces," "Sweet Dreams," "Walkin' After Midnight" and more!

LOKI-The End of the World Tour

Lifeline Theatre

Playing through June 13, 2026

In this World Premiere musical, Loki arrives at Asgard, bringing chaos, comedy, and three monstrous (maybe) children. In an us vs. them world, can we envision a new mythology?

The Targeted

A Red Orchid Theatre at Chopin Theatre

Playing through June 14, 2026

Welcome to the Solidarity and Truth Summit. A gathering of the most persecuted, tortured, and misunderstood people in the entire world. They call themselves Targeted Individuals, and they are victims of a vast and covert program of systematic torture, surveillance, and harassment by global intergovernmental powers.

OCTET

Raven Theatre Company

Playing through June 14, 2026

Hailed by the New York Times as "the most original and topical musical of the year" for its 2019 Off Broadway premiere, this inventive and acutely relevant piece reflects the perils of the digital age.

Antigone

Promethean Theatre Ensemble at The Den Theatre

May 31 - June 27, 2026

A timely production of the classic WW2 era adaptation made all the more relevant by recent local and national events.

Catch As Catch Can

Steppenwolf Theatre Company

June 4 - July 12, 2026

When a prodigal son returns to blue collar New England, his homecoming sets off a spiraling crisis for two families, threatening not only their relationships but their very identities. Spanning hilarity, stunning virtuosity and outright horror, this ferocious Chicago premiere—featuring an all-ensemble cast—must be witnessed to be believed.

As You Like It

Midsommer Flight

June 26 – August 2, 2026

Free outdoor performances of Shakespeare's As You Like It will be presented outdoors in six Chicago Parks District parks – Chicago Women's Park and Gardens, Gross Park, Nichols Park, Kelvyn Park, Winnemac Park, and Touhy Park. Banished from court by her uncle, Rosalind escapes to the Forest of Arden, where she disguises herself as man in order to win over her lover by trying to convince him he should forget her. Audiences are encouraged to come early and bring a picnic to enjoy this free programming.

Hair

Kokandy Productions at Chopin Theatre

July 2 - September 13, 2026

Exploring ideas of identity, community, global responsibility and peace, Hair remains relevant as ever as it examines what it means to be a young person in a changing world.

Marble
Gift Theatre at Copernicus Center

August 2 – August 30, 2026

Marble follows two married couples, Ben and Catherine, and their friends Art and Anne, whose comfortable lives begin to splinter after a shared dream triggers suspicion and desire.

A surreal and haunting exploration of two couples whose lives collide through shared dreams, this production anchors the company's homecoming to the neighborhood where it was founded.

Productions playing in the suburbs of Chicago include:

Nunsense
Drury Lane Theatre

June 10 – August 2, 2026

Get ready to laugh the summer away with nuns from the Little Sisters of Hoboken. This beloved revue, directed by E. Faye Butler, will have you in stitches as the five sisters stage a variety show fundraiser filled with outrageous musical numbers and zany comedy. 

A Little Night Music

Marriott Theatre

Playing June 17 – August 9, 2026

Set in 1900 Sweden, A Little Night Music explores the tangled web of affairs centered around actress Desirée Armfeldt, and the men who love her. Amid a flurry of jealousy and suspicion, infinite possibilities of new romances and second chances bring endless surprises. Stephen Sondheim's witty, brilliant masterpiece.

Leopoldstadt

Writers Theatre

June 4 - July 19, 2026

At the dawn of the 20th century, Vienna is the heart of European culture. While an extended family gathers in the elegant Merz home for the holidays, two brothers-in-law passionately debate their conflicting visions for the future of their family and the Jewish people–a tension that will echo through the generations that follow.

The Producers

BrightSide Theatre at Theatre at Meiley-Swallow Hall

June 12 – 28, 2026

Mel Brooks' outrageous musical comedy about two schemers trying to stage the biggest Broadway flop of all time—only to accidentally create a smash hit!

The Last Five Years

Oil Lamp Theater

June 6 - July 5, 2026

This widely beloved show takes audiences on the romantic rollercoaster of Jamie and Cathy as they fall in...and out of love over the last five years.

BEAUTIFUL: The Carole King Musical

Highland Park Players at McGrath Family Performing Arts

July 17 – 26, 2026

Before she was hit-maker Carole King—she was Carole Klein, a spunky, young songwriter from Brooklyn with a unique voice. Beautiful: The Carole King Musical takes you back to where it all began and takes you on the ride of a lifetime. 

For a comprehensive list of Chicago productions, visit the League of Chicago Theatres website, ChicagoPlays.com. Available discounted tickets will be listed at HotTix.org.

About Chicago theatre 

Chicago theatre is the leader in the U.S. with more than 250 theatres throughout Chicagoland, comprising a rich and varied community ranging from storefront, non-union theatres to the most renowned resident theatres in the country, including 6 which have been honored with Regional Tony Awards, and the largest touring Broadway organization in the nation. Chicago's theatres serve 5 million audience members annually and have a combined budget of more than $250 million. Chicago produces and/or presents more world premieres annually than any other city in the nation. Each year Chicago theatres send new work to resident theatres across the country, to Broadway, and around the world. For more information, visit www.chicagoplays.com.

The League of Chicago Theatres' Mission Statement

Theatre is essential to the life of a great city and to its citizens. The League of Chicago Theatres is an alliance of theatres, which leverages its collective strength to support, promote and advocate for Chicago's theatre industry. Through our work, we ensure that theatre continues to thrive in our city.

Hot off their record-breaking, award-winning runs of Jekyll & Hyde and AmélieKokandy Productions is pleased to launch its 2026 Season with the revolutionary "love-rock" musical HAIR, playing July 2 – September 13, 2026 on The Chopin Theatre Mainstage, 1543 W. Division St. in Chicago. Directed and choreographed by Brennan Urbi with music direction by Kara OlanderHAIR features book and lyrics by Gerome Ragni & James Rado and music by Galt MacDermot. Tickets are on sale now at kokandyproductions.com or bit.ly/HairChicago.  

Uniting for an exhilarating summer of peace, love and fury, HAIR features Gavin Rhys as Claude, Catherine Rodriguez O'Connor as Sheila, Zac Richey as Berger, Amy Yesom Kim as Crissy, Chosen Mitchell as Dionne, Stone Teselle as Woof, Nicki Rossi as Jeannie and Joshua Emmanuel as Hud with an ensemble including Diana Marilyn AlvarezShayla FlorenceNiki-Charisse FrancoIsadora Coco GonzalezWolfie JMatteo PalmQuinn Simmons and Kijani X.

Swings include Morgan BarberKevin ChlapeckaAllyriane HuqMizha Lee OvernVíctór LópezJack Saunders and Maliha Sayed.

About the Production

The American tribal love rock musical HAIR celebrates the sixties counterculture in all its barefoot, long-haired, bell-bottomed, beaded and fringed glory. To an infectiously energetic rock beat, the show wows audiences with songs like "Aquarius," "Good Morning, Starshine," "Hair," "I Got Life" and "Let The Sunshine In." Exploring ideas of identity, community, global responsibility and peace, HAIR remains relevant as ever as it examines what it means to be a young person in a changing world.

Director and choreographer Brennan Urbi comments, "This is a show about chosen family and active community, exploring how we can build support and fight for each other – no matter the generation, place or time. We have a knockout cast who are ready to rock! By building today's versions of these well-known characters, we're going to find out how this iconic '60s score reverberates all the way to Summer 2026."

The production team includes Eleanor Kahn (Scenic Design), Rachel Sypniewski (Costume Design), G "Max" Maxin IV (Lighting Design), Matt Reich (Sound Design), Lauren Ramos (Properties Design), Syd Genco (Makeup Design), Keith Ryan (Wig Design), Kirsten Baity (Intimacy Director), Chels Morgan (Cultural Competency Specialist), Shane Roberie (Casting Director), Nicholas Reinhart (Production Manager), Kendyl Meyer (Associate Production Manager), David Moreland (Technical Director), Lynsy Folckomer  (A1), Alfonso Moreno (A2), Shelby Burgus (Stage Manager), Yasmeen "Yaz" Abiad (Assistant Stage Manager), Michael Coppola (Stage Management Intern), Scot Kokandy (Executive Producer) and Derek Van Barham (Producing Artistic Director).

PRODUCTION DETAILS:

Title: HAIR: The American Tribal Love-Rock Musical

Book and Lyrics: Gerome Ragni & James Rado

Music: Galt MacDermot

Director and Choreographer: Brennan Urbi

Music Director: Kara Olander

Cast (in alphabetical order): Diana Marilyn Alvarez (Ensemble), Joshua Emmanuel (Hud), Shayla Florence (Ensemble), Niki-Charisse Franco (Ensemble), Isadora Coco Gonzalez (Ensemble), Wolfie J (Ensemble), Amy Yesom Kim (Crissy), Chosen Mitchell (Dionne), Catherine Rodriguez O'Connor (Sheila), Matteo Palm (Ensemble), Gavin Rhys (Claude), Zac Richey (Berger), Nicki Rossi (Jeannie), Quinn Simmons (Ensemble), Stone Teselle (Woof) and Kijani X (Ensemble).

