Displaying items by tag: KING LEAR

Babes With Blades Theatre Company’s (BWBTC) announced today new production dates for the final production in its 2026 season, William Shakespeare’s King Lear, directed by Alison Dornheggen and fight choreography by Jess Pennachio, the new dates are now October 22 - November 21 in Theatre 3 at Theater Wit, 1229 W. Belmont. The running time, including intermission, is approximately two hours and 20 minutes. Preview performances are Thursday, Oct. 22 and Friday, Oct. 23 at 8 p.m. The performance schedule is Thursdays – Saturdays at 7:30 p.m. and Sundays at 3 p.m. The open caption performances are Saturday, Nov. 7 at 7:30 p.m. and Sunday, Nov. 8 at 3 p.m. and Thursday, Nov. 12 and Friday, Nov. 13 at 7:30 p.m. The sensory friendly performance is Sunday, Oct. 25 at 3 p.m. with the fully masked audience performance, Sunday, Nov. 1 at 3 p.m. There is no performance on Saturday, Oct. 31. Streaming dates for King Lear will be announced at a future date. Tickets are $28 for students and seniors, $37 for general admission and are on sale at the Theater Wit Box Office, 773-975-8150, or at BabesWithBlades.org. 

King Lear tells the complicated story of a king who divides his kingdom into thirds for his three daughters and the unforeseen struggles from this decision’s aftermath. His unraveling is parallelled by the nefarious journey of a jealous Edmund, who seeks to overtake his nobleman father’s affairs from his half brother. 

“I am thrilled that Babes are sinking their teeth into one of Shakespere’s most complex tragedies," said Artistic Director Hayley Rice. “A quote from King Lear is  “‘Tis the time’s plague when madmen lead the blind,” demonstrating, like so much of Shakespeare’s work, these themes are still painfully relevant today including greed, lust for power, the shortsightedness of our leaders and familial strife. We look forward to welcoming audiences to the final production in our 2026 season with this famous tragedy.”

With storefront theater veteran Lynne Baker (she/her) in the titular role of King Lear, the cast also includes Babes With Blades Theatre Company Ensemble MembersKim Fukawa (she/her, Oswald/Duke of Burgundy, Edgar U/S);Carrie Hardin (she/her, King Lear U/S); Jillian Leff(she/her, Duke of Cornwall); Morgan Manasa (she/her, Earl of Gloucester);Jennifer L. Mickelson (she/her, Duke of Albany/ensemble);Jennifer Mohr (she/her, Cordelia/Fool);Thomas Russell (he/they, Edmund) andKathrynne Wolf (she/her, Earl of Kent). They are joined by, in alphabetical order, Kim Boler (she/her, Goneril); Sarah Cushman (she/her, Goneril/Duke of Albany/ensemble U/S); Dani De la Rosa (she/her; ensemble/Edmund and Duke of Cornwall U/S); Stephanie Mattos (she/her, Edgar); Sophia Lanza-Weil (she/her, Earl of Gloucester/ensemble U/S); Madeline Meyer (she/her; ensemble/Oswald and Kent U/S); Rachel Sleek Bañuelos (she/her, Regan); and Brittani Yawn (she/her, ensemble/Cordelia and Fool U/S).

The production team includes BWBTC ensemble members Line Bower (they/them, technical director); Alison Dornheggen (she/her, director); Hayley Rice (she/her, text coach); Payton Shearn (she/they, production assistant) and Laura J. Wiley (she/her, lighting designer) as well as Adri Andreolas (she/her, assistant stage manager); Jessie Gowens (she/her, costume designer); Hannah Foerschler (she/her, sound designer); Tristan Hall (they/them, intimacy designer); Rose Hamill (she/her, production manager); Morgan Lazlo (they/them, scenic designer); Arielle Leverett (she/her, assistant director); Ryan Liddell (he/him, assistant fight choreographer); Elena Lindeman (they/she, props designer); Grace Elizabeth Mealey (she/her, stage manager) and Jess Pennachio (she/her, fight director).

ABOUT ALISON DORNHEGGEN, DIRECTOR

Alison Dornheggen has been working in the Chicagoland area as a director, actor, fight choreographer and administrator for more than 20 years. She received her degree in directing and acting from Columbia College Chicago and has been lucky to work with companies such as Chicago Shakespeare Theater, Idle Muse Theatre, Mercury Theater, A Red Orchid Theatre, Remy Bumppo Theatre Company, Oak Park Festival Theatre and The Factory Theater among others. She earned her MA in arts management, serving as the Theatre Graduate Fellow at American University in Washington DC and was privileged to work with the Washington Stage Guild, Ford's Theater, the Kennedy Center and award winning composer Peter Lerman. Dornheggen is also part of the theater department faculty at the Chicago Academy for the Arts and has been a proud ensemble member of BWBTC since 2003. 

