Displaying items by tag: Paul Stroili

Citadel’s latest production, A Jukebox for the Algonquin, truly captured my heart. It’s a refreshing reminder that as we age, life doesn’t lose its spark—it merely shifts to a new rhythm, one filled with laughter, camaraderie, and unexpected joys. This delightful offering beautifully showcased the vibrant lives that still await us in our twilight years, proving that fun and bond know no age limit. 

Radiating vibrancy and warmth, this production showcases the spirited lives of its characters who discover purpose and happiness in life’s simplest yet most impactful moments. More than just a theatrical presentation, it’s a heartfelt and uplifting depiction of aging with grace, infused with humor and emotional depth.

Paul Stroili's A Jukebox for the Algonquin stands out as a true treasure of the stage, effortlessly blending sharp humor with heartfelt emotion in a celebration of the intricate tapestry of life. Transporting audiences to the delightful Placid Pines Senior Care Center in upstate New York, this play radiates with originality and charm. It introduces us to a spirited ensemble of senior residents who, driven by a nostalgic longing for their youth, devise an unexpectedly daring scheme to fund their dream of owning a jukebox—by selling marijuana. Yep! And let’s just say that the journey is as wildly entertaining as it is endearing.

The jukebox emerges as a powerful symbol, resonating far beyond this specific story. It reflects a hope from the struggles of many residents who, isolated and yearning for connection, are left grappling with a lack of stimulation, music, and activities. These individuals are confined to neglected, unrenovated sections of sprawling senior complexes, spaces that corporate priorities have relegated to the margins. This pattern has become disturbingly prevalent, as corporate-driven changes focus on enhancing facilities for wealthier, younger seniors, while leaving lower-income, older residents behind. At Placid Pines, this disparity is starkly evident: the entertainment room offers little more than a fish tank with dying fish and shelves stocked with donated books—the heartfelt contribution of a single paralyzed resident, whose spirit reflects the quiet resilience of the overlooked community. 

With vividly drawn characters, sharp and vibrant dialogue, and deeply touching moments, Stroili explores themes of enduring friendship, unwavering resilience, and the determination to transcend the boundaries of age. The play shines in its remarkable ability to uncover life’s beauty and humor in the most unexpected places. The camaraderie and ingenuity of the residents will have you laughing out loud, shedding a tear, and cheering them on throughout their unforgettable adventure.

Helmed by Director Scott Westerman, this Chicago Theatre debut is sure to touch your heart. Set within the lively recreation room of the Placid Pines Senior Care Center, this production sparkles with energy and charm, brought to life by a vibrant cast of residents, each with personalities as dynamic as the tunes on a jukebox. Leading the charge is Kenneth Johnson as Johnny, an exuberant Yankees enthusiast and the driving force behind the gang’s mission to acquire a jukebox. Johnson’s effervescent energy and magnetic stage presence make Johnny both endearing and immensely enjoyable to watch.

Adding depth and balance to the production is Bob Sanders in the role of Dennis, Johnny’s steadfast best friend and the voice of reason amidst the group’s lively escapades. Sanders delivers a warm and nuanced performance, anchoring their dynamic with sincerity and poise. Ellen Phelps lights up the stage as Annie, her lively and animated personality adding flair and excitement to every scene she graces. Elizabeth Rude completes this delightful ensemble as Peg, capturing the role with subtle charm and a compelling presence. Together, these four seasoned actors weave a narrative rich in humor, camaraderie, and heart, crafting a performance that is simply captivating.

Bringing a humorous twist to the story is Patrick Thornton as Chuck, the janitor affectionately referred to as the “dust mop guy.” Thornton’s charismatic and witty portrayal adds moments of lighthearted fun that resonate effortlessly with the audience. Rounding out this exceptional cast are Karla Corona and Joshua Thomas, who embody Placid Pines staff members with finesse, seamlessly bridging the interactions between the spirited residents and enriching the production with their well-rounded performances.

This ensemble delivers a performance that is not just entertaining but genuinely heartwarming, showcasing a narrative filled with humor, passion, and a sense of community. With their skillful portrayals, they transform the recreation room of Placid Pines into a vibrant stage where laughter, drama, and connection take center stage.

I found it especially moving how the production cleverly employed the jukebox as a symbol for life’s playlist. Much like the selections we make on a jukebox, we can choose our moments, embrace our decisions, and immerse ourselves in the harmonies of both our past and present. Citadel has masterfully created a work that strikes a chord, offering the audience a fresh perspective on the richness of life’s adventures and the bonds that can thrive in its later chapters.

A Jukebox for the Algonquin is a touching tribute to friendship, community, and the timeless spark that fuels our lives, no matter our age. It beautifully prompted me to reflect on the richness of life’s later chapters, highlighting the joy of embracing them with curiosity and a zest for living. This production is an absolute delight and a perfect pick for anyone in search of inspiration and heartwarming entertainment.