Swings: Morgan BarberKevin ChlapeckaAllyriane HuqMizha Lee OvernVíctór LópezJack Saunders and Maliha Sayed.

Location: The Chopin Theatre Mainstage, 1543 W. Division St., Chicago

Dates: Previews: Thursday, July 2 – Friday, July 17, 2026

Regular run: Sunday, July 19 – Sunday, September 13, 3026

Curtain Times: Thursdays, Fridays and Saturdays at 7 pm; Sundays at 5 pm. Please note: there will not be a performance on Saturday, July 4; there will be an added performance on Monday, July 6 at 7 pm.

Tickets: Previews $28.52* general admission, $39.19* reserved seating. Regular run $55.20* general admission, $65.87* reserved seating. Students/seniors $44.52*. There will be a limited number of lower-priced tickets (with code ARTIST) available to artists for each performance. Tickets are on sale now at kokandyproductions.com or bit.ly/HairChicago. *Ticket prices include processing fees

HAIR is presented by arrangement with Concord Theatricals on behalf of Tams-Witmark LLC.

www.concordtheatricals.com

About the Artists

Brennan Urbi (Director and Choreographer) is a stage artist who works with community members, artists and actors alike to build a process specific to the questions and skill sets of the group. B's NYC credits include Into the Woods, Macbeth, Strays, (un)belonging*, Blood Grudge, Electric World, My Best Friend's Cabaret, Singing Lessons, iii sisters, Connection is Unstable, The Munchies, Leo's Requiem and Alley Between the House. Assistant on Blackout Songs (MCC) I think Big Cat... (Roundabout). In Chicago, B directed Half-BakedThe Beauty of Your Eyes and Civics and Humanities and assisted productions including Spring Awakening, Children of EdenHair and Another Room in Your Head.  MFA Directing Columbia University, Recipient of the Neo-Futurist Artist of Color scholarship, BFA Acting Chicago College of Performing ArtFounding member of Pick Six. www.brennanurbi.com @brennan_urbi.

Kara Olander (Music Director) is a multi-instrumentalist, music director and actor in the Chicago area. As a pit musician of many years, her mission is to foster a band and cast that feels empowered to groove in their own individuality. Past shows include Always, Patsy Cline (Drury Lane), Amélie (Kokandy), Porchlight Sings the Season (Porchlight Music Theatre), LOKI: The End of the World Tour (Lifeline Theatre), Rock of Ages (Metropolis), Tell Me On a Sunday (Theo Ubique) and Houston, You Have a Problem (Streamline Theatre). 

About Kokandy Productions

Founded in 2010, Kokandy Productions seeks to leverage the heightened reality of musical theatre to tell complex and challenging stories, with a focus on contributing to the development of Chicago-based musical theatre artists, and raising the profile of Chicago's non-Equity musical theatre community.

The company's artistic staff is comprised of Derek Van Barham (Producing Artistic Director), Scot Kokandy (Executive Producer) and Adrian Abel Azevedo & Leda Hoffman (Artistic Associates). The Board of Directors includes Preston Cropp, Scot T. Kokandy, Danielle Sparklin and Katie Svaicer. 


For additional information, visit kokandyproductions.com

Raven Theatre, under the director of Executive Artistic Director Jonathan Berry, announces its 44th season, to include Michael R. Jackson's Pulitzer Prize-winning musical A Strange Loop, directed by Mikael Burke in a co-production with About Face Theatre; Tennessee Williams' The Glass Menagerie, directed by Raven Executive Artistic Director Jonathan Berry; and Sharyn Rothstein's Tell Me I'm Not Crazy, directed by Georgette Verdin in a co-production with Rivendell Theatre Ensemble.

"With this season, we take what has always been essential about The Raven – plays that reach both back and forward to connect us to our cultural landscape – and expand it to include more voices, to take more risks, to be more in conversation with our current moment and to connect with our community, comments Jonathan Berry. "In Michael Jackson's boundary pushing, Pulitzer Prize winning musical A Strange Loop a young, black, queer playwright takes a perilous, ultimately beautiful journey of self- discovery. A poet returns to his family and a heartrending moment of decision in Tennessee William's stunning memory play, The Glass Menagerie. Tell Me I'm Not Crazy is Sharyn Rothstein's poignant, comedy about how one family struggles to feel in control during chaotically divisive times."

Subscriptions to the three-play season start at $120 are currently on sale at raventheatre.com. Subscribers receive priority season, and save up to $50 off regular tickets prices, plus discounts on      tickets for family and friends, 10% off concessions, and 20% off tickets to Raven Theatre's Resident Company The Story Theatre

The 2026-2027 season is:

The 2022 Tony Award Winner for Best Musical and Best Book of a Musical
and the 2020 Pulitzer Prize Winner
A STRANGE LOOP
by Michael R. Jackson
directed by Mikael Burke
in a co-production with About Face Theatre
October 8-November 8, 2026
Opening: October 14, 2026

Usher is a Black, queer playwright who spends his days working as an usher on Broadway. He spends his nights struggling to write an original musical about a Black, queer playwright who spends his days working as an usher on Broadway. Lines blur, thoughts intrude, and soon he finds himself wrestling to break free from a very strange creative loop.

This blistering, groundbreaking, Pulitzer Prize winning musical explores identity, race and sexuality through the lens of a young artist at war with a chorus of his own demons and inner voices on a journey towards understanding and self love.

Tennessee Williams' memory play directed by Raven's new Executive Artistic Director Jonathan Berry
THE GLASS MENAGERIE
by Tennessee Williams
directed by Jonathan Berry
February 11-March 21, 2027
Opening: February 17, 2027

As America struggles through the Great Depression and the world stands on the brink of a second World War, a young man tries to dream of a future beyond the stifling confines of his day to day existence.

Tom Wingfield dreams of adventure while his mother Amanda desperately yearns for a secure future for her two children. Sister Laura retreats into the fragile confines of her glass menagerie. A long hoped for arrival of a gentleman caller sends the family hurtling towards either salvation or despair.

After 30 years, Tennessee Willams groundbreaking, autobiographical masterpiece returns to the Raven Stage in a bold new production.

From the playwright of Raven's hit production Right to be Forgotten
TELL ME I'M NOT CRAZY
by Sharyn Rothstein
directed by Georgette Verdin
in a co-production with Rivendell Theatre Ensemble
April 30-June 13, 2027
Opening: May 12, 2027

Life can be overwhelming at any stage – kids to raise, in-laws to deal with, work-life to balance. In an age of shifting gender dynamics and rising cost of living, it can be a struggle to feel in control. But for recent retiree Sol Koening, a neighborhood crime wave proves to be the final straw. He buys a gun, joins a shooting range and sends his loving family running for cover.

As barbed jokes fly and tempers flare, the once-close family threatens to break apart in this hilarious comedy about two generations struggling to find common ground in an America at odds with itself.

This production is a Chicago premiere from the playwright of Raven's smash hit Right to be Forgotten.

ABOUT RAVEN THEATRE COMPANY

Raven Theatre tells stories of today and the past that connect us to our cultural landscape. Raven's commitment to modern drama in all of its forms, as well as its first-class education programming, have helped it remain a cultural cornerstone on the north side of Chicago for 40 years and counting.

For 44 years, Raven Theatre has been the home to revivals of modern dramas and thought-provoking new works to the Northside Chicago community, as well as theatrical education to the children and schools in the surrounding neighborhoods. Founded in 1983, Raven moved into its current home in 2002 with its 85-seat Johnson Stage and its 56-seat Schwartz Stage.

Subscription Series – Raven offers three productions in its subscription series, all in the East Stage, focusing on revivals of works primarily from the late 19th century to the present and including both Chicago and World Premieres.

Educational Programming – Raven provides teaching artists to neighborhood schools for in-school theatrical residencies, a field trip program for elementary school students, and a robust children's theatrical summer camp program.

With efforts in the community, in neighborhood schools, and on the stage, Raven plays an important part in the city's cultural landscape.

Raven Theatre Company is funded in part by The Gaylord and Dorothy Donnelley Foundation, JCCC Foundation, Paul M. Angell Foundation, Polk Bros Foundation, S&C Electric Company Fund, and The Shubert Foundation. This project is partially supported by a CityArts grant from the City of Chicago Department of Cultural Affairs and Special Events. This programming is partially supported by a grant from the Illinois Arts Council Agency. For more information visit www.raventheatre.com.

On the heels of an unprecedented Centennial Season, Goodman Theatre sets a bold stage for its second century. Walter Artistic Director Susan V. Booth and Executive Director John Collins announce the 2026/2027 Season line-up of world-class talent and first-rate artistry here at home, beginning this fall. With 12 productions—five world or Chicago premieres, a reinvestigated classic, a major musical revival of a generation-defining sensation, three long-running productions, plus two new plays for our youngest audiences (ages 0-5)—there is something for everyone, from longtime patrons to those discovering Chicago's largest not-for-profit resident theater for the first time.

"We are living in a moment of enormous catalysts. And while our self-preservation instincts tells us we ought to go numb, it's actually the most necessary time to feel big feelings. To be awake. To care deeply. To laugh loud and to cry hard so we stay fully human. We've strived to put together a season that evokes all of that—and more," said Walter Artistic Director Susan V. Booth.

