
Carmela misses her papi, because papi is missing some of his papers.
Chicago Children’s Theatre presents Carmela Full of Wishes, a moving ode to family – and dreamers – adapted from the contemporary children’s book by Newbury Award-winners Matt de la Peña and Christian Robinson, the same Newbery Medal and Caldecott Honor winning team behind Last Stop on Market Street.
Carmela Full of Wishes, a Chicago Children’s Theatre world premiere in 2022, returns to tell a warm, timely, and ultimately hopeful story about a sweet young Latina girl living in a big city who dreams of her dad getting his papers fixed so he can finally come home.
More relevant than ever, Carmela is the first of four of “greatest childhood hits” Chicago Children’s Theatre is reviving for its 21st birthday season. Full of touching, funny fantasies, the play portrays a little girl’s big city migrant community as a vibrant world of hope and possibility. The Chicago Tribune called it “a heartwarming tale of an exuberant Latina girl that celebrates family, community and hope — perfect themes for young audiences.” f
Public performances are October 25-November 15: Saturday and Sunday at 9:30 a.m. and 11:30 a.m. Press openings are Sunday, October 26 at 9:30 a.m. and 11:30 a.m. Run time is approximately one hour. Carmela Full of Dreams is recommended for ages 6 and up. Schedule exceptions: Show time Saturday, October 25 is 9:30 a.m. only; Show times Sunday, November 8 are 11:30 a.m. and 2 p.m.
Single tickets are $42 and go on sale on August 24 at chicagochildrenstheatre.org. Book early, as many shows will sell out. For group discounts, schools, playgroups, birthday parties and scouting groups are encouraged to call CCT Guest Services at (312) 374-8835 or email This email address is being protected from spambots. You need JavaScript enabled to view it..
School groups in particular are encouraged to inquire about Chicago Children’s Theatre’s in-class R.O.A.R. Residencies connected to the world of Carmela Full of Wishes. CCT’s R.O.A.R. (Residencies of Arts and Resilience) program, rooted in trauma-informed activities and conversations, provides opportunities for students to authentically reflect on challenging or stressful situations, gain the tools for sharing with others, self care and self agency in those moments, and promote coping mechanisms, social-emotional expression and resilience. CCT’s R.O.A.R. program was developed in partnership with the Ann and Robert H. Lurie Children’s Center for Childhood Resilience. To inquire, email CCT Director Education Catherine Councell at This email address is being protected from spambots. You need JavaScript enabled to view it..
Chicago Children’s Theatre is a “no shushing” theater. It’s located at 100 S. Racine Ave., at Monroe, in the heart of Chicago's West Loop, minutes from I-90 and I-290, downtown and Ashland Avenue. Free, onsite parking is available on the south side of the building. Free street parking can be found on weekends, or try the Impark parking lot, 1301 W. Madison St.
Finally, if you agree Chicago is the greatest theater city in the world, and that Chicago families deserve an equally great professional children’s theater, purchase a subscription to Chicago Children’s Theatre’s 2026-27 season, on sale now at chicagochildrenstheatre.org. Three more joy-inducing productions follow Carmela Full of Wishes: The Beatrix Potter Holiday Party, Manual Cinema’s Leonardo! A Wonderful Show About a Terrible Monster, and The Very Hungry Caterpillar Show. Packages start at only $35.70 per show. Or, create your own mix-and-match subscription plan to match your child’s age and interests.
Access performances for Carmela Full of Wishes
Sensory Friendly
Saturday, November 7 at 9:30 a.m.
Audio Description and Touch Tour
Sunday, November 8 at 2 p.m.
*To request Audio Description and Touch Tour services, tickets must be purchased three weeks before the performance.
ASL and Open Captions
*To request ASL and/or Open Captions services, tickets must be purchased three weeks before the performance you are planning to attend.
To learn more information, go to chicagochildrenstheatre.org/access_performances or email This email address is being protected from spambots. You need JavaScript enabled to view it..
Despite the fact that I have never read the Newberry Award-Winning children’s book called Last Stop on Market Street, I chose to see the musical adaptation on a sunny Saturday afternoon. And I have to say, I am impressed with this fun-loving musical at the Young People’s Theatre of Chicago. This show is everything you could ask for with beautiful variations of music, singing, dancing and a playful cast.
