
Now in its eighth year, global drag icons and RuPaul’s Drag Race stars BenDeLaCreme and Jinkx Monsoon are back on tour with The Jinkx & DeLa Holiday Show – a hilarious, unhinged, and queer production that pushes the boundaries of the holiday spectacle. The Jinkx & DeLa Holiday Show has touched down in Chicago once again for a limited engagement this time at the storied Chicago Theatre. For one glittering night, the marquee lights up with the names of drag royalty Jinkx Monsoon and BenDeLaCreme, transforming the historic venue into a festive playground of camp, comedy, and holiday magic.
This year’s show – directed, produced, and written by BenDeLaCreme – is structured as a holiday anthology. Each segment spirals into its own brand of festive absurdity: an homage to Freaky Friday, immaculate conception, and hilarious twists on holiday horror a la The Simpsons’ “Treehouse of Horror.” Every story is bigger than the last and more delightfully deranged, featuring Broadway-style musical numbers, both beautiful and creepily extravagant costumes, and innuendo galore. The pace of the night is relentless in the best way possible: each scene seems determined to outdo the last.
While the show returns each year, it’s reborn anew every season. Jinkx Monsoon and BenDeLaCreme craft a completely fresh production - new themes, script, music, choreography, costumes - supported by months of writing and rehearsal. It takes a village of brilliant, authentic artists to pull off such a one-of-a-kind performance that feels both polished and chaotic. The end result is a show that feels handcrafted with love, humor, and both endless glitter and weed.
Fear not - though the production is reinvented from the ground up each year, one beloved constant remains: Hunky the Elf, played with irresistible charm by Gus Lanza. Far from being sidelined, he’s front and center, anchoring the show with his mischievous energy and magnetic stage presence. And he’s not alone. Joining him is a powerhouse dance ensemble—Chloe Albin, Isaiah Brooks, Jace Gonzalez, Jim Kent, Ruby Mimosa, and Derrick Paris—whose precision, athleticism, and sheer joy transform the evening into something far beyond a two-queen comedy showcase. Together, they expand the world of Jinkx and DeLa into a glittering holiday spectacular, complete with dazzling choreography, ensemble-driven spectacle, and the kind of theatrical grandeur that makes the show feel less like a cabaret and more like a full-scale seasonal event. Over the course of the evening, the ensemble shifted seamlessly from jolly to eerie to sultry - and back again - never breaking a sweat. What makes it truly captivating is that each performer brings their own unique flavor to every vignette, ensuring the group’s cohesion never overshadows their individuality.
Of course, at the heart of the chaos is the dynamic duo of Jinkx and DeLa. Their banter is razor sharp, but even in the craziest of moments and wildest twists of plot, the two maintain a warmth and camaraderie that invites their audience into the joke with them.

Even at their most outrageous - and believe me, the outrageousness is abundant - Jinkx and DeLa never lose sight of the heart. They understand that a true holiday show needs more than glitter and gags; it requires a touch of deeper meaning to resonate.
“How do we keep singing and dancing when the horrors persist?” Jinkx asks.
“The horrors are precisely why we must keep singing and dancing,” DeLa answers.
Amid all the silliness and the spectacle, their show is a reminder that queer joy matters. That communal joy matters. That holiday joy matters, and that everyone can find joy in the holidays.
The Jinkx & DeLa Holiday Show is making the yuletide gay with their queer, communal holiday joy across 30 cities throughout the U.S. and Canada until December 30th, offering the perfect blend of camp, chaos, and heart in what is sure to become your new favorite holiday tradition.
For tickets and more information, visit jinkxanddela.com
“The Legend of Georgia McBride” written by Matthew Lopez, is an adorable and entertaining piece brought to sexy, vibrant life by an exquisitely multi-talented cast of characters.
The play is set in a dusty part of the Florida panhandle at a run-down club called Cleo's owned by Eddie played with great irony by character actor Keith Kupferer.
After night in and night out with an unsuccessful Elvis act, Eddie has allowed his cousin "Miss Tracy Mills" (Sean Blake) to bring her two man/woman drag show to the club in the hopes of salvaging his nightclub income.
Sean Blake is amazing and seems born to play this role. Blake gets the most laughs and the most oohs and aahs with each stunning costume change or drag number and absolutely steals the show. Miss mills also brings with her another drag queen of the highest order but one with a serious drinking problem named Rexy.
Rexy played by Jeff Kurysz is hysterically funny in this role and does double time as Casey’s landlord and friend, a straight married man with children. Kurysz did so well in this transformation, it took me halfway through the play to realize this was the same person playing tow completely opposite roles and that was only because I thought I saw just a hint of blue eye shadow left over during his quick change from drag queen to local roofer!
The lead role of Casey is played with real charisma and fantastic dance abilities by Nate Santana. Casey has been trying to eke out a living doing his Elvis impersonation at the club but do to waning interest in his act has been demoted to bartender to make room for the new drag show. His wife, Jo (Leslie Ann Sheppard) has informed him she is pregnant and must give up his dreams of playing Elvis in order to support the family. The couple works well together, presenting a believable dynamic and we are easily able to root for them.
In the end, Casey learns to become a successful drag queen (after reluctantly doing so originally when asked by Eddie after Rexy is passed out drunk just before her number) and fulfills his artistic talents in this way. Just watching Casey’s transformation from Elvis impersonator to slovenly, broken down bartender to show-stopping drag queen is worth the price of admission and Santana does so with great communicative eyes and terrific physical comedy skills.
Is drag just performing? No it is not as Rexy later explains to Casey, who thinks it's as simple as performing a show - it is a protest. There is much more to drag than eye shadow, glitzy dresses and fake boobs. It is a way of life, something to take your lumps for and definitely something not for "pussies".