ABOUT JESS PENNACHIO, FIGHT CHOREOGRAPHER

Jess Pennachio has a B.A in theatre performance from UNC Charlotte and completed the Actor’s Gymnasium Professional Circus Training Program focusing in partner acrobatics and juggling. She is a trained stunt performer and an advanced actor combatant with the SAFD. She has assisted stage combat classes throughout Chicago and across the country. She has worked with Babes With Blades, The Factory Theater, Collaboraction, Rough House, Chicago Danztheatre Ensemble and the Carolina Renaissance Festival. She is a fight choreographer for stage and screen as well as a makeup artist.

ABOUT BABES WITH BLADES THEATRE COMPANY

Babes With Blades Theatre Company, for more than 25 years and moving into the future, strives to develop and present scripts focused on complex, dynamic (often combative) characters who continue to be underrepresented on theatre stages based on gender. Babes With Blades Theatre Company uses stage combat to tell stories that elevate the voices of underrepresented communities and dismantle the patriarchy.

In each element of its programming, BWBTC embraces two key concepts:

1)     Folks of marginalized genders and underrepresented communities are central to the story, driving the action rather than responding or submitting to it and

2)     Everyone is capable of a full emotional and physical range, up to and including violence and its consequences.

The company offers participants and patrons alike an unparalleled opportunity to experience every person as heroes and villains; rescuers and rescues; right, wrong and everywhere in between: exciting, vivid, dynamic PEOPLE. It’s as simple and as subversive as that.

LAND ACKNOWLEDGEMENT STATEMENT:

Babes With Blades Theatre Company produces theatre in venues located on the traditional homelands of the Council of the Three Fires: the Ojibwe, Odawa and Potawatomi Nations. Many other tribes such as the Miami, Ho-Chunk, Menominee, Sac and Fox also called this area home. This region that we now commonly refer to as “The Chicagoland Area”, has long been a center for Indigenous people to gather, trade and maintain kinship ties. Today, one of the largest urban Native American communities in the United States resides in Chicago. Members of this community continue to contribute to the life of this city and to celebrate their heritage, practice traditions and care for the land and waterways.

Babes With Blades Theatre Company’s (BWBTC) announced today new production dates for the final production in its 2026 season, William Shakespeare’s King Lear, directed by Alison Dornheggen and fight choreography by Jess Pennachio, the new dates are now October 22 - November 21 in Theatre 3 at Theater Wit, 1229 W. Belmont. The running time, including intermission, is approximately two hours and 20 minutes. Preview performances are Thursday, Oct. 22 and Friday, Oct. 23 at 8 p.m. The performance schedule is Thursdays – Saturdays at 7:30 p.m. and Sundays at 3 p.m. The open caption performances are Saturday, Nov. 7 at 7:30 p.m. and Sunday, Nov. 8 at 3 p.m. and Thursday, Nov. 12 and Friday, Nov. 13 at 7:30 p.m. The sensory friendly performance is Sunday, Oct. 25 at 3 p.m. with the fully masked audience performance, Sunday, Nov. 1 at 3 p.m. There is no performance on Saturday, Oct. 31. Streaming dates for King Lear will be announced at a future date. Tickets are $28 for students and seniors, $37 for general admission and are on sale at the Theater Wit Box Office, 773-975-8150, or at BabesWithBlades.org. 

Babes With Blades Theatre Company’s (BWBTC), now presenting the world premiere of yo ho. through August 29 at The Edge Off-Broadway, shares the cast and creative team for the final production in its 2026 season, William Shakespeare’s King Lear, directed by Alison Dornheggen and fight choreography by Jess Pennachio, October 15 - November 21 in Theatre 3 at Theater Wit, 1229 W. Belmont. The running time, including intermission, is approximately two hours and 20 minutes. Preview performances are Thursday, Oct. 15 and Friday, Oct. 16 at 8 p.m. The performance schedule is Thursdays – Saturdays at 8 p.m. and Sundays at 3 p.m. The open caption performances are Saturday, Nov. 7 at 8 p.m. and Sunday, Nov. 8 at 3 p.m. and Thursday, Nov. 12 and Friday, Nov. 13 at 8 p.m. The sensory friendly performance is Sunday, Oct. 25 at 3 p.m. with the fully masked audience performance, Sunday, Nov. 1 at 3 p.m. There is no performance on Saturday, Oct. 31. Streaming dates for King Lear will be announced at a future date. Tickets are $28 for students and seniors, $37 for general admission and go on sale Monday, August 31 at the Theater Wit Box Office, 773-975-8150, or at BabesWithBlades.org. 

King Lear tells the complicated story of a king who divides his kingdom into thirds for his three daughters and the unforeseen struggles from this decision’s aftermath. His unraveling is parallelled by the nefarious journey of a jealous Edmund, who seeks to overtake his nobleman father’s affairs from his half-brother. 

“I am thrilled that Babes are sinking their teeth into one of Shakespere’s most complex tragedies," said Artistic Director Hayley Rice. “A quote from King Lear is  “‘Tis the time’s plague when madmen lead the blind,” demonstrating, like so much of Shakespeare’s work, these themes are still painfully relevant today including greed, lust for power, the shortsightedness of our leaders and familial strife. We look forward to welcoming audiences to the final production in our 2026 season with this famous tragedy.”

