
In 1959 director Douglas Sirk left his mark on Hollywood in the making of his final film, Imitation of Life, which was based on the Fannie Hurst novel of the same name. The film starred Lana Turner in the lead role and dealt with several topics that still loom large today, focusing on race, class and gender. This was the second film adaptation of the novel, the first being directed by John M. Stahl in 1934. Finding it "culturally, historically, or aesthetically significant" the United States Congress selected the film for preservation in the National Film Registry in 2015.
Upon signing to star in a remake of Imitation of Life, Turner was knee-deep in real world trouble. She had been involved in courtroom proceedings after her boyfriend was killed by her daughter in a domestic struggle. Hollywood seized on the media sensation and used the film as an opportunity to reclaim her star status on the big screen.
So, leave it to Hell in a Handbag to brilliantly lampoon the film and actual events surrounding Turner, intertwining the two stories into one. In “L’imitation of Life,” Ricky Graham and Running with Scissors take Bruce McNally’s original script and run with it, and thanks to outstanding direction by Stevie Love, we get a hilarious spoof that keeps Handbag at the top spot for Chicago comedy theatre.
In “L’imitation,” Lana Turner (Ed Jones) wants to succeed as a Broadway star no matter what the cost. She currently grabs any commercial she can get no matter how degrading the topic matter and is known as many things such as “The Queen of Flush” (yes, from a toilet brush advertisement). The widowed commercial starlet lives with her spoiled school-aged daughter Suzie (Katherine Bellantone), who, as in her real-life drama, had stabbed to death Turner’s boyfriend (perhaps with a little prodding from mom). It is when the two happen upon Annie Johnson (Robert Williams), a besieged African-American mother while at the beach, that a new life for both begins. With Annie and her daughter Sara Jane (Ashley J Hicks) having nowhere to go, Lana “charitably” invites the two to come home with her – with Annie becoming a maid and caregiver to Lana and the two girls.
With their new living situation comes many challenges. Sara Jane is rebellious. Light-skinned and defiant, she wants to be accepted as white, keeping her mother a secret from friends at school. Annie is there for Lana for anything and everything she needs with a smile but is massively overworked and disregarded. Lana is delusional about her talents as an actress and sleeps with anyone she can to move forward in the entertainment industry. And Suzie is weird – and flat out scary.
Ed Jones never lets the Handbag faithful down, and in “L’imitation of Life” we might just get his best work. A flawless performance by Jones highlights this very funny production as he so masterfully is able to capture and exaggerate Turner’s essence to comedic perfection. Jones gets strong support from Robert Williams whose Annie Johnson so perfectly plays off Turner’s delusions of grandeur, no-respect-for-others character. Chazie Bly plays Steve Martin (no, not that Steve Martin), Turner’s on again off again boyfriend, and is ferociously funny in doing so.
In “L’imitation,” Hell in a Handbag is able to spoof such touchy subject matter in their own unique fashion that actually finetunes what, in some ways, may have been the desired the effect of the film – to point out the absurdities where society falls short in poking fun at stereotypical behaviors. “It is the intention of Parody, as an art form, to hold a fun-house mirror to our culture and to reflect all attitudes in an art (past and present).’ Says director Stevie Love. “The beautiful, the garish, the righteous and the misguided. We intend to do that in 5-inch heels.”
Presented with visuals that help in providing a scene’s setting and also serves as yet another avenue for big laughs, “L’imitation of Life” hits on all cylinders.
“L’imitation of Life” is being performed at Stage 773 through May 6th. For tickets and/or more show information, visit www.handbagproductions.org.
