Displaying items by tag: Jekyll Hyde
Kokandy Productions’ Jekyll & Hyde: A Fearless Reworking Elevated
Kokandy Productions’ Jekyll & Hyde, now presented by Broadway In Chicago at the Broadway Playhouse, arrives with the momentum of a bona fide Chicago phenomenon. After its run at Chopin Theatre was extended again and again - an almost unheard of feat for an intimate, homegrown musical - the show has now been picked up for a full commercial engagement, marking a major leap for the company and a testament to the production’s electric word of mouth. It is worth noting just how rare this is: Broadway In Chicago almost never transfers storefront productions, making this pickup one of the most significant Chicago theatre success stories in recent memory. Conceived for the stage by Steve Cuden and Frank Wildhorn, this staging proves how a storefront success can scale beautifully without losing its bite.
This reimagined take on The Strange Case of Dr. Jekyll and Mr. Hyde, drawn from Robert Louis Stevenson’s classic story, uses Leslie Bricusse’s book and lyrics to follow Dr. Jekyll, a brilliant yet splintering scientist whose compassion fuels his most dangerous ideas. He turns to self‑improvement experiments - attempting to isolate and remove the darker impulses that plague human behavior. Only after the town council votes down his proposal to move forward does Jekyll test his theories on himself, unleashing a violent alter ego - Mr. Hyde - that refuses to stay contained and seeks revenge on those who dismissed his ideas as reckless.
While Jekyll’s experiments drive the plot, the production grounds his unraveling in two sharply drawn relationships: his earnest, hopeful romance with Emma and his complicated, magnetic connection with Lucy. Emma represents the future he’s desperate to protect, while Lucy embodies the vulnerability and desire he can’t fully control. Together, they give the story its emotional spine, showing how Jekyll’s transformation fractures not just his identity, but the lives of the women who care for him.
Kokandy dives into the duality with sharp humor, vivid theatricality, and a pulsing score that turns the transformation into both a spectacle and a psychological spiral. As Jekyll’s world cracks - friends endangered, morality blurred, identity slipping - the production keeps the tension taut, balancing gothic thrills with a surprisingly human core.
(center) David Moreland and the cast of Kokandy Productions’ production of Jekyll & Hyde.
What makes this staging stand out is its inventiveness: clever staging, bold physicality, and a cast that commits fully to the grotesque and the gorgeous – and, wow, can they sing. It’s no surprise audiences kept returning at Chopin, pushing the run far past its original closing date. That groundswell of audience demand is precisely what caught Broadway In Chicago’s attention - a level of traction strong enough to propel a storefront musical into a full commercial engagement. Seeing it now elevated to the Broadway Playhouse feels like the rare occasion when Chicago’s storefront originality gets the larger platform it deserves. In fact, upon entering, guests are handed stickers to mark how many times they’ve seen the show. Whether it’s their first visit or their seventh - the highest number I spotted - theatergoers wear it proudly, a small but telling sign of the cult‑like enthusiasm surrounding this production.
Directed by Producing Artistic Director Derek Van Barham, this production thrives on a razor‑sharp sense of style and drive. Van Barham shapes Jekyll & Hyde with the confidence of someone who knows exactly how to blend horror and heart into one seamless theatrical rhythm. A kinetic drive and deft wit run through the score thanks to Nick Sula’s music direction, ensuring crisp transitions and character‑focused vocal work. With a rare 15‑piece live orchestra on stage, the production’s musical power hits with a fullness and immediacy that elevates every passage. Brenda Didier’s choreography is the secret weapon — precise, playful, and radiating personality, it turns the show’s physicality into storytelling and amplifies the divide at the center of Jekyll’s collapse.
