
After cancelling her performance earlier this season due to health concerns, the Queen of Soul, the great Aretha Franklin, tabbed as the greatest vocalist of all time by Rolling Stone Magazine, made her triumphant return to Ravinia. Dressed in a sparkling silver dress and donning a wig giving the seventy-five-year-old living legend long straight hair, the superstar made an immediate impact as she walked onto the stage after the band’s opening medley.
The soulful 1986 hit “I knew You Were Waiting (For Me)” was the first song the of many that Franklin delved into, her voice perhaps not as powerful as it once was, but every bit as finessed, unique and velvety. Franklin’s set was wide-ranging and included classics “Chain of Fools” and “(You Make Me Feel) Like A Natural Woman” along with Stevie Wonder written “Until You Come Back to Me” and B.B. King’s “Don’t Play that Song (You Lied)”.
Accompanied by a twenty-five-piece-plus gifted ensemble that included everything from a horn section to dancers, Franklin’s sound was big, filling the outdoor venue with the sweet sound of nostalgia. The excitement never let up, Franklin often getting well-deserved standing ovations. After all, she is one of the most influential artists of our time.
About halfway into the concert, the fabulous singer went into a powerful medley that began with Adelle’s “Rolling in the Deep” merging into The Supremes’ “Ain’t no Mountain High Enough”. A highlight moment without question. At one point the crowd was moved when the band played a soulful jam while Aretha fervently sang over the music telling her story of a serious illness that had miraculously vanished, thanking a team of skilled physicians and above all, God. Afterward, she immediately introduced longtime friend Reverend Jesse Jackson, who was seated in the first few rows.
Franklin rolled on with a beautiful array of material, wrapping up her set with “Freeway of Love”, which segued into a ten-minute high-spirited gospel revival, praising Jesus as the King of Kings, practically every audience member on their feet clapping along, many hands in the air, as the stage became a platform for an impromptu and very enthusiastic Baptist church service.
After a brief absence from the stage, Aretha Franklin return to perform possibly her largest hit, “Respect” - just the right number to end a tremendous set of music on a picture-perfect night. At seventy-five-years-young, the Queen of Soul is still making fans sing and dance as much as she ever has.
"Stick Fly" is about the Levays, a wealthy African American family, who go to their beach house for a weekend getaway. What started off as two brothers bringing their significant others to meet their parents ends with revelations of deception, racial issues, and relationship woes.
The older brother, played by Michael Pogue, does an excellent job in his role as an arrogant plastic surgeon. He brings home his Italian girlfriend, Kimber, who is strong, independent, and aware of her own privilege. Tyrone Phillips plays the younger brother, Kent, who has definitely gone through a journey to find himself but finally settled into writing to which he shows some talent. His girlfriend, Taylor, is neurotic and comes from a lower class background although her father is a well-liked and respected anthropologist who has written several books. We later learn that he left her at a very young age and created his own family that didn't include her.
The family invites their longtime housekeeper to the beach house for the weekend but she asks her daughter Cheryl, played by Paige Collins, to fill in for her due to her illness. What we soon find out is that Cheryl went to a top tiered high school on scholarship and she is ready to attend college soon. It is apparent that she is out of place and clearly does not fit in.
I couldn't help but to be impressed with Phillip Edward Van Lear’s performance as Dr. Levay. He is the matriarch and does a great job at commanding the stage when he walks in.
I appreciate the playwright's attempt at bringing a very complex storyline to the theater. I was impressed with the fact that I was able to connect to a couple of characters as they all seemed to have some sort of problem. However, I felt at the end some of the characters were not fully developed and seemed a bit disjointed. Emotions were running high and it appeared that Cheryl just gave up at the end which was a bit of a disappointment.
"Stick Fly" is the play to see if you like dramas with some comedy. Not only does it touch on many things such as family abandonment as well as racial issues; it leaves you reflecting on some of the things you may have encountered in your own life, especially if you are African American. This play is worth checking out at Windy City Playhouse, a non-profit theater that supports local actors. To be honest, any play that opens with Stevie Wonder is good in my book.