The show adapted by Cheryl L. West from Matt de la Peña’s best-selling picture book, begins with a young boy named C.J. arriving at his Nana’s house for a short stay while his parents are on a work trip. C.J. is quickly introduced to his Nana’s neighborhood with a joyous welcome song from the neighbors that is contrasted with C.J. 's wishes to go back home. As time goes on, Nana and C.J. reach a point of contention over C.J. wanting to use his electronics and Nana wanting to spend quality time with her grandson. Nana realizes C.J. has been closed off to the world around him and takes him on an adventure through the city on the bus and to a soup kitchen. These experiences challenge C.J. and open him up to the diversity of humans and life around him. Throughout the story C.J, learns valuable life lessons that we all can benefit from.
The backdrop of the stage is a colorful painting of Nana’s street in the city. The buildings and nature on that street are similar to the illustrations in the Last Stop on Market Street book. The setting has smooth transitions from the vibrant neighborhood street to Nana’s old-fashioned living room, and to the bustling soup kitchen. As the stage transforms throughout the story, the cast keeps you entertained by making their way through the crowd.
The six-member cast is packed with talent. Many of them play multiple characters and have fun on stage acting out each of their roles. I love how magnetic the cast is and feel that each of their characters are relatable to those who live around us in Chicago.
One standout cast member is Aja Singletary who plays the main character, C.J. She brilliantly captures the childlike personality of the young boy. She fully embraces the wild ride of emotions C.J. endures as he has his electronics taken away, meets interesting people on the bus, and asks a million questions about the world around him. Despite being an adult woman, Singletary acts as a convincing child who the children in the crowd seemed to have identified with. She takes on C.J.’s mannerisms, whining, imagination, and laughter with ease on stage.
The wide-range of music is the best feature of this show. The song genres include hip-hop, soul, gospel and Motown funk. I found myself tapping to the beat and bopping my head along with many children dancing along in the crowd. Each song is super catchy and carries a powerful message worth remembering. Last Stop’s wonderful score is by Paris Ray Dozier and his father Lamont Dozier, writer of Motown hits like “How Sweet It Is” and “You Can’t Hurry Love. The lyrics are cleverly written and even left a few of us laughing with interwoven jokes.
Each cast member does a great job singing and dancing along to the music throughout the show. The choreography is on point and complements the music with engaging moves. The cast definitely shows off their talent and even takes their dance moves to the theatre’s aisles among the crowd. Richuan Stewart, who plays as the Tattooed Man and Vernon, shocked me with an impressive vocal range and beautiful singing voice. He captivates the crowd with a few solos and a contagious smile.
If you have an upcoming free Saturday or Sunday, I highly recommend seeing ‘Last Stop on Market Street.’ This musical is an uplifting story filled with diversity and lifelong lessons both children and adults can benefit from. It’s an awesome way to spend some time with your little ones or even on your own. It will leave you feeling joyful and may even give you a new and loving perspective on those who are around you.
Last Stop on Market Street is at the Young People’s Theatre of Chicago located in the Greenhouse Theater Center on 2257 N. Lincoln Ave in Lincoln Park. The show will run May 11th through June 2nd, 2024. Performances run Saturdays at 11:00 a.m. and 1:30 p.m. and on Sundays at 1:30 p.m. This show is best enjoyed by everyone ages 4+, even including adults like me. The show has a quick 60-minute runtime with no breaks. Tickets are $25 for adults and $19 for those under the age of 12. Visit Young People’s Theatre of Chicago’s website at yptchi.org and buy your tickets today!