“Southern Rapture” quickly elicits loud guffaws from the audience, a heartening circumstancve, as it means playwright Eric Coble’s script is…
Mia Chung’s Catch as Catch Can, which premiered with Page 73 in New York in 2018, arrives at Steppenwolf Theatre…
Nate Bargatze’s Big Dumb Eyes tour made its stop at the Allstate Arena in Rosemont with the steady, understated presence…
BrightSide Theatre’s The Producers storms into Meiley Swallow Hall with the kind of swagger only Mel Brooks can inspire: brash,…
Those familiar with the Factory Theater space might feel themselves do a double take upon entering the theater for Two…
Elmhurst Art Museum’s two new exhibitions feature a pair of artists with Midwestern roots whose outlooks and perceptions of the…
For the first time in company history, Oak Park Festival Theatre presents two productions in repertory: William Shakespeare's HAMLET and Oscar Wilde's THE…
Immerse yourself in the enchanting wonder, vibrant magic and joyous celebration that is Mexican folkloric dance when Ballet Folklorico Quetzalcoatl…
When Terry Guest left Atlanta and arrived in Chicago ten years or so ago, a bracing reality check caused the…
When Jason Robert Brown’s The Last Five Years premiered at Chicago’s Northlight Theatre in 2001, it flipped the traditional rom-com…
Some stories refuse to fade with time, and Brokeback Mountain is one of them. What began as a modest short…
There’s something magical about stories. Stories have the power to transcend time, reaching across the centuries to share their thoughts,…
Produced in partnership with JunkHeart, The Metal Shop Performance Lab is proud to announce the cast and creative team for Anatomy of a Suicide, August…
Black Ensemble Theater Founder and Executive Director Jackie Taylor proudly announces Black Ensemble's Juneteenth Prelude: Celebrating Freedom and Black Expression, as part of…
Welcome to Southie, a Boston neighborhood where a night on the town means a few rounds of bingo, this month’s…
Award-winning Redtwist Theatre presents Deserted, playing June 14 through August 2, a world premiere by Melanie Coffey and directed by Laura Sturm*, at Redtwist Theatre, 1044 W. Bryn…
Black Ensemble Theater continues its 50th Anniversary Season with the return of the celebrated musical revue Men of Soul, written and directed by Artistic…
Now fully activated, Collaboraction Theatre Company’s new House of Belonging in the Kimball Arts Center, 1757 N. Kimball Ave in…
Definition Theatre's Amplify New Play Program exists to elevate emerging voices, and Netta Walker's keerah certainly arrives with ambition. Loosely…
Metropolis Performing Arts Centre, located in the heart of downtown Arlington Heights, 111 W. Campbell St., is proud to announce the cast…
No Dogs in the Kitchen Theatre is thrilled to continue its third season with The Importance of Being Earnest, written by…
Following is critically acclaimed productions of Sweeney Todd and Into the Woods, Kokandy Productions once again celebrates the great Stephen…
Some theatrical experiences ask you to sit back and watch. "The Last Word" invites you to pull up a chair,…
Paramount Theatre’s smash hit, immersive musical Million Dollar Quartet wrapped its spring run at downtown Aurora’s Stolp Island Theatre this…
Paramount Theatre is proud to host the world’s most influential name in comedy, The Second City, back for for a…
Studebaker Theater (Erica Berger and Jacob Harvey), P3 Productions (Ben Holtzman, Sammy Lopez, and Fiona Howe Rudin) and Audible, in collaboration with Teatro Vista…
About Face Theatre is proud to announce its 32nd season featuring the Pulitzer Prize winning musical A Strange Loop and the Midwest Premiere of i…
Broadway In Chicago will bring its free annual SUMMER CONCERT to Millennium Park on Monday, August 10, 2026. Sponsored by…
The South Florida based YI Love Jewish and Chicago-based Arts Judaica proudly join forces to present a limited engagement of the Chicago…
JK Entertainment is proud to announce the final production of their inaugural season: HEDWIG AND THE ANGRY INCH, the cult-classic created…
Funny, Incisive 'Southern Rapture' Skewers All Parties in 'Angels in America' Fracas
Where Identity Slides: Steppenwolf’s Mesmerizing Catch as Catch Can
Bargatze’s Big Dumb Eyes Tour Lands in Rosemont With Subtle Force
Does your theatre company want to connect with Buzz Center Stage or would you like to reach out and say "hello"? Message us through facebook or shoot us an email at This email address is being protected from spambots. You need JavaScript enabled to view it..
*This disclaimer informs readers that the views, thoughts, and opinions expressed in the text belong solely to the author, and not necessarily to Buzz Center Stage. Buzz Center Stage is a non-profit, volunteer-based platform that enables, and encourages, staff members to post their own honest thoughts on a particular production.