The set which slides back and forth to become their shoddy apartment and the dressing room of the bar is a little confusing and doesn't quite give the intimacy to either environment that it deserves. However, the lighting (JR Lederle), sound (Kevin O’Donnell), amazing costumes (Rachel Laritz), fabulous wigs (Penny Lane Studios- WOW!) and funny props by Bronte DeShong and yummy choreography by Chris Carter more than make up for that distraction.
I highly recommend this laugh a minute feel-good comedy with several smashing dance numbers about making your dreams come true "right where you are with what you've got to work with" for the whole family to enjoy.
“The Legend of Georgia McBride” is being performed at Northlight Theatre through October 22nd. More show information can be found at www.northlight.org.
Curious Theatre Branch, with co-producers Chicago Danztheater Ensemble, Chicago Dramatists and Labyrinth Club, are pleased to announce the 37th annual Rhinoceros Theater…
Collaboraction Theatre Company announced today two major productions for its 2026-27 season: the world premiere of Chicago writer Willie Round’s…
A Red Orchid Theatre is pleased open its 34th Season, exploring the theme of "world on fire," with the Chicago premiere of Will…
Open Space Arts has announced it will stage the Chicago Premiere of THE SWALLOW - the internationally acclaimed drama by…
Chicago Humanities proudly announces the full lineup for its Fall Festival 2026, with conversations ranging from social justice, music, politics, literature, food,…
Tin Drum Theatre Company is proud to announce the cast and creative team for Chicago premiere for A Dark Wood, October 15 -…
The Joffrey Ballet holds open auditions for the Children's Cast of Christopher Wheeldon's The Nutcracker at its downtown studios in Joffrey Tower, 10 East…
Midsommer Flight will for the third year present a one-night-only staged reading of a play from the EXPAND THE CANON list,…
Oil Lamp Theater, presenting I Love You Because, August 14 - September 13, is proud to announce the cast and creative team…
The Sarah Siddons Society is honored to present its 2026 Leading Artist Award to James Moore, Music Director and Conductor of Lincoln Center Theatre's…
House of the Exquisite Corpse, Chicago’s one and only puppet haunted house, returns for its sixth Halloween season with a…
Red Clay Dance Company, Chicago's premier Afro-contemporary dance company, proudly announces its exciting Season 18: Spectrum programming, including Founding Artistic Director and…
Break out your Burn Book and mark these dates: Aurora’s Paramount Theatre is launching its 15th Broadway Series with the…
American Blues Theater, under the continued leadership of Executive Artistic Director Gwendolyn Whiteside, announces the recipient of the 2026 Blue Ink Award is Nia Akilah…
In times of stress, we often turn to familiar and comforting things: a favorite song, a dog-eared book, a movie…
Chamber music may be one of music’s most misunderstood children. An early form of classical music, it has always been…
This summer, the Starship Edsel boldly goes where they maybe shouldn’t go as Otherworld Theatre, Chicago’s premier destination for Science…
Remy Bumppo Theatre Company is pleased to announce the cast, creative and production teams for the first production in its 2026…
Victory Gardens Theater (2433 N. Lincoln Avenue), an historic incubator for new play development, proudly announces the World Premiere staging of The…
Secrets, sisterhood and solving crime take center stage this fall in the world premiere co-production of Dead Girl's Quinceañera by Miami native…
Steppenwolf Theatre Company, the nation's premier ensemble theater company, is pleased to continue its 51st Season with the world premiere of Chicago playwright Stephanie…
Writers Theatre, under the leadership of Executive Director Kathryn M. Lipuma and Alexandra C. and John D. Nichols Artistic Director Braden Abraham, concluded its 2025/26…
Chicago City Opera (CCO) presents an evening of two one act Mozart operas The Impresario and Bastien and Bastienne combined…
Producers Kevin McCollum and Kurt Deutsch, along with Broadway In Chicago are thrilled to announce THE NOTEBOOK, a new musical based…
Following last year’s smashing sold-out engagement, the Joan W. and Irving B. Harris Theater for Music and Dance proudly presents the return…
Chicago Magic Lounge welcomes back acclaimed magician David Parr as its Fall Artist in Residence with David Parr: Time Traveler, a new theatrical experience…
Nearly fifty years after its groundbreaking premiere, Ntozake Shange's for colored girls who have considered suicide / when the rainbow…
A quick history lesson: Anne Bonny and Mary Read are two of history’s most famous female pirates. Both women disguised…
PrideArts' 2026-27 season will open in August with the world premiere of Chicago-based playwright Matt Schutz's WINDOWS, a comedy of LGBT…
The Tony Award® winning Best Musical, THE OUTSIDERS, based on the seminal novel by S.E. Hinton and Francis Ford Coppola’s landmark motion picture, returns to Chicago…
Otherworld Theatre's Starship Edsel - Second City’s De Maat Theatre - Through September 13
CHICAGO HUMANITIES announces full Fall Festival 2026 programming
Tin Drum Theatre Company announces Chicago premiere of A Dark Wood by Eric Coble, Oct. 15–Nov. 1 at Greenhouse Theater Center
The 37th annual Rhinoceros Theater Festival Returns September 20 – October 26 at Six Chicago venues
Does your theatre company want to connect with Buzz Center Stage or would you like to reach out and say "hello"? Message us through facebook or shoot us an email at This email address is being protected from spambots. You need JavaScript enabled to view it..
*This disclaimer informs readers that the views, thoughts, and opinions expressed in the text belong solely to the author, and not necessarily to Buzz Center Stage. Buzz Center Stage is a non-profit, volunteer-based platform that enables, and encourages, staff members to post their own honest thoughts on a particular production.