In the 2019 film Yesterday, a struggling musician wakes up in a world where The Beatles never existed. A similar…
Red Bike is an intimate, movement‑driven play that follows a young person navigating a town transforming faster than they can…
Through music, documentary video, sound, photos and live actors, “SANCTUARY STORIES: A JOURNALISM THEATER PROJECT” captures in words and images…
Red Theater is thrilled to announce the cast and production team of the world premiere of Church Hurt by Brynne…
The Auditorium (Chicago's landmark stage at 50 E. Ida B. Wells Drive) continues its 2026-27 Dance Season titled North American…
A Red Orchid Theatre is pleased open its 34th Season, exploring the theme of "world on fire," with the Chicago…
Lookingglass Theatre Company today announced a new leadership structure that brings together four longtime members of its acclaimed ensemble and…
Susan-Lori Parks’ Topdog/Underdog, the Pulitzer Prize-winning masterpiece, is the kind of play that changes depending on when—and how many times—you…
Broadway In Chicago is excited to announce two fan-favorite shows are returning to our stages this year: MAMMA MIA! and…
Here’s a play that should be really good, based on its reputation alone. Written by Chicago comedy writer Samantha Hurley,…
Innovation Arts & Entertainment, along with Broadway In Chicago, are thrilled to announce single tickets for ALL THINGS EQUAL: THE…
The League of Chicago Theatres announces the return of It's Theatre Season, a campaign inviting Chicagoans and visitors to discover…
Steppenwolf Theatre Company, the nation's premier ensemble theater company, is pleased to launch its 51st Season with the world premiere of…
Lookingglass Theatre’s production of Kowalski offers a gripping, fictionalized glimpse into the first meeting between two theater greats: Tennessee Williams…
Writers Theatre, under the leadership of Executive Director Kathryn M. Lipuma and Alexandra C. and John D. Nichols Artistic Director Braden Abraham, continues…
Detroit was burning in the summer of 1967, inside one basement, life was still going on. That contrast is at…
Rivendell Theatre Ensemble closes its milestone 30th season with Bonnie’s Last Flight, a sly, sky‑high comedy set during a flight…
Teatro Vista Productions, the Midwest's only Latine-led Equity theatre company, led by Executive Director Lorena Diaz and Artistic Director Wendy…
If anyone has ever told you to buckle up and enjoy the ride, they were talking about life—and even if…
Erik Gernand is resident playwright at Redtwist Theatre, and his Prayer Circle is absolutely laugh-out-loud funny. The strength of this…
Steppenwolf Theatre Company, the nation's premier ensemble theater company, is pleased to present Graceful Warrior: An Evening with Gary Sinise on Tuesday, November…
Studebaker Theater, P3 Productions and Audible, in collaboration with Teatro Vista Productions, present the Chicago premiere of the groundbreaking, award-winning new hip-hop musical Mexodus, written and performed…
LUMA8 and the City of Chicago return with the 12th Annual Arts in the Dark Halloween Parade, a family-friendly celebration…
American Blues Theater, under the continued leadership of Executive Artistic Director Gwendolyn Whiteside, presents Halloween Boo Bash, its annual costumed fundraiser benefiting artists' wages…
What happens when three young people discover hip-hop and realize they might have something to say? Idris Goodwin’s How We…
Open Space Arts presents BEFORE WE ARE HISTORY, a three-week theatrical exploration of LGBTQ+ theater created during and in response to…
Northlight Theatre opened its new venue with Jeffrey Hatcher’s smart, rejuvenated adaptation of The Front Page. Commissioned by Artistic Director…
There are some productions you watch, and then there are productions that make your heart swoon and your toe tap.…
Overshadowed Productions’ Flame of Fire revisits one of the most polarizing true stories in mid‑century missionary history, and the result…
At intermission, I sent Ken, Buzz Center Stage’s managing editor, a text: “So thankful I made it!! It’s intermission, and…
Operation Mincemeat: A Smart, Scrappy Musical That Shines When Its Cast Takes the Wheel
MAMMA MIA! and HADESTOWN Return to Chicago in Spring 2027
SANCTUARY STORIES - A JOURNALISM THEATER PROJECT October 9-18 at the Athenaeum Center for Thought and Culture
Red Theater presents the world premiere of CHURCH HURT October 24 - November 21, 2026
Does your theatre company want to connect with Buzz Center Stage or would you like to reach out and say "hello"? Message us through facebook or shoot us an email at This email address is being protected from spambots. You need JavaScript enabled to view it..
*This disclaimer informs readers that the views, thoughts, and opinions expressed in the text belong solely to the author, and not necessarily to Buzz Center Stage. Buzz Center Stage is a non-profit, volunteer-based platform that enables, and encourages, staff members to post their own honest thoughts on a particular production.