Displaying items by tag: Steppenwolf Theatre Company

Steppenwolf Theatre Company, the nation's premier ensemble theater company, is pleased to announce full casting for its world premiere of Chicago playwright Stephanie Alison Walker's biting satire Adirondack Chair Circle, directed by Tony Award winner Pam MacKinnon (Downstate, Edward Albee's Who's Afraid of Virginia Woolf?).

The Adirondack Chair Circle cast features a stellar lineup of talent including ensemble member Caroline Neff, who returns to the Steppenwolf stage, adding to her extensive Steppenwolf credits including Mr. Wolf, Fool for Love, POTUS and Another Marriage. She is joined by David Darrow, who dazzled Steppenwolf audiences as Mozart in last season's record-breaking Amadeus. Broadway favorite Katrina Lenk, who received Tony and Grammy Awards for her turn in The Band's Visit, returns to Steppenwolf for the first time since 2005's Lost Land. Making her Steppenwolf debut is Chicago actor Wendy Mateo, while Sadieh Rifai returns to Steppenwolf after captivating audiences in last year's You Will Get Sick.

Launching Steppenwolf's 51^st Season, Adirondack Chair Circle will play October 22 — December 6, 2026 in Steppenwolf's Ensemble Theater, 1646 N. Halsted St. in Chicago. Single tickets are now on sale at steppenwolf.org or the Box Office at (312) 335-1650. 

About the Production:

A gaggle of suburban moms, armed with pickleball paddles and hard kombucha, are ready to take on the school board in the fight of their lives: attempting to ban the controversial books available to their kids in the school library. But is this trusted inner circle all on the same page? A piercing world premiere from a Chicago playwright, Stephanie Alison Walker's Adirondack Chair Circle exposes the hilarious hypocrisy of the causes we claim and the company we keep. And has a damn good time doing it.

The creative team includes Todd Rosenthal (Scenic Design), Izumi Inaba (Costume Design), Barbara Samuels (Lighting Design), Mikhail Fiksel (Sound Design), Nicholas Hussong (Projection Design), Steph Paul (Choreographer), Kate DeVore (Vocal Coach), Bryar Barborka (Dramaturg), Patrick Zakem (Creative Producer), Elise Hausken (Production Manager), JC Clementz, CSA (Casting), Michelle Medvin (Production Stage Manager) and Kathleen Barrett (Assistant Stage Manager). For full cast and creative team bios, click here.

Production Details:

Title: Adirondack Chair Circle
Playwright: Stephanie Alison Walker
Director: Pam MacKinnon
Cast: ensemble member Caroline Neff (Evelyn Grace) with David Darrow (Crow), Katrina Lenk (Banna), Wendy Mateo (Winona) and Sadieh Rifai (Libby).
Understudies: Tiffany Bedwell (Banna), Brittany Burch (Evelyn Grace), Alex Casillas (Winona), Warren Keith Duncan (Crow) and Erinn Fredin (Libby).

Location: Steppenwolf's Ensemble Theater, 1646 N. Halsted St., Chicago

Dates: Previews: Thursday, October 22 – Saturday, October 31, 2026
Opening: Sunday, November 1, 2026 at 6 pm
Regular run: Tuesday, November 3 – Sunday, December 6, 2026
Curtain Times: Tuesdays, Wednesdays, Thursdays and Fridays at 7:30 pm; Saturdays at 3 pm & 7:30 pm; and Sundays at 3 pm. Please note: there will not be 7:30 pm performances on Tuesday, October 27, Thursday, November 5, Tuesday, November 10, Wednesday, November 18, Wednesday, November 25, Thursday, November 26 and Tuesday, December 1; there will be an added 2 pm matinees on Wednesday, November 25 and Wednesday, December 2.

Tickets: Classic Memberships starting as low as $165 are now on sale for Steppenwolf's 2026/27 season at steppenwolf.org/myseason. Single tickets for Adirondack Chair Circle ($20 – $149*) are now on sale at steppenwolf.org and the Box Office at (312) 335-1650. Steppenwolf Flex Memberships are currently on sale: Black Card Memberships with six tickets for use any time for any production and RED Card Memberships for theatergoers under 30. *Pricing includes an $8.50 handling fee

Steppenwolf offers 20 tickets for $20 (no added fees) for each performance of every Main Series production. Use promo code 20FOR20 to redeem this offer online, available in advance until they're sold out for every main series show. Limit 2 tickets per person. You can also purchase by phone at (312) 335-1650 on the day-of show at 12 pm for main series performances. Limit 2 tickets per person.