Added Executive Director John Collins, "We launch our second century with a lineup of theatrical experiences celebrating Goodman's unparalleled scope and scale. We are excited to bring our 101st season of boundary-pushing theater to our beloved Chicago audiences."

Opening the 26/27 Season in the 856-seat Albert Theatre is the world premiere of The 7 Fingers' The Attic; Things I've Seen While Lying on My Back created and directed by Shana Carroll; next, Kimberly Belflower's Broadway smash sensation John Proctor is The Villain makes its Chicago debut, directed by Marti Lyons, produced in partnership with The Guthrie Theater; then, Marsha Norman's 'Night Mother appears in a major revival starring stage and screen actor S. Epatha Merkerson, directed by Michael Pressman; and Susan V. Booth directs a major musical revival of Green Day's American Idiot, music by Green Day, lyrics by Billie Joe Armstrong, book by Billie Joe Armstrong and Michael Mayer. The three-production series in the 400-seat flexible Owen Theatre begins with two world premieres: Dead Girl's Quinceañera by Phanésia Pharel, directed by Melia Bensussen, produced in partnership with Barrington Stage and Hartford Stage, followed by Calamity West's FEAST!, directed by Susan V. Booth; the Chicago premiere of Kemp Powers' The XIXth (The Nineteenth) directed by Carl Cofield rounds out the series. 

The 49th annual production of A Christmas Carol, directed by Malkia Stampley, sees a new Scrooge: Chicago titan Tim Hopper assumes the role for the first time. Building on its success, Theater for the Very Young will debut two new productions—created by Marisa Carr, Ellie Levine and Jamal Howard; and the New Stages Festival returns for its 22nd year, offering the first look at the newest plays. In addition, The Goodman proudly continues two highly acclaimed off-shoot enterprises—David Byrne and Mala Gaonkar's immersive Theater of the Mind, directed by Andrew Scoville (333 N. LaSalle), and Dennis Watkins' The Magic Parlour, heading into its 4th year in partnership with Petterino's (50 W. Randolph).

The 2026/2027 Season begins September 2026 and continues through August 2027. Memberships, including flexible packages, are now available for purchase starting at just $54. Call 312.443.3800 or visit GoodmanTheatre.org/2627. Single tickets go on sale for select productions beginning next month.

About the Productions in Goodman Theatre's 2026/2027 Season
Plays are listed in chronological order by venue

The Goodman is grateful to Allstate, JPMorgan Chase & Co., The Elizabeth Morse Charitable Trust, Northern Trust, Abbott Fund, Katten, PNC and Winston & Strawn LLP for their support of the 26/27 Season.

IN THE ALBERT THEATRE (856-SEAT PROSCENIUM STAGE)

The Goodman premieres The 7 Fingers'
The Attic; Things I've Seen While Lying on My Back
Written, Directed and Choreographed by Shana Carroll
September 5 – October 4 | A World Premiere
 

The 7 Fingers is "pulse-raising magic" (The New York Times). 

From the primal vista of her childhood bedroom springs Shana Carroll's wildly imaginative, ground-breaking memoir that takes theater to new heights. Inspired by the Tony Award-nominated former trapezist's mesmerizing life story, a company of fearless performers transforms memory into daring aerial feats that are as moving as they are breathtaking. In the air, on the floor and from the heart, Montreal's multidisciplinary creative collective, The 7 Fingers, brings its "thrillingly modern brand of circus" (Time Out New York) to The Goodman in this moving new work that embraces the fear and courage of being human.  

49th Annual A Christmas Carol 
Adapted by Tom Creamer 
Directed by Malkia Stampley 
November 13 – December 31 | Starring Tim Hopper as Ebenezer Scrooge

"I will honor Christmas in my heart, and try to keep it all the year."  

Millions have rediscovered Dickens' classic at The Goodman over the past five decades—and know why it's "the best Christmas story ever told!" (Time Out Chicago). Follow the miserly Ebenezer Scrooge as ghostly intervention transforms his holiday disdain into delight one fateful Christmas night. Chicago favorite Tim Hopper—"for whom a furrowed brow and serious visage comes easily" (Chicago Tribune)—makes his debut as Scrooge. This timeless production, long heralded for its "first-rate cast and marvelous staging" (Chicago Sun-Times), is not to be missed. 

John Proctor is the Villain 
By Kimberly Belflower 
Directed by Marti Lyons 
January 23 – February 21, 2027 | A Chicago Premiere

The kids are not only all right, they're on fire. 

Fueled by pop music, optimism and fury, five young women are about to light up some of the darkest secrets of their one-stoplight town. The Chicago premiere of the Tony Award nominated Broadway smash sensation—hailed as "the new era of cool-girl theater" (BrooklynRail.org) "igniting its own cultural moment" (Variety)—pulses with humor and energy. Heroes, villains and who gets blamed when the hysteria starts are up for debate in this "vital, hilarious, thrilling and urgently necessary" (The New York Times) unflinching perspective of a generation staking its claim. A co-production with Guthrie Theater. 

'night, Mother
By Marsha Norman
Directed by Michael Pressman
March 27 – April 25, 2027
 

How well do we know the ones we love most?  

Four decades after its astonishing debut, Marsha Norman's Pulitzer Prize-winning darkly comic landmark drama returns in a new, of-the-moment production—starring Emmy- and Golden Globe-award winner S. Epatha Merkerson (Law and Order, Chicago Med, the HBO film Lakawanna Blues, Broadway's Come Back Little Sheba). When a daughter makes a life-altering confession to her mother, their ordinary evening exchange gives way to a breathtaking roller coaster ride—gripping, profoundly relevant and "more harrowing than even its plot suggests" (The New York Times). With unblinking honesty, Emmy Award-winner Michael Pressman directs this profound reckoning about choice, care and what it means to be truly heard. 

Green Day's
American Idiot

Music by Green Day
Lyrics by Billie Joe Armstrong
Book by Billie Joe Armstrong and Michael Mayer
Directed by Susan V. Booth
June 18 – July 25, 2027  

"A global knockout" (Rolling Stone). 

Tune in, wake up, fight back! With urgent new creative force, Green Day's two-time Tony Award-winning smash sensation that defined a generation roars back to the stage—for the first time in Chicago in more than a decade—in Susan V. Booth's major new production. Three lifelong friends search for meaning in a world that never stops demanding it, each pulled deeper into chaos—of war, of responsibility, of escape. Every song from the band's eponymous Grammy Award-winning, multi-platinum album and hits from 21st Century Breakdown punctuate this high-octane, adrenaline-fueled experience about the ever-elusive promise of the American dream. 

IN THE OWEN THEATRE (400-SEAT FLEXIBLE STAGE)

Dead Girl's Quinceañera
By Phanésia Pharel
Directed by Melia Bensussen
September 26 – November 1, 2026 | A World Premiere

Detective skills: unverified. Determination: unmatched.  

FACT: Maria was last seen at her Quinceañera. FACT: The party ended early due to an unknown emergency. FACT: Maria has not responded to any messages in 36 hours. Now, her three best friends—armed with confidence, questionable clues, and zero adult supervision—are on the case, racing against the clock to find out what happened. Half-baked theories, big feelings and the pressures of Latine girlhood punctuate this joy ride through the power and pleasure of adolescent friendships—a comic thriller of secrets, sisterhood and solving crime. A Collective World Premiere with Barrington Stage Company and Hartford Stage. 

FEAST!
By Calamity West
Directed by Susan V. Booth
February 27 – March 28, 2027 | A World Premier
e

Nothing spoils faster than pride. 

Carol has just been fired. Meantime, her husband Michael has bought and paid for her company's $12,000 dinner. Instead of canceling, they decide to go through with it to prove they still have a place at the table. But when no guests arrive, the evening unravels into a darkly funny collision of money and marriage that asks what we are prepared to normalize in exchange for belonging. Susan V. Booth directs this smart, searing new satire that serves up a slice of privilege and power from "one of the best playwrights in Chicago. Or maybe the country. Or the universe" (Chicago Reader). FEAST! is the recipient of the 2026 Laurents / Hatcher Foundation Award. 

The XIXth (The Nineteenth)
By Kemp Powers
Directed by Carl Cofield
April 17 – May 16, 2027 | A Chicago Premiere

"Visual pop, fleet pacing, muscular energy, welcome humor" (San Diego Union Tribune). 

In Mexico City, 1968, courage comes with a price. When two Black American sprinters deliver a protest seen around the world, what followed was more complex—and far more dangerous. With a blend of sharp wit and searing emotion, Academy Award-nominee Kemp Powers explores what it truly costs to speak out when everyone is watching in this gripping Chicago-premiere production. 

22nd Annual New Stages Festival
December 5 – 13

Offered free of charge, the annual New Stages Festival is designed to give playwrights an opportunity to experience their work in front of an audience. New Stages offers Chicago theatergoers a first look at dozens of plays, many of which have gone on to become successful full productions—including three plays featured in the Centennial season, Ashland Avenue, Revolution(s) and The Brief Wondrous Life of Oscar Wao—as well as Noah Haidle's Smokefall, Lynn Nottage's Pulitzer Prize-winning Ruined and more.

