
If you come with a dollar you may just leave with two. However, if you are not careful, you could also lose the shirt off your back. In the Neo-Futurist’s latest endeavor “Trust Us/Screw You” we cautiously enter the world of the confidence man, as we meet the mark, the roper and the inside man. Created by Phil Ridarelli and Dan Kerr-Hobert, we follow the evolution of the age-old grifter from the 1920s to the deception that exists on massive scales today by banks, media and stock markets.
Ridarelli and Kerr-Horbert also star in this production which is considered a two-man show, barring an occasional plant and a band whose members also contribute in a variety of roles. “Trust Us/Screw You” has a rich, vaudevillian flavor and is often reminiscent to The Three Stooges as the fast-talking Ridarelli and Kerr-Horbert size up one of their targets before hitting them with the swindle, ala Moe, Larry and Curly.
In "Trust Us/Screw You” the audience gets a close-up look at many of the scams confidence men were known to use in taking advantage of the average, unsuspecting Joe before fleecing their victim dry. An assortment of social experiments are used with audience members as the two “work” the crowd with seemingly simple card tricks, nutshell games and other scams using the art of misdirection – the key to all successful cons.
Seasoned acting pros Ridarelli and Kerr-Hobert are hypnotic and work incredibly well together in re-creating these old school hustlers (they always work in teams as we learn), paying special homage to one of Chicago’s most notorious confidence men, Joseph “Yellow Kid” Weil. The show is filled with one hilarious moment after another as the two victimize its clueless audience one susceptible mark at a time. As the show progresses, stories are shared regarding the scams they personally fell victim to from subway swindles to real estate deceit, likening the process and its players to a play whose cast of characters put on a show of smoke and mirrors for gain at a sucker’s expense. With that in mind, as funny as the sketches are portrayed, “Trust Us/Screw You” is also a learning experience, or perhaps a bonding experience for all those who have been victimized in the past – most likely each and every person in the theatre.
Said Ridarelli and Kerr-Hobert on the creation of “Trust Us/Screw You”, “We knew that if we did a show about con men, we’d have to do our best to screw over the audience. That’s been our goal since day one, and hopefully, we can pull it off in a way that the audience won’t go home hating us.”
The show is quick-paced with a ton of laugh out loud moments and the atmosphere so warm and welcoming that one gladly volunteers to be dragged onto the stage to participate when called for rather than slink into their chair to avoid the possible embarrassment. It is also engaging and educational as we learn the mechanisms, techniques and lingo of the American Confidence Man.
“Trust Us/Screw You” is a highly entertaining experience that might leave you with an empty wallet (kidding) but will certainly send you home having had a thoroughly enriching time with more laughs than you can handle. “Trust Us/Screw You” is currently playing at The Neo-Futurium. For tickets and/or more information visit www.neofuturists.org or call 773-275-5255.
Mia Chung’s Catch as Catch Can, which premiered with Page 73 in New York in 2018, arrives at Steppenwolf Theatre…
Nate Bargatze’s Big Dumb Eyes tour made its stop at the Allstate Arena in Rosemont with the steady, understated presence…
BrightSide Theatre’s The Producers storms into Meiley Swallow Hall with the kind of swagger only Mel Brooks can inspire: brash,…
Those familiar with the Factory Theater space might feel themselves do a double take upon entering the theater for Two…
Elmhurst Art Museum’s two new exhibitions feature a pair of artists with Midwestern roots whose outlooks and perceptions of the…
For the first time in company history, Oak Park Festival Theatre presents two productions in repertory: William Shakespeare's HAMLET and Oscar Wilde's THE…
Immerse yourself in the enchanting wonder, vibrant magic and joyous celebration that is Mexican folkloric dance when Ballet Folklorico Quetzalcoatl…
When Terry Guest left Atlanta and arrived in Chicago ten years or so ago, a bracing reality check caused the…
When Jason Robert Brown’s The Last Five Years premiered at Chicago’s Northlight Theatre in 2001, it flipped the traditional rom-com…
Some stories refuse to fade with time, and Brokeback Mountain is one of them. What began as a modest short…
There’s something magical about stories. Stories have the power to transcend time, reaching across the centuries to share their thoughts,…
Produced in partnership with JunkHeart, The Metal Shop Performance Lab is proud to announce the cast and creative team for Anatomy of a Suicide, August…
Black Ensemble Theater Founder and Executive Director Jackie Taylor proudly announces Black Ensemble's Juneteenth Prelude: Celebrating Freedom and Black Expression, as part of…
Welcome to Southie, a Boston neighborhood where a night on the town means a few rounds of bingo, this month’s…
Award-winning Redtwist Theatre presents Deserted, playing June 14 through August 2, a world premiere by Melanie Coffey and directed by Laura Sturm*, at Redtwist Theatre, 1044 W. Bryn…
Black Ensemble Theater continues its 50th Anniversary Season with the return of the celebrated musical revue Men of Soul, written and directed by Artistic…
Now fully activated, Collaboraction Theatre Company’s new House of Belonging in the Kimball Arts Center, 1757 N. Kimball Ave in…
Definition Theatre's Amplify New Play Program exists to elevate emerging voices, and Netta Walker's keerah certainly arrives with ambition. Loosely…
Metropolis Performing Arts Centre, located in the heart of downtown Arlington Heights, 111 W. Campbell St., is proud to announce the cast…
No Dogs in the Kitchen Theatre is thrilled to continue its third season with The Importance of Being Earnest, written by…
Following is critically acclaimed productions of Sweeney Todd and Into the Woods, Kokandy Productions once again celebrates the great Stephen…
Some theatrical experiences ask you to sit back and watch. "The Last Word" invites you to pull up a chair,…
Paramount Theatre’s smash hit, immersive musical Million Dollar Quartet wrapped its spring run at downtown Aurora’s Stolp Island Theatre this…
Paramount Theatre is proud to host the world’s most influential name in comedy, The Second City, back for for a…
Studebaker Theater (Erica Berger and Jacob Harvey), P3 Productions (Ben Holtzman, Sammy Lopez, and Fiona Howe Rudin) and Audible, in collaboration with Teatro Vista…
About Face Theatre is proud to announce its 32nd season featuring the Pulitzer Prize winning musical A Strange Loop and the Midwest Premiere of i…
Broadway In Chicago will bring its free annual SUMMER CONCERT to Millennium Park on Monday, August 10, 2026. Sponsored by…
The South Florida based YI Love Jewish and Chicago-based Arts Judaica proudly join forces to present a limited engagement of the Chicago…
JK Entertainment is proud to announce the final production of their inaugural season: HEDWIG AND THE ANGRY INCH, the cult-classic created…
Award-winning Porchlight Music Theatre announces today that the recent stars of Porchlight in Concert’s production of Follies, Tony Award-nominee Felicia P. Fields and Broadway’s…
Where Identity Slides: Steppenwolf’s Mesmerizing Catch as Catch Can
Bargatze’s Big Dumb Eyes Tour Lands in Rosemont With Subtle Force
BrightSide’s intimate staging of The Producers shines with Broadway-sized power
Does your theatre company want to connect with Buzz Center Stage or would you like to reach out and say "hello"? Message us through facebook or shoot us an email at This email address is being protected from spambots. You need JavaScript enabled to view it..
*This disclaimer informs readers that the views, thoughts, and opinions expressed in the text belong solely to the author, and not necessarily to Buzz Center Stage. Buzz Center Stage is a non-profit, volunteer-based platform that enables, and encourages, staff members to post their own honest thoughts on a particular production.