Kokandy’s ensemble fires on all cylinders, creating a production that feels both wickedly fun and sharply realized. David Moreland anchors the show with a riveting, shape‑shifting performance as Dr. Henry Jekyll and Mr. Edward Hyde, his vocal work and physical transformations giving the story its ferocious pulse. Moreland delivers a performance of remarkable physical and emotional intensity, one that stands out among the strongest I’ve seen. With visceral depth and vocal heat, Ava Lane Stovall shapes Lucy Harris into a woman suspended between danger and desire, her performance threading vulnerability through every moment of volatility. She makes Lucy’s internal tug of war feel immediate, giving the role a current that’s both seductive and unsettling. Meanwhile, Emily McCormick’s Emma Carew delivers a beautifully grounded counterbalance, her warm, expressive songs reinforcing the production’s moral center and offering the steadiness Jekyll’s world so desperately lacks.
(center) Ava Lane Stovall with (left to right) Quinn Kelch and Ismael Garcia and (below) Quinn Simmons in Kokandy Productions’ production of Jekyll & Hyde.
As Simon Stride and Spider, Quinn Kech moves effortlessly between clipped propriety and feral swagger, pairing sharp character work with vocals that cut cleanly through the score. A steady moral throughline comes through in Kevin Webb’s Gabriel John Utterson, his warm baritone and grounded presence giving the story its emotional ballast. Nathan Calaranan brings a dignified, resonant authority to Sir Danvers Carew, shaping each turn with clarity and restraint. Around them, the ensemble meets the material with full‑throated commitment - singing with power, acting with specificity, and charging every scene with the kind of collective intensity that makes this production feel larger than its footprint. Led by Jeff Award winners Moreland, Stovall, and McCormick, the ensemble’s collective impact makes this Dr. Jekyll & Mr. Hyde feel vividly, thrillingly alive. The extended applause throughout the night were frequent and fully deserved.
The reimagined score is one of the production’s greatest triumphs, built on Frank Wildhorn’s music, yet reshaped into something leaner, sharper, and far more theatrical. Kim Scharnberg’s orchestrations give the music its dark, muscular edge, while Jason Howland’s arrangements sharpen its modern undercurrent. The orchestrations feel slyly contemporary and richly atmospheric, giving the story a sonic identity that matches Kokandy’s confident staging. Sula ensures every number lands with intention, whether it’s a brooding solo that tightens like a vice or an explosive ensemble sequence that floods the stage with adrenaline. And the vocal performances? They’re extraordinary – out of this world, presented with a clarity and force that elevate every musical moment.
The set evokes the grit and pressure of 1880s London without ever changing, a circular playing space with elevated risers that let the cast surround the action and heighten every moment of tension. Scenic designer Sotirios Livaditis, U.S.A., builds a world that’s intentionally fixed yet remarkably flexible, giving the ensemble multiple levels and angles to push the story forward. G. “Max” Maxin IV’s lighting and Matt Reich’s sound design sharpen that sense of immersion, shaping mood, focus, and dramatic impact from scene to scene. This talented design team gives us a unified environment that feels alive in its stillness - a single space that transforms through performance rather than mechanics.
Jekyll & Hyde comes highly recommended, not only for its inventive reworking but for the sheer theatrical command Kokandy brings to the Broadway Playhouse stage. Presented by Broadway In Chicago, the production (already extended) runs through November 8, 2026 at the Broadway Playhouse at Water Tower Place, with a runtime of 2 hours and 35 minutes including an intermission. It’s a bold, stylish, and wildly entertaining take on a classic tale - one that proves Kokandy’s storefront artistry can thrive beautifully on a commercial stage. I walked away from this production genuinely amazed, struck by how fully Kokandy has transformed a familiar title into something fresh, fearless, and alive. It’s a milestone not just for Kokandy, but for Chicago theatre itself - a reminder that the city’s most daring work can rise all the way to the downtown marquee.