HERE, AROUND THE CORNER AND IN THE COMMUNITY

Theater for the Very Young Productions

In the Loop
Created and Directed by Jamal Howard and Ellie Levine
Co-Produced by The Wirtz Center for the Performing Arts, Northwestern University
January 30 – February 28, 2027 | Performed in the Alice Center and at locations citywide

Set aboard Chicago's trains and buses, In the Loop invites audiences on a playful journey across the city celebrating the sights, sounds and communities that connect our city's neighborhoods. In the Loop will also include a multi-week tour to classrooms and early childhood spaces across the city. On the heels of their successful collaboration with Splish Splash: A Day on the LakeJamal Howard and Ellie Levine reunite to create and direct this interactive production, developed in collaboration with Northwestern undergraduate students and 2- to 5-year-olds from Total Child Preschool in Evanston. 

A World Premiere "Theater for the Very Young" production
By Marisa Carr
Summer 2027 dates TBA

Next summer, The Goodman expands its investment in "Theater for the Very Young" with its first direct commission—a new production by award-winning playwright Marisa Carr, alum of The Goodman's 2020/2021 Playwrights Unit. 

Theater for the Very Young (TVY) programming offers immersive theatrical experiences—produced and performed by professional artists—designed for children ages 0–5 years old to experience alongside the grown-ups in their lives. Created in 2023 by Goodman Walter Artistic Director Susan V. Booth in response to research demonstrating the profound impact the arts can have on early childhood development and long-term learning outcomes, TVY introduces Chicagoland's youngest audiences to live theater through storytelling, music, movement and sensory-rich play produced and performed by professional artsts. Curated by Clifford Director of Education and Engagement Jared Bellot, TVY productions support early literacy, creativity and social-emotional learning while aiming to initiate a lifelong love of the arts. Over the past three years, TVY has served thousands of children and families in Chicago parks, theaters, schools and community spaces with productions of the plays Splish Splash: A Day on the Lake (2026); Book Up! (2025); The Lizard y El Sol (2024); and Pearl Cleage's In My Granny's Garden (2023). Schools, daycares and community organizations interested in bringing "Theater for the Very Young" programming to their spaces are invited to contact This email address is being protected from spambots. You need JavaScript enabled to view it. for pricing, scheduling and more information.

Theater of the Mind
Created by David Byrne and Mala Gaonkar
Directed by Andrew Scoville
Produced by Goodman Theatre at the Reid Murdoch Building (333 N. LaSalle)
TheaterOfTheMindChicago.com

Co-created by Academy, Grammy, and Tony Award-winning artist David Byrne and writer Mala Gaonkar, Theater of the Mind is an only-in-Chicago theatrical experience you'll see, feel, taste and hear.  Already a hit cultural attraction, Theater of the Mind is a 75-minute mind-bending sensory journey for 16 audience members at a time. Led by a Guide whose stories are inspired by the creators' lives, audiences explore how they perceive the world through sensory experiments derived from both historical and current neuroscience research that reveal the inner mysteries of the brain. Theater of the Mind debuted in March 2026 as a centerpiece of The Goodman's Centennial 25/26 Season and continues to amaze audiences at its River North location in the Reid Murdoch Building. 

Dennis Watkins' The Magic Parlour
Produced by Goodman Theatre and Petterino's (50 W. Randolph)
TheMagicParlourChicago.com

Step into The Magic Parlour, where the impossible becomes reality, right before your eyes—and sometimes in your own hands. ​Join award-winning magician Dennis Watkins as he delivers his signature blend of sharp sleight-of-hand, sophisticated mind-reading and personal storytelling to rekindle your sense of wonder. Now in year three at our cozy speakeasy theater, the premiere show offers brand new magic along with the return of Watkins' The Spirit Cabinet Halloween event, and some of the nation's greatest magicians as guest artists-in-residence. 

ABOUT THE GOODMAN

Since 1925, The Goodman has been a theatrical home for artists and a gathering space for Chicagoland, where bold stories spark connection, conversation and change. Now, as it enters its second century, The Goodman builds on that legacy with an eye toward the future. Under the leadership of Walter Artistic Director Susan V. Booth and Executive Director John Collins, the theater continues to champion new work—following hundreds of plays developed and a national reputation for commissioning and premiering original stories by living writers—while reimagining classics and produce large-scale musicals.

But The Goodman's reach today extends beyond its home in the heart of the Loop. From the intimate magic of The Magic Parlour, now in its third year, to the boundary-pushing world of Theater of the Mind—an immersive experience that blurs the lines between science, storytelling and sensation—and from citywide initiatives like 100 Free Acts of Theater to partnerships with artists and companies across Chicago and around the world, The Goodman is expanding what theater can be, and where it can live.

At its core, The Goodman is driven by a belief that a more empathetic, more connected city is built one story at a time. Generation-spanning productions and programs offer theater for a lifetime—from babies and young children to teens, adults and seniors—including Theater for the Very Young (ages 0–5) and the beloved annual A Christmas Carol, which has welcomed audiences for five decades. Education and Engagement programs, led by Clifford Director Jared Bellot and based in the Alice Rapoport Center, use the tools of theater to spark imagination, reflection and belonging—reaching thousands each year, the majority from underserved communities.

With nearly 200 world or American premieres, two Pulitzer Prizes, 22 Tony Awards and nearly 200 Joseph Jefferson Awards, The Goodman remains a defining force in American theater—and the first to produce all 10 plays of August Wilson's American Century Cycle. The theater also frequently serves as a production partner—from national and international companies to Chicago's Off-Loop theaters—to help amplify a wide range of theatrical voices.

Founded by William O. Goodman and his family in memory of playwright Kenneth Sawyer Goodman, the theater carries forward a legacy of artistic ambition and civic generosity. With the help of Mr. Goodman's descendants—Albert Ivar Goodman and his late mother, Edith-Marie Appleton—that spirit continues to shape its future as The Goodman expands its impact across Chicago and beyond. Marsha Cruzan is Chair of the Goodman Theatre Board of Trustees; Diane Landgren is Women's Board President; and Kelli Garcia is president of the Scenemakers Board for Young Professionals.

The Goodman stands on the unceded homelands of the Council of the Three Fires—the Ojibwe, Odawa, and Potawatomi Nations—and acknowledges the many other Nations for whom this land now called Chicago has long been home, including the Myaamia, Ho-Chunk, Menominee, Sac and Fox, Peoria, Kaskaskia, Wea, Kickapoo, and Mascouten. The Goodman is proud to partner with the Gichigamiin Indigenous Nations Museum (Gichigamiin-Museum.org) and the Center for Native Futures (CenterForNativeFutures.org)—organizations devoted to honoring Indigenous stories, preserving cultural memory, and deepening public understanding.

Chicago Magic Lounge, Chicago's home for close-up magic, announces the return of world-renowned magician Ondřej Pšenička in a limited run of his hit show 52 Lovers, directed by Stepan Gajdos. Spend an evening with one of magic's most inventive contemporary voices in 52 Lovers, an intimate performance presented up close in Chicago Magic Lounge's Harry Blackstone Cabaret theater. Quirky, disarming, and brilliantly original, Pšenička blends offbeat humor with world-class sleight of hand in a style entirely his own.

52 Lovers plays Wednesdays at 7:00pm, July 1 – August 26, 2026. Tickets are priced $44 (Standard) and $50 (Front Row), plus applicable fees. Tickets for all Chicago Magic Lounge shows are available at the box office, (312) 366-4500 or online at chicagomagiclounge.com.

A true innovator, Ondřej combines original creations with expertly curated effects, delivered with a playful unpredictability that keeps audiences leaning in. With a subtle current of absurdism throughout, 52 Lovers is sharp, surprising, and delightfully off-center—showcasing expert technique with an effortless touch that makes the impossible look easy.

Each evening begins with close-up magic performed right at your table by Chicago Magic Lounge's talented house magicians. Between visits, guests can socialize, enjoy craft cocktails and small plates, and take in the vintage ambiance of the Harry Blackstone Cabaret.

About Ondřej Pšenička (pronounced ON-dray psheh-NEETCH-kuh)
Ondřej Pšenička is a world-renowned magician celebrated for his inventive approach to card magic and close-up performance. Hailing from the Czech Republic, he has performed on stages across the globe and is a regular at the World Famous Magic Castle in Hollywood, California. Known for his quirky humor, subtle surrealism, and technical mastery, Pšenička has baffled audiences worldwide, most notably fooling Penn & Teller three times on Penn & Teller: Fool Us. His creations blend originality, precision, and playfulness, making every performance unforgettable.

Also Happening at Chicago Magic Lounge

The Close-Up Show
Mondays at 7:00pm
Tickets: General Admission $35 - $37

The Showcase
Tuesdays at 7:00pm
Tickets: Standard: $37.50 - $39; Front Row: $42 - $44

The Signature Show
Thursdays-Sundays at 7:00pm, Fridays & Saturdays at 10pm
Tickets: Front Row $89.50 - $103, Premium Main Floor (main floor banquette and main floor cabaret) $76.00 – $95.00, Standard (rail and elevated banquette) $68.50 - $84, Mezzanine $55.00 – $68.00

Tickets for all Chicago Magic Lounge performances are available at the box office, (312) 366-4500 or online at chicagomagiclounge.com. Chicago Magic Lounge is a 21+ venue. Ages 16+ allowed to ticketed evening shows with a legal guardian.

