
|
|
|
“It takes a smart fellow to say he doesn’t know the answer”
Attorney Henry Drummond- 'Inherit the Wind'
The Goodman Theatre's production of "Inherit the Wind," written by the same duo who brought us "Auntie Mame" (Jerome Lawrence and Robert E. Lee), expertly directed by Henry Godinez, offers a powerful and thought-provoking exploration of the clash between religion and science.
National figures Clarence Darrow, a civil liberties attorney and founder of the ACLU, and William Jennings Bryan, a fundamentalist Christian and populist three-time Democratic Presidential candidate, argued the famous Scopes “Monkey” Trial in 1925.
This fictionalized account, a legal battle over the teaching of evolution in American public schools, remains as relevant today as when the trial happened in 1925. It reflects the ongoing "culture wars" playing out today, particularly around education. The play's trial centers on the right to teach evolution, a debate that has echoed into modern fights over what can and should be taught in American schools.
In 2024, school boards and state legislatures are hotbeds of conflict, with debates over the teaching of history, race, gender, and even basic scientific principles. Across the country, there are movements to ban books, restrict what educators can discuss, and roll back curriculums deemed "woke" or politically incorrect. The themes of "Inherit the Wind" – the right to free thought, academic freedom, and the importance of challenging societal norms – feel eerily timely as education becomes a battleground in this year's election.
Alexander Gemignani delivers a tour-de-force performance as Matthew Harrison Brady, the charismatic and deeply religious prosecutor. Gemignani captures Brady's unwavering faith and his conviction that the Bible is the ultimate source of truth. His portrayal is not simply a blowhard preacher clinging to outdated values, but a man genuinely trying to protect his worldview in a rapidly changing society. His performance is both commanding and sympathetic, allowing audiences to understand the man's genuine belief in his cause.
Harry Lennix, as the defense attorney Henry Drummond, is equally impressive. Lennix portrays Drummond as a complex figure, a man who values both reason and compassion. His performance is marked by intelligence, wit, and a deep respect for the law. Lennix's Drummond becomes more than a cynical intellectual—he is a defender of the individual’s right to think, to question, and to change. In Lennix’s hands Drummond is a compelling character who challenges audiences to consider the importance of critical thinking and the dangers of censorship, a joy to watch.
The supporting cast is exceptional. Mi Kang delivers a memorable performance as E.K. Hornbeck, a cynical and opportunistic reporter who views the trial as nothing more than a spectacle. Christopher Llewyn Ramirez is heartbreaking as Bertram Cates, the young schoolteacher at the center of a national controversy. Robert Schleifer is poignant as Meeker, a deaf actor who was truly engaging, and Presley Rose Jones is charming and insightful as Melinda, a young woman who falls in love with Cates. The contemporary casting choices make this production particularly moving.
Collette Pollard's set design is a marvel. The set, a myopic bird’s eye view of a small town, a place where everyone knows everyone else and where secrets are hard to keep. Pollard's use of perspective creates a sense of claustrophobia, suggesting that the characters are trapped in a world that is both familiar and stifling. The floor of the courtroom suggesting uniformity and order
In many ways, Inherit the Wind is a powerful allegory for the struggles America faces in 2024. As the nation heads into a pivotal presidential election, the play’s themes of free thought, the conflict between science and belief, and the influence of populism and religion on politics provide a rich framework for understanding the stakes of this moment in history. The questions it raises—about who controls knowledge, who gets to speak, and how we balance faith with reason—are the very questions that are being asked on debate stages and in polling booths across the country today.