Kokandy's JEKYLL & HYDE Extended by Popular Demand
|
Broadway In Chicago is pleased to announce a darkly delicious Halloween surprise: Kokandy Productions’ critically acclaimed revival of JEKYLL & HYDE will be extended by popular demand through November 8. For a frightfully good group night, discounted group rates for parties of 10 or more may be purchased beginning today, Wednesday, August 26 at 10:00 AM, by emailing This email address is being protected from spambots. You need JavaScript enabled to view it. or calling 312-977-1710. For more information, visit www.BroadwayInChicago.com. A new block of individual tickets for this cauldron of thrills will go on sale tomorrow, Thursday, August 27, for the extended performances October 27—November 8, 2026. Individual tickets, priced from $45 to $110 with a select number of premium seats available for all performances, may be purchased at www.BroadwayInChicago.com or in person at any Broadway In Chicago venue box office. Additional fees apply for online purchases. Kokandy Productions’ Jekyll & Hyde will play the Broadway Playhouse at Water Tower Place (175 E. Chestnut St.) from September 8 to November 8. For the performance schedule and additional ticket information, see below. |
|
|
|
|
|
TICKET INFORMATION (as of 8/26/26, based on availability and subject to change) www.kokandyproductions.com |
Jekyll & Hyde - Broadway Playhouse at Water Tower Place - Through October 8th
|
Broadway In Chicago announced today that tickets for Kokandy Productions’ critically acclaimed, multi-award-winning revival of JEKYLL & HYDE will go on sale to the public Monday, July 6. Tickets, priced from $45 to $100 with a select number of premium seats available for all performances, may be purchased at www.BroadwayInChicago.com or in person at any Broadway In Chicago venue box office. Additional fees apply for online purchases. This limited engagement will play the Broadway Playhouse at Water Tower Place (175 E. Chestnut St.) September 8—October 25. See below for information on discounted group sales for 10 or more, the performance schedule, and additional ticket information. “You will not be disappointed. Thrilling new talent emerges in this sexy crowd-pleaser.”
|
|
|
|
TICKET INFORMATION (as of 7/2/26, based on availability and subject to change) |
Operation Mincemeat: A Smart, Scrappy Musical That Shines When Its Cast Takes the Wheel
01 October 2026 in Theatre in ReviewIn the 2019 film Yesterday, a struggling musician wakes up in a world where The Beatles never existed. A similar…
Backyard Theatre Company’s Red Bike - Berger Park Coach House Theatre - Through October 24th
30 September 2026 in Now PlayingRed Bike is an intimate, movement‑driven play that follows a young person navigating a town transforming faster than they can…
SANCTUARY STORIES - A JOURNALISM THEATER PROJECT October 9-18 at the Athenaeum Center for Thought and Culture
30 September 2026 in Upcoming TheatreThrough music, documentary video, sound, photos and live actors, “SANCTUARY STORIES: A JOURNALISM THEATER PROJECT” captures in words and images…
Red Theater presents the world premiere of CHURCH HURT October 24 - November 21, 2026
30 September 2026 in Upcoming TheatreRed Theater is thrilled to announce the cast and production team of the world premiere of Church Hurt by Brynne…
Ballets Jazz Montréal Makes Chicago debut at THE AUDITORIUM Saturday, November 7th
30 September 2026 in Upcoming DanceThe Auditorium (Chicago's landmark stage at 50 E. Ida B. Wells Drive) continues its 2026-27 Dance Season titled North American…
A Red Orchid Theatre Opens 34th Season with Chicago Premiere of HEROES OF THE FOURTH TURNING October 29 – December 6, 2026
29 September 2026 in Upcoming TheatreA Red Orchid Theatre is pleased open its 34th Season, exploring the theme of "world on fire," with the Chicago…
Lookingglass announces new leadership team
29 September 2026 in Theatre BuzzLookingglass Theatre Company today announced a new leadership structure that brings together four longtime members of its acclaimed ensemble and…