For a complete schedule of performances and more information about Chicago Magic Lounge, resident and guest performers, and more, please visit chicagomagiclounge.com.

Porchlight Music Theatre is proud to announce the return of its free summer concert series Broadway in your BackyardJuly 6 - September 19, sponsored by Chicago Free For All FundBroadway in your Backyard is directed by Artistic Director Michael Weber, music directed by Linda Madonia and starring Tafadzwa DienerNik Kmiecik, Juwon Tyrel Perry and Bethany Thomas. For more information go to PorchlightMusicTheatre.org.

Now in its sixth year, this free to the public summer series has become one of Porchlight’s most popular offerings with thousands of people enjoying Porchlight favorite artists performing hits and beloved songs from the Broadway and Hollywood musical song books including Hello, Dolly!, Mary Poppins, Willy Wonka and the Chocolate Factory, Toy Story, The Wiz and others. 

The 2026 Broadway in your Backyard season is 

Monday, July 6 at 6:30 p.m.

Northcenter Town Square,  4100 N. Damen Ave.

This appearance also includes a performance from students of The Chicago Academy for the Arts. 

Tuesday, July 7 at 6:30 p.m.

Welles Park,  2333 W. Sunnyside Ave.

This appearance also includes a performance from students of The Chicago Academy for the Arts. Additionally, audiences may join Porchlight’s Education as they host a “Kids’ Day” at Welles Park with activities and treats for children, while supplies last. 

Monday, July 13 at 6:30 p.m.

Berger Park,Waterfront Cafe, 6205 N. Sheridan Rd.

This appearance also includes a performance from PMTeens, Porchlight’s teen performers enrolled in its summer education programming.

Tuesday, July 14 at 6:30 p.m.

Washington Square Park, 901 N. Clark St. 

This appearance also includes a performance from PMTeens, Porchlight’s teen performers enrolled in its summer education programming and Porchlight Young Professionals Associate Board hosting a “Picnic With PYP” at the performance. “Picnic With PYP,” additional details to be announced. 

Navy Pier, STAGE TBD, 600 E. Grand Ave.

Saturday, Sept. 19 at 12:30 p.m.

Porchlight Music Theatre presents its popular Broadway in your Backyard program of family-friendly showtunes as it joins more than 110 artists and organizations for Navy Pier’s the annual celebration of Chicago’s vibrant arts and cultural community. 

Performance dates and venues are subject to change.

ABOUT PORCHLIGHT MUSIC THEATRE

Porchlight Music Theatre, in its 31st season, is the award-winning center for music theatre in Chicago. Through live performance, youth education and community outreach, we impact thousands of lives each season, bringing the magic of musicals to our theatre home at the Ruth Page Center for the Arts in the Gold Coast and to neighborhoods across the city. Porchlight has built a national reputation for boldly reimagining classic musicals, supporting new works and young performers, and showcasing Chicago’s most notable music theatre artists, all through the intimate and powerful theatrical lens of the “Chicago Style.” 

Porchlight's history over three decades includes more than 70 mainstage works with 15 Chicago premieres and five world premieres. 

Porchlight's education and outreach programs serve schools, youth of all ages and skill levels and community organizations. Porchlight annually awards dozens of full scholarships and hundreds of free tickets to ensure accessibility and real engagement with this uniquely American art form. 

The company’s many honors include 178 Joseph Jefferson Award (Jeff) nominations and 50 Jeff awards, as well as 44 Black Theatre Alliance (BTA) nominations and 15 BTA awards. In 2019, Porchlight graduated to the Large Theatre tier of the Equity Jeff Awards and has been honored with seven awards in this tier to date including Best Ensemble for Duke Ellington’s Sophisticated Ladies (2019) and Best Production-Revue for Blues in the Night (2022). 

Through the global pandemic, Porchlight emerged as one of Chicago’s leaders in virtual programming, quickly launching a host of free offerings like Sondheim @ 90 Roundtables, Movie Musical Mondays, Porchlight by Request: Command Performances and WPMT: Classic Musicals from the Golden Age of Radio. In 2021, Porchlight launched its annual summer series, Broadway in your Backyard, performing at parks and venues throughout the city. 

Chicago’s Shattered Globe Theatre announced today that Ian Frank has been selected, following a national search, to be the company’s new Producing Artistic Director.

Frank comes to Shattered Globe from Mudlark Theater in Evanston, where he has been the Executive Director since 2023. 

“On behalf of the Shattered Globe Theatre Board of Directors and Ensemble, I am delighted to welcome Ian back to the ‘rehearsal room’ after honing his administrative skills over the past few years,” said Sara Mushlitz, Shattered Globe Board President and Search Committee Chair. “Ian has a profound respect for Shattered Globe’s history, its storefront performance landscape and most of all a commitment to Ensemble-led theater and the Shattered Globe community that has thrived as an Ensemble for 35 years. With a strong artistic voice and experience in Chicago theater, a collaborative perspective and a passion to create meaningful work, Ian will help steward Shattered Globe into its next chapter.”

“From a large pool of highly qualified candidates enthusiastic to contribute to this new chapter of Shattered Globe, Ian Frank rose to the top,” added Shattered Globe Ensemble Member Leslie Ann Sheppard. “We are excited to have him join the team and legacy of SGT."

"I’m deeply honored to be entrusted with Shattered Globe’s remarkable legacy, embodied by Sandy Shinner’s leadership and the commitment to uplifting the art by uplifting the artists who make it,” said Frank.

Frank is an award-winning stage director, adapter, and arts leader. Frank directed Frankenstein (Jeff Awards — Best Production, Best Director) for Remy Bumppo Theatre where he helped produce more than 15 mainstage productions as the Associate Artistic Director from 2015-2021. Other Chicago directing credits include Private Lives (Raven Theatre), Incident at Vichy (Jeff Nomination - Best Ensemble), Another Bone and Shipwrecked! (Redtwist), and Bob: A Life in Five Acts (LiveWire). Regionally, Frank directed Remix 38 at the Humana Festival of New American Plays at Actors Theatre of Louisville where he has a long history of collaboration, starting as an Acting Apprentice in 2004. His work has also taken him to Milwaukee Rep, The Kennedy Center, and Chicago Shakespeare Theater. Frank holds an MFA in Directing from The Theatre School at DePaul University and has returned to direct several times. He has also directed at his undergraduate alma mater, Centre College, and at the University of South Carolina. His adaptation of The Call of the Wild was produced at the University of Montana in 2022. Frank has extensive experience on both the artistic and producing side of theater, including working in the Chicago office of Actors’ Equity Association. He came to Chicago in 2008, and now lives in Chicago’s North Center neighborhood with his wife, actor Emily Tate, their son, Baxter, and their dog, Alba.

Frank’s predecessor, Chicago theater veteran Sandy Shinner, announced she was stepping down after 13 years serving as Shattered Globe’s first-ever Producing Artistic Director. Shinner will remain a Shattered Globe Ensemble Member and looks forward to continuing working with SGT as a director and advisor on future projects.

"Collaborating with the multi-talented SGT Ensemble has been a highlight of my career,” said Shinner. “I’m extremely proud of everything we have accomplished together, including creating nearly 30 memorable productions, increasing salaries for artists, building a staff and relationships with new playwrights, directors, actors and designers, growing our unique Protégé training program, and launching SGT’s new play development program, our Global Playwrights Series.”

Currently, Shattered Globe is presenting its 35th season finale, Eelpout!, a world premiere comedy by Paul W. Kruse, directed by Jeremy Ohringer. When best friends Sven and Ole come together to celebrate at an ice-fishing bachelor party on a frozen lake in Minnesota, an unexpected confession hooks into deeper truths, along with a talking fish. Performances run through May 30 at Theater Wit, 1229 W. Belmont Ave. in Chicago’s Lakeview neighborhood. Tickets are $20-$60. For tickets and information, visit sgtheatre.org.

About Shattered Globe Theatre

Shattered Globe Theatre seeks to redefine what it means to be an ensemble theatre, discover new connections between story, artist and audience, and explore drama from bold, challenging perspectives. 

Shattered Globe Theatre was born in a storefront space on Halsted Street in 1991. Since then, SGT has produced more than 80 plays, including nine American and world premieres, and garnered an impressive 53 Jeff Awards and 132 Jeff Award nominations, as well as the acclaim of critics and audiences alike.

Guided by Producing Artistic Director Sandy Shinner since 2013, Shattered Globe’s values are rooted in a commitment to racial equity, respect for all artists and support for the ensemble, while creating new opportunities to amplify traditionally marginalized voices and collaborate in all aspects of its work. Through initiatives such as the Protégé Program, Shattered Globe creates a space which allows emerging artists to grow and share in the ensemble experience.