With storefront theater veteran Lynne Baker (she/her) in the titular role of King Lear, the cast also includes Babes With Blades Theatre Company Ensemble Members Kim Fukawa (she/her, Oswald/Duke of Burgundy, Edgar U/S); Carrie Hardin (she/her, King Lear U/S); Morgan Manasa (she/her, Earl of Gloucester); Jennifer L. Mickelson (she/her, Duke of Albany/ensemble); Jennifer Mohr (she/her, Cordelia/Fool); Thomas Russell (he/they, Edmund) and Kathrynne Wolf (she/her, Earl of Kent). They are joined by, in alphabetical order, Kim Boler (she/her, Goneril); Sarah Cushman (she/her, Goneril/Duke of Albany/ensemble U/S); Dani De la Rosa (she/her; ensemble/Edmund and Duke of Cornwall U/S); Brandi Jiminez Lee (she/her, Edgar); Sophia Lanza-Weil (she/her, Earl of Gloucester/ensemble U/S); Madeline Meyer (she/her; ensemble/Oswald and Kent U/S); Rachel Sleek Bañuelos (she/her, Regan); Ahlora Victoria (she/her, Duke of Cornwall/Regan U/S) and Brittani Yawn (she/her, ensemble/Cordelia and Fool U/S).

The production team includes BWBTC ensemble members Line Bower (they/them, technical director); Alison Dornheggen (she/her, director); Hayley Rice (she/her, text coach); Payton Shearn (she/they, production assistant) and Laura J. Wiley (she/her, lighting designer) as well as Jessie Gowens (she/her, costume designer); Hannah Foerschler (she/her, sound designer); Tristan Hall (they/them, intimacy designer); Rose Hamill (she/her, production manager); Morgan Lazlo (they/them, scenic designer); Arielle Leverett (she/her, assistant director); Ryan Liddell (he/him, assistant fight choreographer); Elena Lindeman (they/she, props designer); Grace Elizabeth Mealey (she/her, stage manager) and Jess Pennachio (she/her, fight director).

ABOUT ALISON DORNHEGGEN, DIRECTOR

Alison Dornheggen has been working in the Chicagoland area as a director, actor, fight choreographer and administrator for more than 20 years. She received her degree in directing and acting from Columbia College Chicago and has been lucky to work with companies such as Chicago Shakespeare Theater, Idle Muse Theatre, Mercury Theater, A Red Orchid Theatre, Remy Bumppo Theatre Company, Oak Park Festival Theatre and The Factory Theater among others. She earned her MA in arts management, serving as the Theatre Graduate Fellow at American University in Washington DC and was privileged to work with the Washington Stage Guild, Ford's Theater, the Kennedy Center and award winning composer Peter Lerman. Dornheggen is also part of the theater department faculty at the Chicago Academy for the Arts and has been a proud ensemble member of BWBTC since 2003. 

ABOUT JESS PENNACHIO, FIGHT CHOREOGRAPHER

Jess Pennachio has a B.A in theatre performance from UNC Charlotte and completed the Actor’s Gymnasium Professional Circus Training Program focusing in partner acrobatics and juggling. She is a trained stunt performer and an advanced actor combatant with the SAFD. She has assisted stage combat classes throughout Chicago and across the country. She has worked with Babes With Blades, The Factory Theater, Collaboraction, Rough House, Chicago Danztheatre Ensemble and the Carolina Renaissance Festival. She is a fight choreographer for stage and screen as well as a makeup artist.

ABOUT BABES WITH BLADES THEATRE COMPANY

Babes With Blades Theatre Company, for more than 25 years and moving into the future, strives to develop and present scripts focused on complex, dynamic (often combative) characters who continue to be underrepresented on theatre stages based on gender. Babes With Blades Theatre Company uses stage combat to tell stories that elevate the voices of underrepresented communities and dismantle the patriarchy.

In each element of its programming, BWBTC embraces two key concepts:

1)     Folks of marginalized genders and underrepresented communities are central to the story, driving the action rather than responding or submitting to it and

2)     Everyone is capable of a full emotional and physical range, up to and including violence and its consequences.

The company offers participants and patrons alike an unparalleled opportunity to experience every person as heroes and villains; rescuers and rescues; right, wrong and everywhere in between: exciting, vivid, dynamic PEOPLE. It’s as simple and as subversive as that.

LAND ACKNOWLEDGEMENT STATEMENT:

Babes With Blades Theatre Company produces theatre in venues located on the traditional homelands of the Council of the Three Fires: the Ojibwe, Odawa, and Potawatomi Nations. Many other tribes such as the Miami, Ho-Chunk, Menominee, Sac and Fox also called this area home. This region that we now commonly refer to as “The Chicagoland Area”, has long been a center for Indigenous people to gather, trade and maintain kinship ties. Today, one of the largest urban Native American communities in the United States resides in Chicago. Members of this community continue to contribute to the life of this city and to celebrate their heritage, practice traditions and care for the land and waterways.