Currently being performed at the Citadel Theatre in Lake Forest, this production is a must-see for theater enthusiasts. The Citadel Theatre's intimate setting and exceptional cast bring Stroili's vision to life, making A Jukebox for the Algonquin an unforgettable theatrical experience. It’s not just theater—it’s a triumph. This joyous and moving exploration of life’s complexities leaves audiences with a renewed appreciation for the enduring vibrancy of the human spirit. What an absolutely wonderful play!

Performance Schedule: April 18 – May 18, 2025

• Previews: April 16 & 17, 2025, at 7:30 PM
• Regular Performances:
  • Thursdays, Fridays, Saturdays at 7:30 PM
  • Sundays at 3:00 PM
  • Wednesdays at 1:00 PM (April 23, April 30, May 7)

Newly Added Dates:

• Wednesday, April 30, 2025, at 1:00 PM
• Saturday, May 17, 2025, at 2:00 PM

For tickets and/or show information, click here. 

 *Extended through May 25th

*This review is also featured on https://www.theatreinchicago.com/!

It's been nearly eight years since that loud, boisterous Italian nuptial celebration has left Chicago, but now "Tony N' Tina's Wedding" is back. Reworked from its 1993 through 2009 run at Piper's Alley, the wedding actually takes place at a church. The Resurrection Church, located near Belmont and Sheffield, is the perfect setting for Tony Nunzio and Tina Vitale to exchange vows with the action starting before you even enter the building. "Family members" approach “guests” as though old friends playing up the overdone Italian stereo types creating a mix of characters ranging from Rocky Balboa and gang to the housewives found in Goodfellas or Casino. A cheesy, gum-chewing wedding photographer snaps shots as guests enter the church who are then ushered to their seats. Before the wedding begins the Nunzio and Vitale clan interact with the audience and each other, already planting a very funny seed for what is to come. 

An abbreviated wedding then takes place complete with bridesmaids and groomsmen waltzing down the isle that is officially kicked off when Sister Albert Maria (Alisha Fabbi) leads the congregation into a soulful version of "Jesus Is Just Alright". The wedding in itself could be a show of its own with everything from the bride's ex showing up to a priest who is more than a bit overboard with his Mr. Rogers-like analogies. 

The "I dos" are said and the crowd is ushered out of the church for a quick block and a half walk to Chicago Theatre Works, or in this case, "Vinnie Black's Coliseum" for a reception one would be pressed to forget. As the brief trek to the restaurant is made, cast members stay in character mingling with guests, drawing them into hilarious conversations. 

Already a highly entertaining and unique experience, the fun really goes into high gear at the reception where guests are assigned to round dining tables, the wedding party seated center room for all to see. Family members are constantly popping by, drawing attendees into humorous conversations as though we go way back with them. All the ingredients are in place for hilarious wedding celebration to remember. There's the ditzy stripper, a drunken father, a surly mother, a priest who drinks too much, a smarmy wedding singer, a jealous ex-boyfriend, an over-the-top restaurant owner who acts as the evening's emcee. Fights break out between families, grandma is mistakenly deemed dead after falling down and guests join in with the cast for a crazy night of dancing that includes a conga line. Before long one almost forgets they are at a play.

Mitchell Conti is perfectly cast as Tony as is Hannah Aaron Brown as Tina, so many funny moments exchanged by the two along with other family members and wedding "guests" (us). The cast does a great job at getting guests to interact naturally. For example, while so much is going on at all times in different areas throughout the room, an argument breaks out next to me between a bridesmaid and groomsman, apparently a couple, when one accuses the other of "grinding" on another guest near the dance floor. "Did you see her? Did you think she was grinding on the guy?" My response in hand alters their own reaction as I quickly find myself refereeing the two who finally simmer down and see stars for each other once again. Fun stuff like that. 

I praise this talented cast who really has to be on top of their improv game for the entire two and a half hours - even in the bathroom! I can't imagine it an easy task to interact with strangers for an entire evening, playing off so well the many curve balls they are thrown. 

Paul Stroili wonderfully directs this new reworked version of "Tony N' Tina's Wedding", a former cast member himself during the show's previous Chicago run, as he took on the role of Vinny Black to which the mantle has now been passed to Brian Noonan who tackles the colorful character with such command. 

"Tony N' Tina's Wedding" is a unique ceremony/celebration full of laughs and good times through and through. It's actually a wedding one can really look forward to attending for once (I know I'll hear it for that one later). By the end of the night you almost get the feeling you know the Nunzio's and Vitale's. 

"There's a hot tub party afterwards!" I was told by a groomsman on his way out. "Don't forget your speedo!"

"Tony N' Tina's Wedding" is currently being performed at Resurrection Church (3309 N Seminary) for the service then the reception moves to Chicago Theatre Works (1113 W Belmont) just over a block away. For tickets and/or more show information visit www.TonyLovesTina.com.

*Note - a full pasta entree is provided along with a cash bar.  A Vegetarian option is available by making a request to "Vinny Black" upon entering the reception area.