Accessible Performance Dates:

Audio-Described and Touch Tour: Sunday, November 22 at 3 pm (1:30 pm Touch Tour)
Open-Captioned: Saturday, November 7 at 3 pm, Thursday, November 19 at 7:30 pm and Saturday, November 28 at 3 pm
ASL-Interpreted: Friday, December 4 at 7:30 pm

Education and Engagement:

Throughout the 2026/27 season, Steppenwolf continues its commitment to the next generation of theatre learners, makers and appreciators with robust education and engagement programming. Programming includes dedicated student matinee performances during four of the five Main Series productions including Topdog/Underdog, Adirondack Chair Circle, The Comeuppance and Ellen B., in-school residencies in partnership with Chicago Public schools, workshops, panels and events specifically geared towards teens, as well as professional development trainings and resources for educators. For additional information about Steppenwolf's Education and Engagement programming and to register your school for a field trip visit steppenwolf.org/education-community/school-teacher-programs/field-trips.

Dance Nation is the story of a school dance team of thirteen-year-olds. The concept may seem to have dubious appeal, but Dance Nation quickly sinks its teeth into our attention with its opening scene.

Director and choreographer Lee Sunday Evans has put the students in sailor suits, and they rigidly perform a very well-rehearsed but uninspired tap dance number, moving just awkwardly enough through its limited steps and gestures to reveal that they are adolescents.

With that admirable bit of stagecraft by director Evans, the script by Clare Barron comes to life, firmly establishing the players (the actors range in age from their 20s to 60-something) as a believable band of pre-pubescent girls, with one like-aged boy, Luke. Kudos to these actors.

The play itself is strong, compelling enough to merit a Drama Desk Ensemble Award and an Obie Awards Special Citation this year. And it was a Pulitzer finalist. 

Anyone who has been involved with competitive middle school regional, state and national  competitions – soccer, Little League, debate team, what have you – will recognize the frenzied energy that students and faculty put toward winning. In the case of Dance Nation, the strangely imagined choreography and dance storylines are developed and directed by the dance team leader, Teacher Pat (Tim Hopper). 

The dynamic emotional lives of these students is the heart of the play. Audrey Francis is Vanessa; Caroline Neff is Zuzu; Karen Rodriguez plays Amina; Ariana Burkes is Sofia; Adithi Chandrashekar is Connie; Ellen Maddow is Maeve; and Shanesia Davis is Ashlee. Torrey Hansen is Luke. It’s a hoot to see these actors of all ages capture the physical style and the angst of these adolescents. And they do it so well!

Barron gives us, in Teacher Pat, something familiar: a bit of a tyrant, who is as at once capricious, manipulative and authoritarian. Teacher Pat is not imaginative perhaps, but he is filled with conviction and certainty in his beliefs.

Teacher Pat comes and goes on stage. Most of the time is focused on the student interactions. But when he is there, sometimes it's quite harmful, as when he tries to dissuade Zuzu from quitting the dance team telling her that she will ruin her chances of ever pursuing dance again.

We also see the appearance of some of the mothers of the students, who Barron captures perfectly in these fleeting scenes. Some mothers are amazingly nurturant, wise, supportive, while one in particular - Zuzu's mother - has an unhealthy and neurotic emotional enmeshment with her daughter. 

Teacher Pat drives the students forward for the upcoming national competition in Tampa, that they will win in dramatic stages through two smaller regional competitions before getting to the nationals. Aiming to get them fired up about the dance show he will soon reveal, Teacher Pat turns it on:

“Let’s give them something to tell them there is a revolution coming out of Liverpool Indiana!” he says. (Hopper delivers the line so perfectly, appending Indiana after just a beat.) The show that will spark this revolution is overwrought and cockamamie.  

The students struggle through insecurities, personal issues, and the competitive challenges - but are generally bonded as a mutually supportive group. Barron also affords those flashes in scenes in which we can see laid out before us the promise of a young person who is destined to achieve great things in life. 

Dance Nation runs through February 2, 2020 at Steppenwolf Theatre. Don't miss it!