Shattered Globe Theatre’s Ensemble includes Judy Anderson, Louis Contey, David DastmalchianDemetra Dee, Ellie Fey, Joe Forbrich, Christina Gorman, Daria Harper, Kotryna Hilko, Tina M. Jach, Rebecca Jordan, Steve Kleinedler, Vivian Knouse, AmBer Montgomery, Tina Muñoz Pandya, Eileen Niccolai, Jazzma Pryor, Deanna Reed-Foster, Linda Reiter, Jeff Rodriguez, Drew Schad, Adam Schulmerich, Leslie Ann Sheppard, Sandy Shinner, Joe Sikora, Shelley Strasser, Devonte E. Washington, Sarah Jo White, Joseph Wiens and Brad Woodard.

SGT’s Artistic Associates includes Daniela Colucci, Elliot Esquivel, Mikey Gray, Lawrence Grimm, Ronald Hale, Darren Jones, Christopher Kriz, Jason Lynch, Elizabeth Margolius, Kelsey Melvin, Lydia Moss, Tim Newell, Jane Nix, Winter Olamina, Aila Peck, Steve Peebles, Cage Sebastian Pierre, David Antonio Reed, Jasmine Cheri Rush, Angie Shriner, Abbey Smith, Becca Smith, Hershey Suri, Michael Trudeau and Ayanna Wimberley.

SGT is supported in part by generous grants from the Shulman-Rochambeau Charitable Foundation, Brenda and James Grusecki, The Paul M. Angell Family Foundation, Carol P. Eastin, The Shubert Foundation, Judith and David Sensibar, the Illinois Arts Council, The Gaylord and Dorothy Donnelley Foundation and Americans for the Arts.

Visit SGTheatre.org for subscriptions, tickets and information, and follow the company @shatteredglobe on Facebook and Instagram

Chicago Shakespeare Theater (CST) Artistic Director Edward Hall and Executive Director Kimberly Motes announce today the company's 40th Anniversary Season. America's leading Shakespeare Theater curates a season rooted in Shakespeare and Chicago with a complement of world-class contemporary work—emblematic of the Theater's global, yet unmistakably Chicago perspective. Celebrating four decades of vivid and entertaining performances that captivate minds, spark conversation, and invite new perspectives, CST now embarks on the Theater's next thrilling chapter.

The 2026/27 Season begins with Play On!, a joyful musical inspired by Shakespeare's Twelfth Night set to the songs of Duke Ellington, directed by Sheldon Epps. Next is an unforgettable theatrical event: The Winter's Tale and A Midsummer Night's Dream, both staged by Artistic Director Edward Hall and performed in repertory by a single company of 14 actors, a first-ever in CST's history. The winter will feature Romeo y Julieta, a bilingual English and Spanish adaptation of Romeo and Juliet directed by Henry Godinez; and the return of the Tony Award-winning smash hit Illinoise, based on the Sufjan Stevens album and directed and choreographed by Justin Peck, after a sold-out world premiere at CST in 2024. The season ends with the hilarious whodunnit Reunion in Bartersville directed by Jerry Dixon; and the world premiere of Heartbreakers, a high-voltage reimagining of Shakespeare's Romeo and Juliet told through the electrifying rock catalog of Grammy-winners Pat Benatar and Neil Giraldo and with book and direction by Bradley Bredeweg. CST continues to deepen its commitment to the next generation of theatergoers through award-winning education programs, annually serving more students and teachers than any theater in the city.

"It is only fitting that this celebratory milestone season brings together the best of Shakespeare and the best of contemporary work," said Edward Hall, Artistic Director. "We've long believed that plays of the past can illuminate our present—and that the voices of today shine a light on how much we share with one another: past, present, and future. It is my joy to embrace our audiences with distinctly Chicago-style Shakespeare. This upcoming season is a tribute to the artistry, excellence, and ambition that has come to define Chicago Shakespeare Theater."

"From the moment that the first words 'O for a Muse of Fire...' were spoken on the roof of the Red Lion Pub in Barbara Gaines' debut production of Henry V, a destiny for Chicago Shakespeare Theater was born," shared Kimberly Motes, Executive Director. "Now forty years later, CST has grown beyond what anyone might have imagined—and the sky is the limit as we dream ahead to the Theater's next 40 years and beyond."

The 2026/2027 Season

Launching the season in The Yard is Play On! (September 11–October 18, 2026 | The Yard), a joyful musical retelling of Shakespeare's beloved comedy Twelfth Night set to the timeless jazz tunes of quintessential American composer Duke Ellington. Original creator Sheldon Epps returns to the three-time Tony-nominated musical with book by Cheryl L. West for the first time in 20 years to stage Shakespeare's story for a new generation. Aspiring songwriter Vy takes the A-Train to Harlem in the swinging 1930s with big dreams of a career in showbiz, only to find that it's a man's world. She disguises herself to reach the inner circle of renowned band leader, the Duke—but plans backfire when she catches the eye of Lady Liv, the star singer of the Cotton Club, and mistaken identities make way for romance. Music is indeed the food of love with big band pizzazz and Ellington's hit songs "It Don't Mean a Thing," "Don't Get Around Much Anymore," "I'm Beginning to the See the Light," and much more. Play On! is presented in association with MMaxwellMedia, WMK Productions, Alyssa Melani, and The Classical Theatre of Harlem.

"Over the last couple of years, Cheryl and I took a deep dive back into the book of the show," revealed director Sheldon Epps. "Our credo in all of this has been to enhance and heighten the celebration of Black Excellence, Black Brilliance, and Black JOY. The Excellence being the celebration of the artists who inspired these characters and the actual cast onstage; the Brilliance is that of Mr. Shakespeare and the Duke of Ellington; and the Joy is consistently the experience of the audience that we hope to achieve with each performance. In simple but very effective ways, we have and will continue to focus on the fact that the show is all about the search for LOVE, and removing the masks that we often wear that keep that hoped-for goal from entering our lives fully."

CST's 40th Anniversary Season continues with an unforgettable theatrical event in the Jentes Family Courtyard Theater: for the first time in CST's history, two plays will be performed in repertory by one masterfully talented Chicago Shakespeare Company of actors. Under the creative leadership of CST Artistic Director Edward Hall and taking its inspiration from Shakespeare's own company and CST's roots as the Shakespeare Repertory, a company of 14 actors perform both The Winter's Tale and A Midsummer Night's Dream, two of Shakespeare's most beguiling fairy tales. This double header of productions makes for a thrilling theatrical experience, with two beautiful plays exploring the formidable power of love, laughter, and forgiveness. Audiences will have the unique opportunity to experience both repertory productions in one day on November 21 & 24 and December 5 & 12.

"Bringing these two plays together with one group of actors is a genuinely exciting prospect," said Artistic Director Edward Hall. "Audiences will have the rare opportunity of seeing performers switch into completely different roles from one play to another celebrating Chicago's huge well of creative talent. This Chicago Shakespeare Company will have it all: laughter, drama, magic, forgiveness, and love. An unforgettable journey through magic forests and wild seacoasts, with fairies, oracles, bears, kings, and queens. Everything that a good adventure can bring you and all from the safety of your seat!"

The repertory series begins with Shakespeare's The Winter's Tale (October 13–December 12, 2026 | The Jentes Family Courtyard Theater). Once upon a time in a land called Sicilia, King Leontes is infected by an uncontrollable jealousy over his pregnant wife Hermione. Shakespeare's timeless romance takes us on a fairy tale adventure from the drama of Sicilia to the color and music of Bohemia. Shipwrecks, bears, and magic oracles dance across the stage in this story of betrayal, forgiveness, reunion, and reconciliation. Hope and forgiveness sit at the heart of Shakespeare's most magical of fairy stories with an unforgettable ending driven by the power of redemption.

A Midsummer Night's Dream (November 11, 2026–January 3, 2027 | The Jentes Family Courtyard Theater) sparkles with the festive spirit of the holiday season. Shakespeare's magical romantic comedy is a delectable treat for the entire family. A snowy Athens gives way to the warm and colorful dream of a midsummer forest as Shakespeare's best-loved characters are consumed by the absurd chaos of love and the joy of friendship. Young love collides with a fairy feud and an enthusiastic group of amateur theatricals in the most warm-hearted play in the English language. An enchanting story of love, marriage, and magic, this holiday Dream will fill you with happiness and hope.

Next in the Courtyard, Henry Godinez directs Romeo y Julieta (January 26–March 14, 2027 | The Jentes Family Courtyard Theater). Shakespeare's classic tale of star-crossed young lovers from feuding families is transported to Miami in the early 1960s, as an influx of Cuban exiles find their dreams of returning to their homeland at odds with the reality of their new home. As conflict escalates between the Montescos and the Capuletas, the young couple defy the enmity between their families and the prejudices of their community—only to discover that love is the true universal language. This dynamic 90-minute bilingual adaptation from Karen Zacarías and Godinez is performed in both English and Spanish with projected translation. A Havana native, Godinez is a co-founder of Teatro Vista and the Sabl Resident Director at Goodman Theatre, where he most recently directed Inherit the WindFannie, and American Mariachi. He returns to Chicago Shakespeare, where he first appeared thirty-seven years ago in Barbara Gaines' Cymbeline in 1989, and went on to perform in ten productions as well as to direct 2022's highly acclaimed Measure for Measure

Director Henry Godinez shared, "My favorite old t-shirt, which I've proudly worn to tatters, is from NYC's Shakespeare in the Park with the words 'SHAKESPEARE PARA TODOS' emblazoned on the front. I'm sure at some point I wore that shirt to Chicago Shakespeare Theater 18 years ago when Karen Zacarías and I were first developing this bilingual adaptation of Romeo and Juliet. Now, at a time when the Latiné community of Chicago has been horribly villainized and persecuted, made to feel like this country was not our home, the opportunity to present this Romeo y Julieta at one of the great cultural institutions in the heart of our city is a tremendous source of pride and validation. It shows the universality of the greatest writer—and perhaps the greatest story ever written—in the English language. It proves, like my tattered t-shirt says, that 'SHAKESPEARE IS FOR EVERYONE!'"