Steppenwolf’s Topdog/Underdog: When History Deals the Cards
28 September 2026 in Theatre in ReviewSusan-Lori Parks’ Topdog/Underdog, the Pulitzer Prize-winning masterpiece, is the kind of play that changes depending on when—and how many times—you…
MAMMA MIA! and HADESTOWN Return to Chicago in Spring 2027
28 September 2026 in Upcoming TheatreBroadway In Chicago is excited to announce two fan-favorite shows are returning to our stages this year: MAMMA MIA! and…
'I’m Going to Marry You Tobey Maguire,' Full of Laughs, Ends With a Fizzle
25 September 2026 in Theatre in ReviewHere’s a play that should be really good, based on its reputation alone. Written by Chicago comedy writer Samantha Hurley,…
ALL THINGS EQUAL: THE LIFE AND TRIALS OF RUTH BADER GINSBURG 2027 NATIONAL TOUR - tickets now on sale
25 September 2026 in Upcoming TheatreInnovation Arts & Entertainment, along with Broadway In Chicago, are thrilled to announce single tickets for ALL THINGS EQUAL: THE…
League of Chicago Theatres announces "It's Theatre Season" and celebrates the industry's impact
24 September 2026 in Theatre BuzzThe League of Chicago Theatres announces the return of It's Theatre Season, a campaign inviting Chicagoans and visitors to discover…
Steppenwolf Theatre Continues 51st Season with World Premiere of ADIRONDACK CHAIR CIRCLE October 22 — December 6
24 September 2026 in Upcoming TheatreSteppenwolf Theatre Company, the nation's premier ensemble theater company, is pleased to launch its 51st Season with the world premiere of…
Lookingglass’ Kowalski Ignites a Battle of Wits Between Two Icons
24 September 2026 in Theatre in ReviewLookingglass Theatre’s production of Kowalski offers a gripping, fictionalized glimpse into the first meeting between two theater greats: Tennessee Williams…
Writers Theatre continues its 35th Anniversary Season with explosive, high-stakes boxing drama The Royale October 22 – November 29
23 September 2026 in Theatre in ReviewWriters Theatre, under the leadership of Executive Director Kathryn M. Lipuma and Alexandra C. and John D. Nichols Artistic Director Braden Abraham, continues…
Detroit ’67: A Basement Becomes a City on the Brink
23 September 2026 in Theatre in ReviewDetroit was burning in the summer of 1967, inside one basement, life was still going on. That contrast is at…
Now Boarding: Bonnie’s Last Flight, a Sky‑High Comedy with Real Heart
23 September 2026 in Theatre in ReviewRivendell Theatre Ensemble closes its milestone 30th season with Bonnie’s Last Flight, a sly, sky‑high comedy set during a flight…
Teatro Vista Productions announces season
22 September 2026 in Upcoming TheatreTeatro Vista Productions, the Midwest's only Latine-led Equity theatre company, led by Executive Director Lorena Diaz and Artistic Director Wendy…
Step Right Up and Ride the Cyclone (The Musical) at Metropolis Arlington Heights
22 September 2026 in Theatre in ReviewIf anyone has ever told you to buckle up and enjoy the ride, they were talking about life—and even if…
Funny ‘Prayer Circle’ Is Loaded With Laughs
22 September 2026 in Theatre in ReviewErik Gernand is resident playwright at Redtwist Theatre, and his Prayer Circle is absolutely laugh-out-loud funny. The strength of this…
Steppenwolf Presents GRACEFUL WARRIOR: AN EVENING WITH GARY SINISE - Tuesday, November 24, 2026
22 September 2026 in Upcoming TheatreSteppenwolf Theatre Company, the nation's premier ensemble theater company, is pleased to present Graceful Warrior: An Evening with Gary Sinise on Tuesday, November…
Acclaimed Mexodus musical makes Chicago premiere November 7-21 at Studebaker Theater
22 September 2026 in Upcoming TheatreStudebaker Theater, P3 Productions and Audible, in collaboration with Teatro Vista Productions, present the Chicago premiere of the groundbreaking, award-winning new hip-hop musical Mexodus, written and performed…
Arts in the Dark Parade moves to Columbus Drive due to dynamic growth, Oct. 24
