
It’s been three days since seeing Jesus Christ Superstar at Lyric Opera’s Civic Center and I still find myself going from character to character in the kitchen, in the car, while I’m working, while doing chores around the house and, moments ago, in the elevator. I may not be able to hit the brassy baritone notes sang by Cavin Cornwall as Caiaphas (or any of the character’s notes for that matter) but I give it my best shot because it’s just one of those shows – the songs stick – as they should. After all, we are talking about what many consider Andrew Lloyd Weber’s greatest work and perhaps one of the most masterful musicals of our time. We are talking about a musical that does not have a single weak number.
Having seen several variations of Jesus Christ Superstar from it’s very early runs in the 1970’s with Ted Neeley, many as he aged (the last while in his mid-sixties), and with a handful with others in the role of Jesus, Lyric Opera’s stage adaptation stays true to form – and then some. Cast members donned in hoods spread out across the main floor of the theatre before running to the stage during the opening overture. The set and costumes take us to a somewhat post-apocalyptic era, and though unnecessary as the musical is ever so effective taking place in biblical times, we still get the point.
With clever and ever-so-fitting lyrics by Tim Rice and an unbeatable soundtrack by Lloyd Weber, Jesus Christ Superstar takes us through Jesus’ rise in popularity as the promised messiah for his people over his last days. At the same time the pharisees show alarm and fear as Jesus is as a threat to their teachings – a threat that must be destroyed. While taking us through the last supper and eventually the crucifixion, the musical closely examines the love/hate relationship between Jesus and Judas, and the inner conflicts had by the latter. We also get a look at Rice and Weber’s perception of Mary Magdalene’s bond with Jesus, as she takes on a motherly approach in “Everything’s Alright” and that of almost a confused lover in “I Don’t Know How to Love Him”.

Jo Lampert as Mary Magdalene soothes Jesus (Heath Saunders)
Over eighty artists take the stage to perform with the thirty-seven musicians strategically placed in plain view on the set. The talent in this production is nothing short of spectacular, the choreography original and fun, particularly in that of the pharisees in the number “This Jesus Must Die,” adding a unique element of menace. The standouts in this show are many. Ryan Shaw delivers big as Judas holding true to the role’s intention immediately impressing from his opening number “Heaven on Their Minds” while Jo Lampert as Mary Magdalene shows great vocal command as she goes from gentle and soothing to prevailing power.
Ted Neeley who portrayed Jesus in the 1973 film, touring the role prior and still doing so to this day, along with Deep Purple’s Ian Gillan who was the voice of Jesus on the original album recording, set a precedent that, if not met, can lead to disappointment by the production’s most loyal fans. Gillan and Neeley set the bar high. The two were so successful in adding a rock and roll element to Jesus - screams and all - so that many in the role to follow were doomed to fail. This is not the case in Lyric’s current production. Heath Saunders exemplifies what the Jesus Christ Superstar loyal want to see in the role of Jesus. Diehards of the production call for a rock and roll Jesus and Saunders gives them just that. While stunning the crowd with his wide vocal range and hitting the highs where we’ve come to expect the highs, Saunders also gives us a Jesus who is sensitive, caring and embodies that of a teacher.
After tearing it up as Judas in Paramount’s 2017 production of Jesus Christ Superstar and taking on an ensemble role in the recent NBC televised special, Mikal Kilgore returns to the classic musical, this time as Simon Zealotes. Kilgore again puts forth an untouched performance, only leaving the audience with the regret his lead numbers are limited. Michael Cunio as Pilate Shaun Fleming as Herod are equally impressive as they pass the buck on who will be responsible for Jesus punishment that is called for by the people. Rounding out the sensational cast are Joseph Anthony Byrd as Annas and Cavin Cornwall as Caiaphas whose performances as the sinister pharisees are also on point.

Shaun Fleming as Herod
Jesus Christ Superstar is one of the great modern-day musicals and Lyric Opera of Chicago is one of Chicago’s premiere venues. Their pairing makes a lot of sense. Lyric spares no expenses presenting an all-around magnificent cast, a collection of Chicago’s finest musicians, superb direction and choreography and a set and lighting design that includes a 37-foot cross illuminated with 101 lights and seven full-sized trees that stand in the background overlooking all the action.
Categorically recommended.
Jesus Christ Superstar is being performed at Lyric Opera of Chicago through May 20th. For tickets and/or more show information, visit www.lyricopera.org.