The Tony Award-winning phenomenon Illinoise (February 9–March 14, 2027 | The Yard) returns to where it all began. Based on Sufjan Stevens' landmark album Illinois, this "mysterious, deeply moving and unforgettable dance-musical" (The New York Times) is directed and choreographed by Tony winner Justin Peck (New York City Ballet, Steven Spielberg's West Side Story). Peck partners with Pulitzer Prize-winning playwright Jackie Sibblies Drury to tell a hauntingly beautiful original story through live music, dance, and theater. After a sold-out world-premiere at Chicago Shakespeare in 2024, Illinoise took Broadway by storm. Now, it returns to its spiritual home at CST.

Director Justin Peck shared, "It is incredibly meaningful to bring Illinoise back as part of CST's 40th Anniversary Season. This show has always been about memory, senses, and the quiet poetry of human connection—ideas that feel deeply aligned with a theater reflecting on its own legacy. At the same time, returning to CST with Illinoise feels less like a revisit and more like a continuation shaped by the artists, audiences, and spirit that make Chicago such a vital creative home. The icing-on-the-cake will be hearing Sufjan Stevens' hit song 'Chicago' ring out within the very city that inspired it."

Next in The Yard is the hilarious whodunnit Reunion in Bartersville (April 11–May 9, 2027 | The Yard). The surviving members of the Bartersville High class of 1933 gather in their small Texas hometown to celebrate their 50th reunion. Over punch bowls and sandwich platters, a decades-old murder case is thrown wide open when the septuagenarians are confronted by a ghost from their past and they must all face their own scandalous secrets. This irreverent comedy will have audiences dying of laughter. Written by award-winning playwright Celeste Bedford Walker, this quick-witted comedy first premiered at the Billie Holiday Theatre in Brooklyn in 1987. Now, it finds new life in Chicago, celebrating its 40th anniversary alongside CST, directed by Jerry DixonReunion in Bartersville is presented in association with LaChanze Productions, led by Tony Award winner LaChanze who returns to CST after co-producing the acclaimed Jaja's African Hair Braiding in 2025.

"Reunion in Bartersville is the reason I'm a producer today," said LaChanze. "This play is full of truth and humor that keeps you guessing in the traditional style of a murder mystery. My mission is to produce stories that will expand our theatrical appetite, and this play as the inaugural production at LaChanze Productions is setting the bar."

Rounding out the season is a new musical powered by the music of four-time Grammy Award winners and Rock and Roll Hall of Fame inductees Pat Benatar and Neil GiraldoHeartbreakers (May 4–June 6, 2027 | Carl and Marilynn Thoma Upstairs Studio) drops Romeo and Juliet into a sweaty, neon-lit underground—reimagining the iconic love story as a high-voltage collision of love, rivalry, and identity that feels dangerous, immediate, and alive. Featuring an electrifying catalog of rock anthems including "Love Is a Battlefield," "We Belong," "Shadows of the Night," "Promises in the Dark," "Heartbreaker," "Invincible," and "We Live for Love," alongside new original songs written for the production by Benatar and Giraldo, the show fuses Shakespeare's timeless romance with a pulse-driving theatrical experience where desire takes over, loyalties fracture, and love is a contact sport. The Carl and Marilynn Thoma Upstairs Studio transforms into an immersive in-the-round space that is part dance floor, part theatrical playground. Married collaborators for over four decades, Benatar and Giraldo have defined a generation of music with multiple multi-platinum albums, 19 Top 40 hits, and more than 40 million records sold worldwide. Bradley Bredeweg, best known for creating the critically acclaimed Television Academy Award-winning drama The Fosters, writes the book and directs. Heartbreakers is presented in association with Madison Wells Live.

Pat Benatar and Neil Giraldo shared, "It is an immense honor to share this new musical with audiences as part of CST's milestone 40th Anniversary Season. We were inspired by the epic stakes of Shakespeare's story. It truly has the heart and soul of rock music at its core. As artists, it is incredibly rewarding to discover new voice and meaning in this music that means so much to us and to create something completely new. We can't wait for Chicago audiences to rock out and join us on this wild ride."

CST Education and Lifelong Learning

Engaging audiences of all ages with the highest caliber of programming is central to the Theater's mission. CST is proud to serve more students and teachers than any theater in Chicago. In the 2026/27 Season, CST will welcome more than 15,000 young people to 29 dedicated student matinee performances with subsidized ticket prices, post-show discussions with artists, and supplemental curriculum materials for teachers to incorporate in the classroom. Student matinees are scheduled for Play On! and A Midsummer Night's Dream with an extended run of student performances planned for the 90-minute Romeo y Julieta. The 40th Anniversary Season will also see the return of the celebrated Chicago Shakespeare SLAM program for high school students.

Initiatives for lifelong learners include adult programs like the four-part "Demystifying Shakespeare" course with CST Artistic Director Edward Hall in partnership with the Newberry Library, Backstage Tours, Post-Show Discussions, and PreAmble talks with scholars. The $30 Under 30 program makes CST productions accessible with discounted tickets to students and young adults.

Chicago Shakespeare Theater's 40th Anniversary Season subscriptions are on sale now starting as low as $317 for a 7-play package. Subscribers save up to 25% on the season and receive other benefits including discounts on individual tickets, free exchanges, invitations to behind-the-scenes events, and more. Single tickets will go on sale later this summer. For more information and to purchase subscriptions, visit www.chicagoshakes.com/subscribe or call the CST Box Office at 312.595.5600.

ABOUT CHICAGO SHAKESPEARE THEATER

Chicago Shakespeare Theater (CST) is a leading international theater company and the nation's largest year-round theater dedicated to the works of Shakespeare. Under the visionary leadership of Artistic Director Edward Hall and Executive Director Kimberly Motes, the Regional Tony Award recipient is committed to creating vivid, entertaining theatrical experiences that invigorate and engage people of all ages and identities by illuminating the complexity, ambiguity, and wonder of our world. Each year, nearly a quarter of a million people experience CST's artistry through hundreds of performances and events each year.

CST exemplifies theatrical excellence. Shakespeare is at the heart of the artistic work, illuminating the 400-year-old playwright as a modern writer for our modern world. CST also produces compelling, contemporary stories from fresh artistic voices of today. CST brings the world to Chicago and sends Chicago out into the world as Chicago's foremost presenter of international theater, and consistent producer of North American and world premieres. Productions originating from Chicago Shakespeare have gone on to Broadway, national and international tours, garnering three Tony Awards, three Olivier Awards, and two Grammy nominations.

The Theater fosters a lifelong relationship with the arts by providing transformational experiences for multigenerational audiences. Serving more students and teachers than any theater in the city, CST annually welcomes more than 20,000 high school and middle schoolers to attend 50+ daytime matinee performances and participate in after-school programs like Chicago Shakespeare SLAM. Professional development opportunities for teachers include the year-long Bard Core intensive for Chicago Public Schools educators. CST's initiatives support the development of young people's crucial skills, including social-emotional competencies, critical literacy, and meaningful collaboration. Learners of all ages deepen their engagement through PreAmble talks and post-show discussions. The $30 under 30 discounted ticket program for young adults and students reduces barriers to participation for thousands of first-time attendees.

CST activates its campus with three best-in-class venues: The Yard, a robust 700-seat space with flexible configurations and expansive proscenium; the Jentes Family Courtyard Theater, an intimate 500-seat thrust theater where the audience surrounds the stage on three sides; and the Carl and Marilynn Thoma Upstairs Studio, a 200-seat black box theater. Situated along the picturesque shore of Lake Michigan, CST is the cultural anchor of the iconic Navy Pier, one of the top Midwest tourism destinations attracting 9 million visitors annually.

Fueled by the vitality of the city of Chicago, CST contributes significantly to the vibrancy and economic impact of the arts and culture ecosystem. CST's reach extends beyond the theater's walls with free programs like Shakes in the City, which brings performances and workshops to parks, festivals, and shared community spaces across Chicago's 77 neighborhoods.

For four decades, CST has distinguished itself with a spirit of innovation, dynamism, and ambitious vision. Shared humanity and unforgettable stories—now THIS is Chicago Shakespeare. chicagoshakes.com

Chicago Shakespeare Theater's 40th Anniversary Season

MUSIC IS THE FOOD OF LOVE IN MAJOR MUSICAL REVIVAL

PLAY ON!