Sometimes the best way to find a comedian who’s new to you is by stumbling onto a clip that stops…
Curious Theatre Branch, with co-producers Chicago Danztheater Ensemble, Chicago Dramatists and Labyrinth Club, are pleased to announce the 37th annual Rhinoceros Theater…
Collaboraction Theatre Company announced today two major productions for its 2026-27 season: the world premiere of Chicago writer Willie Round’s…
A Red Orchid Theatre is pleased open its 34th Season, exploring the theme of "world on fire," with the Chicago premiere of Will…
Open Space Arts has announced it will stage the Chicago Premiere of THE SWALLOW - the internationally acclaimed drama by…
Chicago Humanities proudly announces the full lineup for its Fall Festival 2026, with conversations ranging from social justice, music, politics, literature, food,…
Tin Drum Theatre Company is proud to announce the cast and creative team for Chicago premiere for A Dark Wood, October 15 -…
The Joffrey Ballet holds open auditions for the Children's Cast of Christopher Wheeldon's The Nutcracker at its downtown studios in Joffrey Tower, 10 East…
Midsommer Flight will for the third year present a one-night-only staged reading of a play from the EXPAND THE CANON list,…
Oil Lamp Theater, presenting I Love You Because, August 14 - September 13, is proud to announce the cast and creative team…
The Sarah Siddons Society is honored to present its 2026 Leading Artist Award to James Moore, Music Director and Conductor of Lincoln Center Theatre's…
House of the Exquisite Corpse, Chicago’s one and only puppet haunted house, returns for its sixth Halloween season with a…
Red Clay Dance Company, Chicago's premier Afro-contemporary dance company, proudly announces its exciting Season 18: Spectrum programming, including Founding Artistic Director and…
Break out your Burn Book and mark these dates: Aurora’s Paramount Theatre is launching its 15th Broadway Series with the…
American Blues Theater, under the continued leadership of Executive Artistic Director Gwendolyn Whiteside, announces the recipient of the 2026 Blue Ink Award is Nia Akilah…
In times of stress, we often turn to familiar and comforting things: a favorite song, a dog-eared book, a movie…
This summer, the Starship Edsel boldly goes where they maybe shouldn’t go as Otherworld Theatre, Chicago’s premier destination for Science…
Remy Bumppo Theatre Company is pleased to announce the cast, creative and production teams for the first production in its 2026…
Victory Gardens Theater (2433 N. Lincoln Avenue), an historic incubator for new play development, proudly announces the World Premiere staging of The…
Secrets, sisterhood and solving crime take center stage this fall in the world premiere co-production of Dead Girl's Quinceañera by Miami native…
Steppenwolf Theatre Company, the nation's premier ensemble theater company, is pleased to continue its 51st Season with the world premiere of Chicago playwright Stephanie…
Writers Theatre, under the leadership of Executive Director Kathryn M. Lipuma and Alexandra C. and John D. Nichols Artistic Director Braden Abraham, concluded its 2025/26…
Producers Kevin McCollum and Kurt Deutsch, along with Broadway In Chicago are thrilled to announce THE NOTEBOOK, a new musical based…
Following last year’s smashing sold-out engagement, the Joan W. and Irving B. Harris Theater for Music and Dance proudly presents the return…
Chicago Magic Lounge welcomes back acclaimed magician David Parr as its Fall Artist in Residence with David Parr: Time Traveler, a new theatrical experience…
Nearly fifty years after its groundbreaking premiere, Ntozake Shange's for colored girls who have considered suicide / when the rainbow…
A quick history lesson: Anne Bonny and Mary Read are two of history’s most famous female pirates. Both women disguised…
PrideArts' 2026-27 season will open in August with the world premiere of Chicago-based playwright Matt Schutz's WINDOWS, a comedy of LGBT…
The Tony Award® winning Best Musical, THE OUTSIDERS, based on the seminal novel by S.E. Hinton and Francis Ford Coppola’s landmark motion picture, returns to Chicago…
Chicago Shakespeare Theater (CST) announces the cast and creative team for Play On!, which opens the Theater's 40th Anniversary Season. This jazz musical tells…
From Subway Cars to Chicago Stages: Marcus Monroe at The Comedy Bar
Otherworld Theatre's Starship Edsel - Second City’s De Maat Theatre - Through September 13
CHICAGO HUMANITIES announces full Fall Festival 2026 programming
Tin Drum Theatre Company announces Chicago premiere of A Dark Wood by Eric Coble, Oct. 15–Nov. 1 at Greenhouse Theater Center
Does your theatre company want to connect with Buzz Center Stage or would you like to reach out and say "hello"? Message us through facebook or shoot us an email at This email address is being protected from spambots. You need JavaScript enabled to view it..
*This disclaimer informs readers that the views, thoughts, and opinions expressed in the text belong solely to the author, and not necessarily to Buzz Center Stage. Buzz Center Stage is a non-profit, volunteer-based platform that enables, and encourages, staff members to post their own honest thoughts on a particular production.