Mia Chung’s Catch as Catch Can, which premiered with Page 73 in New York in 2018, arrives at Steppenwolf Theatre…
Nate Bargatze’s Big Dumb Eyes tour made its stop at the Allstate Arena in Rosemont with the steady, understated presence…
BrightSide Theatre’s The Producers storms into Meiley Swallow Hall with the kind of swagger only Mel Brooks can inspire: brash,…
Those familiar with the Factory Theater space might feel themselves do a double take upon entering the theater for Two…
Elmhurst Art Museum’s two new exhibitions feature a pair of artists with Midwestern roots whose outlooks and perceptions of the…
For the first time in company history, Oak Park Festival Theatre presents two productions in repertory: William Shakespeare's HAMLET and Oscar Wilde's THE…
Immerse yourself in the enchanting wonder, vibrant magic and joyous celebration that is Mexican folkloric dance when Ballet Folklorico Quetzalcoatl…
When Terry Guest left Atlanta and arrived in Chicago ten years or so ago, a bracing reality check caused the…
When Jason Robert Brown’s The Last Five Years premiered at Chicago’s Northlight Theatre in 2001, it flipped the traditional rom-com…
Some stories refuse to fade with time, and Brokeback Mountain is one of them. What began as a modest short…
There’s something magical about stories. Stories have the power to transcend time, reaching across the centuries to share their thoughts,…
Produced in partnership with JunkHeart, The Metal Shop Performance Lab is proud to announce the cast and creative team for Anatomy of a Suicide, August…
Black Ensemble Theater Founder and Executive Director Jackie Taylor proudly announces Black Ensemble's Juneteenth Prelude: Celebrating Freedom and Black Expression, as part of…
Welcome to Southie, a Boston neighborhood where a night on the town means a few rounds of bingo, this month’s…
Award-winning Redtwist Theatre presents Deserted, playing June 14 through August 2, a world premiere by Melanie Coffey and directed by Laura Sturm*, at Redtwist Theatre, 1044 W. Bryn…
Black Ensemble Theater continues its 50th Anniversary Season with the return of the celebrated musical revue Men of Soul, written and directed by Artistic…
Now fully activated, Collaboraction Theatre Company’s new House of Belonging in the Kimball Arts Center, 1757 N. Kimball Ave in…
Definition Theatre's Amplify New Play Program exists to elevate emerging voices, and Netta Walker's keerah certainly arrives with ambition. Loosely…
Metropolis Performing Arts Centre, located in the heart of downtown Arlington Heights, 111 W. Campbell St., is proud to announce the cast…
No Dogs in the Kitchen Theatre is thrilled to continue its third season with The Importance of Being Earnest, written by…
Following is critically acclaimed productions of Sweeney Todd and Into the Woods, Kokandy Productions once again celebrates the great Stephen…
Some theatrical experiences ask you to sit back and watch. "The Last Word" invites you to pull up a chair,…
Paramount Theatre’s smash hit, immersive musical Million Dollar Quartet wrapped its spring run at downtown Aurora’s Stolp Island Theatre this…
Paramount Theatre is proud to host the world’s most influential name in comedy, The Second City, back for for a…
Studebaker Theater (Erica Berger and Jacob Harvey), P3 Productions (Ben Holtzman, Sammy Lopez, and Fiona Howe Rudin) and Audible, in collaboration with Teatro Vista…
About Face Theatre is proud to announce its 32nd season featuring the Pulitzer Prize winning musical A Strange Loop and the Midwest Premiere of i…
Broadway In Chicago will bring its free annual SUMMER CONCERT to Millennium Park on Monday, August 10, 2026. Sponsored by…
The South Florida based YI Love Jewish and Chicago-based Arts Judaica proudly join forces to present a limited engagement of the Chicago…
JK Entertainment is proud to announce the final production of their inaugural season: HEDWIG AND THE ANGRY INCH, the cult-classic created…
Award-winning Porchlight Music Theatre announces today that the recent stars of Porchlight in Concert’s production of Follies, Tony Award-nominee Felicia P. Fields and Broadway’s…
Where Identity Slides: Steppenwolf’s Mesmerizing Catch as Catch Can
Bargatze’s Big Dumb Eyes Tour Lands in Rosemont With Subtle Force
BrightSide’s intimate staging of The Producers shines with Broadway-sized power
Does your theatre company want to connect with Buzz Center Stage or would you like to reach out and say "hello"? Message us through facebook or shoot us an email at This email address is being protected from spambots. You need JavaScript enabled to view it..
*This disclaimer informs readers that the views, thoughts, and opinions expressed in the text belong solely to the author, and not necessarily to Buzz Center Stage. Buzz Center Stage is a non-profit, volunteer-based platform that enables, and encourages, staff members to post their own honest thoughts on a particular production.