Inspired by Shakespeare's Twelfth Night
Conceived by Sheldon Epps
Book by Cheryl L. West
Music by Duke Ellington
Directed by Sheldon Epps

The Yard
September 11–October 18, 2026

Presented in association with MMaxwellMedia, WMK Productions, Alyssa Melani, and The Classical Theatre of Harlem

EPIC FAIRY TALE ADVENTURE WITH A MESSAGE OF HOPE

THE WINTER'S TALE

By William Shakespeare
Directed by Edward Hall

The Jentes Family Courtyard Theater
October 13–December 12, 2026

SPARKLING WITH THE FESTIVE SPIRIT OF THE HOLIDAY SEASON

A MIDSUMMER NIGHT'S DREAM

By William Shakespeare
Directed by Edward Hall

The Jentes Family Courtyard Theater
November 11, 2026–January 3, 2027

SHAKESPEARE'S PASSIONATE ROMANCE TRANSPORTED TO 1960S MIAMI

ROMEO Y JULIETA

By William Shakespeare
Adapted by Karen Zacarías and Henry Godinez
Directed by Henry Godinez

The Jentes Family Courtyard Theater
January 26–March 14, 2027

TONY WINNING PHENOMENON RETURNS TO SPIRITUAL HOME AT CST

ILLINOISE

Music and Lyrics by Sufjan Stevens 
Based on the album Illinois
Story by Justin Peck and Jackie Sibblies Drury
Directed and Choreographed by Justin Peck

The Yard
February 9–March 14, 2027

A HILARIOUS WHODUNNIT MAKES CHICAGO PREMIERE

REUNION IN BARTERSVILLE

By Celeste Bedford Walker
Directed by Jerry Dixon

The Yard
April 11–May 9, 2027

Presented in association with LaChanze Productions

ELECTRIFYING NEW ROCK MUSICAL FROM LEGENDS 
PAT BENATAR AND NEIL GIRALDO

HEARTBREAKERS

Inspired by Shakespeare's Romeo and Juliet
Reimagined through the Music of Pat Benatar and Neil Giraldo
Book by Bradley Bredeweg
Directed by Bradley Bredeweg

Carl and Marilynn Thoma Upstairs Studio
May 4–June 6, 2027

Presented in association with Madison Wells Live

The Oak Park Festival Theatre, Oak Park's premiere Equity theatre and the oldest professional classical theatre in the Midwest, today announced the casts and production teams for its Summer 2026 productions of William Shakespeare's HAMLET and Oscar Wilde's THE IMPORTANCE OF BEING EARNEST. Presented in repertory for the first time in company history, the productions run concurrently June 30 – August 15, 2026, at Austin Gardens in downtown Oak Park. 

Though radically different in tone, HAMLET and THE IMPORTANCE OF BEING EARNEST speak to one another in striking and unexpected ways. Together, the productions explore the tension between performance and truth, asking what happens when individuals are forced to navigate the expectations imposed on them by family, society, and power. 

Staged in repertory for the first time in company history, the season invites audiences to experience two master playwrights in conversation across centuries while watching Oak Park Festival Theatre actors tackle radically different worlds of comedy and tragedy throughout the summer. 

Directed by Oak Park Festival Theatre Producing Artistic Director Peter Andersen, HAMLET runs July 1 – August 15, 2026. Called home by his father's sudden death and his mother's swift remarriage, Prince Hamlet finds the court of Denmark transformed–and deeply unsettled. When a ghost appears with a terrible accusation, Hamlet is pulled into a relentless search for truth, testing the limits of loyalty, love, and revenge. 

The cast of HAMLET features Brew Bos (Hamlet), Brenna Distassio (Laertes), Olive Gallagher (Ophelia), Pedro Jimenez (Rosencrantz), Gabriel Armstrong (Guildenstern), Patrice Egleston (Polonius), Jodi Gage (Gertrude), Josh Carpenter** (Claudius), Lucas Prizant (Horatio), and Charls Sedgwick Hall** (Ghost/Player/Gravedigger). 

Directed by Kathryn Walsh in her Oak Park Festival Theatre debut, THE IMPORTANCE OF BEING EARNEST runs June 30 – August 14, 2026. Jack Worthing leads a double life–one in the country, one in the city–while his friend Algernon Moncrieff has troubles of his own. When both men assume the name "Ernest" to win the affections of two very particular women, a web of mistaken identities, secret engagements, and delightful deceptions begins to unravel. 

The cast of THE IMPORTANCE OF BEING EARNEST features August Foreman (Algernon), Chad Bay (Jack), Sonia Goldberg (Gwendolyn), Aurora Pennepacker** (Cecily), Drew Bos (Merriman/Lane), Barbara Zahora** (Lady Bracknell), Gabriel Armstrong (Chausible), and Jodi Gage (Miss Prism). 

The productions share a repertory creative team including Patrick Starner (Production Manager), Andy Cahoon (Technical Director), Devin Cameron (Lighting Director), Evan Frank (Scenic Designer), Duncan Hon (Master Electrician), Sophia De La Torre (Board Mixer), and Jack Short (Box Office Manager). 

Oak Park Festival Theatre's paid Apprenticeship Program, now in its 16th year, provides an educational, inspirational, and career-broadening experience for post-high school and undergraduate students in theatre arts. This season's apprentices are Archer Bart, Karla Valdez, Emily York, Avery Dulak, Anya Moeske, Jo Selmeczy, Jamille Calixte, Evan Ozer, and Ella Boyden. 

Season Pass packages ($70), which include admission to both productions at a discounted rate, are available now at www.oakparkfestival.com

HAMLET

Written By: William Shakespeare

Directed By: Peter G. Andersen

Cast: Brew Bos (Hamlet), Brenna Distassio (Laertes), Olive Gallagher (Ophelia), Pedro Jimenez (Rosencrantz), Gabriel Armstrong (Guildenstern), Patrice Egleston (Polonius), Jodi Gage (Gertrude), Josh Carpenter** (Claudius), Lucas Prizant (Horatio), and Charls Sedgwick Hall** (Ghost/Player/Gravedigger)

Understudy Cast: Lucas Prizant (Hamlet), Avery Dulak (Laertes), Anya Moeske (Ophelia), Ben Crane (Rosencrantz/Guildenstern), Julia Rowley (Polonium/Gertrude), August Foreman (Claudius/Ghost/Player/Gravedigger), Jamille Calixte (Horatio).

Production Team: Patrick Starner (Production Manager), Andy Cahoon (Technical Director), Tessa Huber  (Stage Manager), Chrissy Roy (Assistant Stage Manager), Devin Cameron (Lighting Director), Evan Frank (Scenic Designer), Taylor Pfenning (Costume Designer) Duncan Hon (Master Electrician), Trent Jones (Scenic Painter), Sophia De La Torre (Board Mixer), and Jack Short (Box Office Manager).

** Denotes Membership in Actors' Equity Association

Dates: July 1 – August 15, 2026 (previews July 1, July 3)

Press Opening: Sunday, July 5, 2026

Schedule: Tuesdays, Wednesdays, Thursdays, Fridays, and Saturdays at 8 p.m. and Sundays at 7 p.m. Select dates only. See website for complete schedule.

Location: Austin Gardens, 167 Forest Ave, Oak Park, IL 60302

Tickets: General Admission ($40); seniors ($30); students ($15); previews ($20); children under 12 ($5). Group discounts available for groups of 10 or more. Additional booking fees apply. 

Box Office: www.oakparkfestival.com 

THE IMPORTANCE OF BEING EARNEST

Written By: Oscar Wilde

Directed By: Kathryn Walsh

Cast: August Foreman (Algernon), Chad Bay (Jack), Sonia Goldberg (Gwendolyn), Aurora Pennepacker** (Cecily), Drew Bos (Merriman/Lane), Barbara Zahora** (Lady Bracknell), Gabriel Armstrong (Chausible), and Jodi Gage (Miss Prism). 

Understudy Cast: Gabriel Armstrong (Algernon), Pedro Jimenez (Jack), Olive Gallagher (Gwendolyn/Cecily), Evan Ozer (Merriman/Lane/Chasible), Belinda Bremner (Lady Bracknell), Julia Rowley (Miss Prism).

Production Team: Patrick Starner (Production Manager), Andy Cahoon (Technical Director), Chrissy Roy (Stage Manager), Tessa Huber (Assistant Stage Manager), Devin Cameron (Lighting Director), Evan Frank (Scenic Designer), Phoebe Boynton (Costume Designer) Duncan Hon (Master Electrician), Sophia De La Torre (Board Mixer), and Jack Short (Box Office Manager).

** Denotes Membership in Actors' Equity Association

Dates: June 30 – August 14, 2026 (previews June 30, July 2, July 4)

Press Opening:  Tuesday, July 7, 2026

Schedule: Tuesdays, Wednesdays, Thursdays, Fridays, and Saturdays at 8 p.m. and Sundays at 7 p.m. Select dates only. See website for complete schedule.

Location: Austin Gardens, 167 Forest Ave, Oak Park, IL 60302

Tickets: General Admission ($40); seniors ($30); students ($15); previews ($20); children under 12 ($5). Group discounts available for groups of 10 or more. Additional booking fees apply. 

Box Office: www.oakparkfestival.com 

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