
It’s always nice to watch a legend perform, especially when that legend is considered a revolutionary force in the music industry as we now know it. This was the case last evening when Brian Wilson, co-founder of the surf rock band, The Beach Boys, took the stage at Ravinia. Complimented by original Beach Boys’ member Al Jardine and a large band that included more recent writing partner Scott Bennett on keyboards and even Blondie Chaplin on a handful of songs, Wilson’s sound was full and the peachy keen harmonies ever so familiar done to perfection.
Planted behind a large white grand piano, Wilson and friends immediately kicked it into high gear with “Heroes and Villains”. Though Wilson has long since abandoned the high voice synonymous with The Beach Boys sound, he was still able to carry a tune and did get a lot of help from band members when it came to harmonies and surrendered a handful of leads throughout the evening.
One brilliant piece of music history was performed after another. “California Girls”, “Little Deuce Coupe”, “I Get Around”, “In My Room” – so simplistic, yet so genius. In all, over thirty songs were played, mostly Beach Boys’ songs but also a couple Wilson had comprised for his own solo career, including “One Kind of Love”. Wilson also admirably handled leads on a few songs done by former Beach Boys Carl Wilson and Mike Love.
Interestingly enough, just before playing “Surf’s Up”, a classic ballad about guess what – surfing, Wilson stated to the crowd that the song was his least favorite to play live, leaving us fans thinking, “Well, why are you playing the song then? You have a million to choose from.” Kind of a weird moment, but what would a Brian Wilson show be without one. Nonetheless, each song was played inspired and with vigor and that’s all you can really ask for when someone has been performing the same songs for nearly fifty years.
The set continued with greats like “Darlin’” (dedicated to the late Carl Wilson), “Sloop John B”, “Don’t Worry Baby” and a beautiful version of “God Only Knows”. “Since you loved that song so much, we’re going to give you some “Good Vibrations”, Wilson declared as they went into the song.
After a brief departure from the stage, the band returned to knock out five hits without pause – “All Summer Long”, Help Me, Rhonda”, “Barbara Ann”, Surfin’ U.S.A.” and “Fun, Fun, Fun”. The energy on stage was at its highest during the multitude of encore numbers, as Wilson raised his hands to simulate surfing and band members ran back and forth from one end to the other. It was certainly a high note to end the show with when Wilson opted to rather end the night with the much lower-keyed “Love and Mercy” in promotion of the latest film on Brian Wilson – Love and Mercy.
All in all, Brian Wilson and band played an enthusiastic set, each song as polished and youthful as ever. What is better than sitting back on a balmy summer night and listening to Beach Boys classics sung by Brian Wilson himself?
Even the opening act was inspiring as the night began with Rodriguez, the musician featured in the documentary Searching for Sugar Man. Rodriguez is an amazing musician who became huge in other parts of the country, particularly South Africa, and never even knew he had achieved any fame at all. In fact, most presumed he was dead. Rodriguez, aided by just his trusty guitar, warmed the crowd nicely, tapping into “Sugar Man”, “I Just Want to Make Love to You” and a peppy cover of “Fever”. With little words Rodriguez preached against violence towards women and reminded us that hate is too much of a powerful emotion to be wasted on those we do not like.
For upcoming events at Ravinia, visit www.Ravinia.org.
Ravinia plays host to so many memorable concerts throughout the year, but one of the most unforgettable came last Tuesday night when The Beach Boys shared the stage with the legendary Temptations. Amply called “Surf and Soul” audience members were able to take in some of the most celebrated classics in music history under the stars.
Taking the stage first were the Temptations led by Bruce Williamson and the band’s only original member, Otis Williams. Dressed in matching, brightly colored suits the band clapped, spun and added some fancy footwork to such favorites as “Treat Her Like A Lady”, “The Way You Do the Things You Do”, “Just My Imagination” and “My Girl”. Gracing the crowd with smooth harmonies and romantic lyrics, the Temptations still had women swooning as they probably did some fifty years ago.
After a healthy set of soulful bliss, The Beach Boys then came out to perform headed by original members Mike Love and Bruce Johnston. Fun videos of 1960s nostalgia and band footage were displayed on each side of the stage throughout the show while The Beach Boys launched into an array of their famous surf hits. Strangely however, Brian Wilson seemed to be shunned from such footage barring a few quick shots were it was nearly impossible to exclude him. Obviously missing was Brian and Carl Wilson, but the band still managed to pull off a highly efficient performance taking on such songs (most Mike Love driven hits) as “”Do It Again”, “Sloop John B”, “Surfin’ USA”, “Catch A Wave”, “Be True To Your School”, “409” and “I Get Around”. Also thrown into the set, and maybe a bit unnecessarily, was Mike Love’s solo project number “Pisces Brothers”. The band did venture into a few Brian Wilson led songs with the touring musicians handling his high vocal range quite nicely – the same goes for the terrific harmonies in each song.
The Beach Boys played two songs from Pet Sounds – “Wouldn’t It Be Nice” and “God Only Knows”, the latter of which the band got creative with the jumbo screens to allow the late Carl Wilson sing the lead (as only it should be) while they gently played and sang harmonies underneath. Ending on a high note, Love and gang jumped into the band’s last big hit “Kokomo” from the late 1980s and their ever so popular anthem “Good Vibrations”.