21 September 2026 in Theatre BuzzLUMA8 and the City of Chicago return with the 12th Annual Arts in the Dark Halloween Parade, a family-friendly celebration…
American Blues Theater hosts its annual costumed fundraiser HALLOWEEN BOO BASH October 25th
21 September 2026 in Theatre BuzzAmerican Blues Theater, under the continued leadership of Executive Artistic Director Gwendolyn Whiteside, presents Halloween Boo Bash, its annual costumed fundraiser benefiting artists' wages…
Definition's How We Got On: A Mixtape for the Stage
21 September 2026 in Theatre in ReviewWhat happens when three young people discover hip-hop and realize they might have something to say? Idris Goodwin’s How We…
Open Space Arts Presents BEFORE WE ARE HISTORY October 23 – November 8
21 September 2026 in Upcoming TheatreOpen Space Arts presents BEFORE WE ARE HISTORY, a three-week theatrical exploration of LGBTQ+ theater created during and in response to…
Northlight Delivers a Headline-Making, Hilarious Front Page
20 September 2026 in Theatre in ReviewNorthlight Theatre opened its new venue with Jeffrey Hatcher’s smart, rejuvenated adaptation of The Front Page. Commissioned by Artistic Director…
Chicago Shakes' Play On!: With a Syncopated Harlem Beat
20 September 2026 in Theatre in ReviewThere are some productions you watch, and then there are productions that make your heart swoon and your toe tap.…
Overshadowed's Flame of Fire Finds Humanity, Strength, and Forgiveness in a Tragic Chapter of Missionary History
19 September 2026 in Theatre in ReviewOvershadowed Productions’ Flame of Fire revisits one of the most polarizing true stories in mid‑century missionary history, and the result…
The Attic at Goodman Theatre Redefines Memoir Through Breathtaking Physical Storytelling
19 September 2026 in Theatre in ReviewAt intermission, I sent Ken, Buzz Center Stage’s managing editor, a text: “So thankful I made it!! It’s intermission, and…
Latest Articles
-
Operation Mincemeat: A Smart, Scrappy Musical That Shines When Its Cast Takes the Wheel
Written by Maddie BurroughsIn the 2019 film Yesterday, a struggling musician wakes up in a world where The Beatles never existed. A similar theatrical case study could be done with every musical that might not exist without Hamilton; Operation Mincemeat should be first… -
MAMMA MIA! and HADESTOWN Return to Chicago in Spring 2027
Written by Buzz Center StageBroadway In Chicago is excited to announce two fan-favorite shows are returning to our stages this year: MAMMA MIA! and HADESTOWN. Current subscribers can add these to their season package when renewing by clicking here or calling (312) 977-1717. Group… -
SANCTUARY STORIES - A JOURNALISM THEATER PROJECT October 9-18 at the Athenaeum Center for Thought and Culture
Written by Buzz Center StageThrough music, documentary video, sound, photos and live actors, “SANCTUARY STORIES: A JOURNALISM THEATER PROJECT” captures in words and images the lives and communities deeply connected with — and affected by — immigration in Chicago. This “living documentary” is a…
-
Red Theater presents the world premiere of CHURCH HURT October 24 - November 21, 2026
Written by Buzz Center StageRed Theater is thrilled to announce the cast and production team of the world premiere of Church Hurt by Brynne Frauenhoffer and directed by Jessica Love, running October 24 - November 21, 2026 at The Edge Off Broadway in Chicago’s…
Does your theatre company want to connect with Buzz Center Stage or would you like to reach out and say "hello"? Message us through facebook or shoot us an email at This email address is being protected from spambots. You need JavaScript enabled to view it..
*This disclaimer informs readers that the views, thoughts, and opinions expressed in the text belong solely to the author, and not necessarily to Buzz Center Stage. Buzz Center Stage is a non-profit, volunteer-based platform that enables, and encourages, staff members to post their own honest thoughts on a particular production.