HIGHLY RECOMMENDED
When: Through Oct. 20
Where: Goodman Theatre 170 N. Dearborn
Tickets: $30 - $45
Curious Theatre Branch, with co-producers Chicago Danztheater Ensemble, Chicago Dramatists and Labyrinth Club, are pleased to announce the 37th annual Rhinoceros Theater…
Collaboraction Theatre Company announced today two major productions for its 2026-27 season: the world premiere of Chicago writer Willie Round’s…
A Red Orchid Theatre is pleased open its 34th Season, exploring the theme of "world on fire," with the Chicago premiere of Will…
Open Space Arts has announced it will stage the Chicago Premiere of THE SWALLOW - the internationally acclaimed drama by…
Chicago Humanities proudly announces the full lineup for its Fall Festival 2026, with conversations ranging from social justice, music, politics, literature, food,…
Tin Drum Theatre Company is proud to announce the cast and creative team for Chicago premiere for A Dark Wood, October 15 -…
The Joffrey Ballet holds open auditions for the Children's Cast of Christopher Wheeldon's The Nutcracker at its downtown studios in Joffrey Tower, 10 East…
Midsommer Flight will for the third year present a one-night-only staged reading of a play from the EXPAND THE CANON list,…
Oil Lamp Theater, presenting I Love You Because, August 14 - September 13, is proud to announce the cast and creative team…
The Sarah Siddons Society is honored to present its 2026 Leading Artist Award to James Moore, Music Director and Conductor of Lincoln Center Theatre's…
House of the Exquisite Corpse, Chicago’s one and only puppet haunted house, returns for its sixth Halloween season with a…
Red Clay Dance Company, Chicago's premier Afro-contemporary dance company, proudly announces its exciting Season 18: Spectrum programming, including Founding Artistic Director and…
Break out your Burn Book and mark these dates: Aurora’s Paramount Theatre is launching its 15th Broadway Series with the…
American Blues Theater, under the continued leadership of Executive Artistic Director Gwendolyn Whiteside, announces the recipient of the 2026 Blue Ink Award is Nia Akilah…
In times of stress, we often turn to familiar and comforting things: a favorite song, a dog-eared book, a movie…
Chamber music may be one of music’s most misunderstood children. An early form of classical music, it has always been…
This summer, the Starship Edsel boldly goes where they maybe shouldn’t go as Otherworld Theatre, Chicago’s premier destination for Science…
Remy Bumppo Theatre Company is pleased to announce the cast, creative and production teams for the first production in its 2026…
Victory Gardens Theater (2433 N. Lincoln Avenue), an historic incubator for new play development, proudly announces the World Premiere staging of The…
Secrets, sisterhood and solving crime take center stage this fall in the world premiere co-production of Dead Girl's Quinceañera by Miami native…
Steppenwolf Theatre Company, the nation's premier ensemble theater company, is pleased to continue its 51st Season with the world premiere of Chicago playwright Stephanie…
Writers Theatre, under the leadership of Executive Director Kathryn M. Lipuma and Alexandra C. and John D. Nichols Artistic Director Braden Abraham, concluded its 2025/26…
Chicago City Opera (CCO) presents an evening of two one act Mozart operas The Impresario and Bastien and Bastienne combined…
Producers Kevin McCollum and Kurt Deutsch, along with Broadway In Chicago are thrilled to announce THE NOTEBOOK, a new musical based…
Following last year’s smashing sold-out engagement, the Joan W. and Irving B. Harris Theater for Music and Dance proudly presents the return…
Chicago Magic Lounge welcomes back acclaimed magician David Parr as its Fall Artist in Residence with David Parr: Time Traveler, a new theatrical experience…
Nearly fifty years after its groundbreaking premiere, Ntozake Shange's for colored girls who have considered suicide / when the rainbow…
A quick history lesson: Anne Bonny and Mary Read are two of history’s most famous female pirates. Both women disguised…
PrideArts' 2026-27 season will open in August with the world premiere of Chicago-based playwright Matt Schutz's WINDOWS, a comedy of LGBT…
The Tony Award® winning Best Musical, THE OUTSIDERS, based on the seminal novel by S.E. Hinton and Francis Ford Coppola’s landmark motion picture, returns to Chicago…
Otherworld Theatre's Starship Edsel - Second City’s De Maat Theatre - Through September 13
CHICAGO HUMANITIES announces full Fall Festival 2026 programming
Tin Drum Theatre Company announces Chicago premiere of A Dark Wood by Eric Coble, Oct. 15–Nov. 1 at Greenhouse Theater Center
The 37th annual Rhinoceros Theater Festival Returns September 20 – October 26 at Six Chicago venues
Does your theatre company want to connect with Buzz Center Stage or would you like to reach out and say "hello"? Message us through facebook or shoot us an email at This email address is being protected from spambots. You need JavaScript enabled to view it..
*This disclaimer informs readers that the views, thoughts, and opinions expressed in the text belong solely to the author, and not necessarily to Buzz Center Stage. Buzz Center Stage is a non-profit, volunteer-based platform that enables, and encourages, staff members to post their own honest thoughts on a particular production.