Not to be a band that walks away from challenges, Mike Love was greeted with a bucket of ice water over his head in support of ALS awareness to put the finishing touches on a fully enjoyable experience.
Overall, though at times a bit sad to be reminded of our mortality and the inevitable aging process we all must endure, both bands were thoroughly entertaining, tight and most of all – fun. I can only hope both will return to Ravinia in 2015. Surf’s still up, boys!
Mia Chung’s Catch as Catch Can, which premiered with Page 73 in New York in 2018, arrives at Steppenwolf Theatre…
Nate Bargatze’s Big Dumb Eyes tour made its stop at the Allstate Arena in Rosemont with the steady, understated presence…
BrightSide Theatre’s The Producers storms into Meiley Swallow Hall with the kind of swagger only Mel Brooks can inspire: brash,…
Those familiar with the Factory Theater space might feel themselves do a double take upon entering the theater for Two…
Elmhurst Art Museum’s two new exhibitions feature a pair of artists with Midwestern roots whose outlooks and perceptions of the…
For the first time in company history, Oak Park Festival Theatre presents two productions in repertory: William Shakespeare's HAMLET and Oscar Wilde's THE…
Immerse yourself in the enchanting wonder, vibrant magic and joyous celebration that is Mexican folkloric dance when Ballet Folklorico Quetzalcoatl…
When Terry Guest left Atlanta and arrived in Chicago ten years or so ago, a bracing reality check caused the…
When Jason Robert Brown’s The Last Five Years premiered at Chicago’s Northlight Theatre in 2001, it flipped the traditional rom-com…
Some stories refuse to fade with time, and Brokeback Mountain is one of them. What began as a modest short…
There’s something magical about stories. Stories have the power to transcend time, reaching across the centuries to share their thoughts,…
Produced in partnership with JunkHeart, The Metal Shop Performance Lab is proud to announce the cast and creative team for Anatomy of a Suicide, August…
Black Ensemble Theater Founder and Executive Director Jackie Taylor proudly announces Black Ensemble's Juneteenth Prelude: Celebrating Freedom and Black Expression, as part of…
Welcome to Southie, a Boston neighborhood where a night on the town means a few rounds of bingo, this month’s…
Award-winning Redtwist Theatre presents Deserted, playing June 14 through August 2, a world premiere by Melanie Coffey and directed by Laura Sturm*, at Redtwist Theatre, 1044 W. Bryn…
Black Ensemble Theater continues its 50th Anniversary Season with the return of the celebrated musical revue Men of Soul, written and directed by Artistic…
Now fully activated, Collaboraction Theatre Company’s new House of Belonging in the Kimball Arts Center, 1757 N. Kimball Ave in…
Definition Theatre's Amplify New Play Program exists to elevate emerging voices, and Netta Walker's keerah certainly arrives with ambition. Loosely…
Metropolis Performing Arts Centre, located in the heart of downtown Arlington Heights, 111 W. Campbell St., is proud to announce the cast…
No Dogs in the Kitchen Theatre is thrilled to continue its third season with The Importance of Being Earnest, written by…
Following is critically acclaimed productions of Sweeney Todd and Into the Woods, Kokandy Productions once again celebrates the great Stephen…
Some theatrical experiences ask you to sit back and watch. "The Last Word" invites you to pull up a chair,…
Paramount Theatre’s smash hit, immersive musical Million Dollar Quartet wrapped its spring run at downtown Aurora’s Stolp Island Theatre this…
Paramount Theatre is proud to host the world’s most influential name in comedy, The Second City, back for for a…
Studebaker Theater (Erica Berger and Jacob Harvey), P3 Productions (Ben Holtzman, Sammy Lopez, and Fiona Howe Rudin) and Audible, in collaboration with Teatro Vista…
About Face Theatre is proud to announce its 32nd season featuring the Pulitzer Prize winning musical A Strange Loop and the Midwest Premiere of i…
Broadway In Chicago will bring its free annual SUMMER CONCERT to Millennium Park on Monday, August 10, 2026. Sponsored by…
The South Florida based YI Love Jewish and Chicago-based Arts Judaica proudly join forces to present a limited engagement of the Chicago…
JK Entertainment is proud to announce the final production of their inaugural season: HEDWIG AND THE ANGRY INCH, the cult-classic created…
Award-winning Porchlight Music Theatre announces today that the recent stars of Porchlight in Concert’s production of Follies, Tony Award-nominee Felicia P. Fields and Broadway’s…
Where Identity Slides: Steppenwolf’s Mesmerizing Catch as Catch Can
Bargatze’s Big Dumb Eyes Tour Lands in Rosemont With Subtle Force
BrightSide’s intimate staging of The Producers shines with Broadway-sized power
Does your theatre company want to connect with Buzz Center Stage or would you like to reach out and say "hello"? Message us through facebook or shoot us an email at This email address is being protected from spambots. You need JavaScript enabled to view it..
*This disclaimer informs readers that the views, thoughts, and opinions expressed in the text belong solely to the author, and not necessarily to Buzz Center Stage. Buzz Center Stage is a non-profit, volunteer-based platform that enables, and encourages, staff members to post their own honest thoughts on a particular production.