
There is no better way to get in the holiday spirit than with the classic Christmas ballet, the Nutcracker. Twenty-eight years after Robert Joffrey’s original production, this is the final year that the Joffrey Ballet will perform this Nutcracker (2016 brings us the world premier of Christopher Wheeldon’s Nutcracker!). Even decades since artistic director Ashley Wheater performed in the opening night of the production, this performance retains the timeless magic of this joyous holiday tradition.
For those unfamiliar, the show takes place on Christmas Eve in the 1850s, opening with a party at the house of the mayor, his wife and his two children, Clara and Fritz. In the midst of the lively party Drosselmeyer, the somewhat eccentric godfather to Clara and Fritz, sprinkles in some excitement to the festivities with enchanted life-size dolls that dance and entertain the guests. However, it is his gift of a nutcracker for Clara, which truly ignites the magic.
After the guests have left and the family has gone to bed, Clara sneaks downstairs to gaze upon her beloved Nutcracker. She soon finds herself in the middle of a battle between the Mouse King and his army of mice and the Nutcracker, who comes to life to fight with his band of toy soldiers. With the toss of a shoe, Clara knocks down the Mouse King saving the Nutcrackers life and as means of a thank you, he takes her through the Land of Snow to the Kingdom of Sweets where the many toys from under Clara’s tree come to life in enjoyable and fantastic dances.
Joffrey’s Nutcracker downplays the traditional romance between Clara and the Nutcracker prince, fortifying the role of Drosselmeyer as the catalyst and guide of Clara’s journey to the Kingdom of Sweets. Performed by Michael Smith, Drosselmeyer is a technically strong role but at times, it felt overpowering for my taste, making the role of Clara more infantile and taking away from the romance between Clara and the Nutcracker Prince.
Another split from tradition was the introduction of male dancers into the Land of Snow and Waltz of the Flowers scenes, however these deviations I found truly fantastic. The combination of beautiful partnering, endless falling snow and the graceful choreography expertly performed by the snowflakes (ladies) and snow winds (men) transports the audience on their mystical journey with Clara through the land of snow. In the Waltz of the Flowers in the second act, again the partnering added an interesting dimension, as did the constant tossing of fluttering flower petals beautifully worked into the choreography.
Overall, the dancers exhibited a wonderful balance of grace and precision creating flowing lines that perfectly complimented the Tchaikovsky score. The company members were fantastic, performing in perfect unison with a look of joy on their face making everything look effortless as a good ballet should. There were many young performers in the show as well who steal the scene with their cuteness! In the Kingdom of Sweets, each piece was accompanied by a tiny tot dressed in character sitting with Clara to watch the dance unfold. As someone who performed in the Nutcracker a number of times as a kid, I enjoyed this element of the show, as I am sure every aspiring ballerina in the audience did as well.
My favorite pieces by far were the Coffee from Arabia pas de deux, where Dara Holmes captivated us with her flexibility and elegant lines and the Grand Pas De Deux by the Sugar Plum Fairy and the Nutcracker Prince. Instantly entranced by the sparkle of the Sugar Plum Fairy costume, I was continually captivated as Amanda Assucena and Alberto Velasquez brilliantly performed the most iconic piece from the show.
The Nutcracker runs at the Auditorium Theater through December 27th. Buy your tickets now! Take your children, take your parents, take your date or take them all for a magical performance that will truly put you in the holiday spirit.
Twas a cold winter evening,
In Chicagoland,
On the way to the Auditorium theatre,
For a performance quite grand.
The guests took their seats,
The stage decked in splendor,
Anxiously awaiting their journey,
Expecting ballerinas so tender.
Then up went the music,
And down went the lights,
As we were whisked away
To the Nutcracker that night.

All know the story,
The Nutcracker’s tale,
From the grand ball to the Sugar Plum Fairy,
Danced by a young Mikhail (Barishnikov ;-) )
The Joffrey performed the ballet,
With intricate care,
To keep with traditions,
So all ages could share.
Spanish Chocolate, Arabian Coffee,
Chinese Tea and Russian Candy,
Danish Marzipan, Mother Ginger,
It was all just dandy!
But the waltz of the snowflakes
And the waltz of the flowers,
Is where this ballet
Holds all of its power.
The dancers on pointe,
In their tutus and tights,
Twirling and leaping,
Twas a majestic sight.
The Joffrey Ballet is performing,
A holiday tale to remember,
For all to enjoy,
While it runs through December.
So off to The Joffrey!
Don’t miss it this year,
Fill up your holiday,
With Nutcracker cheer!
Curious Theatre Branch, with co-producers Chicago Danztheater Ensemble, Chicago Dramatists and Labyrinth Club, are pleased to announce the 37th annual Rhinoceros Theater…
Collaboraction Theatre Company announced today two major productions for its 2026-27 season: the world premiere of Chicago writer Willie Round’s…
A Red Orchid Theatre is pleased open its 34th Season, exploring the theme of "world on fire," with the Chicago premiere of Will…
Open Space Arts has announced it will stage the Chicago Premiere of THE SWALLOW - the internationally acclaimed drama by…
Chicago Humanities proudly announces the full lineup for its Fall Festival 2026, with conversations ranging from social justice, music, politics, literature, food,…
Tin Drum Theatre Company is proud to announce the cast and creative team for Chicago premiere for A Dark Wood, October 15 -…
The Joffrey Ballet holds open auditions for the Children's Cast of Christopher Wheeldon's The Nutcracker at its downtown studios in Joffrey Tower, 10 East…
Midsommer Flight will for the third year present a one-night-only staged reading of a play from the EXPAND THE CANON list,…
Oil Lamp Theater, presenting I Love You Because, August 14 - September 13, is proud to announce the cast and creative team…
The Sarah Siddons Society is honored to present its 2026 Leading Artist Award to James Moore, Music Director and Conductor of Lincoln Center Theatre's…
House of the Exquisite Corpse, Chicago’s one and only puppet haunted house, returns for its sixth Halloween season with a…
Red Clay Dance Company, Chicago's premier Afro-contemporary dance company, proudly announces its exciting Season 18: Spectrum programming, including Founding Artistic Director and…
Break out your Burn Book and mark these dates: Aurora’s Paramount Theatre is launching its 15th Broadway Series with the…
American Blues Theater, under the continued leadership of Executive Artistic Director Gwendolyn Whiteside, announces the recipient of the 2026 Blue Ink Award is Nia Akilah…
In times of stress, we often turn to familiar and comforting things: a favorite song, a dog-eared book, a movie…
Chamber music may be one of music’s most misunderstood children. An early form of classical music, it has always been…
This summer, the Starship Edsel boldly goes where they maybe shouldn’t go as Otherworld Theatre, Chicago’s premier destination for Science…
Remy Bumppo Theatre Company is pleased to announce the cast, creative and production teams for the first production in its 2026…
Victory Gardens Theater (2433 N. Lincoln Avenue), an historic incubator for new play development, proudly announces the World Premiere staging of The…
Secrets, sisterhood and solving crime take center stage this fall in the world premiere co-production of Dead Girl's Quinceañera by Miami native…
Steppenwolf Theatre Company, the nation's premier ensemble theater company, is pleased to continue its 51st Season with the world premiere of Chicago playwright Stephanie…
Writers Theatre, under the leadership of Executive Director Kathryn M. Lipuma and Alexandra C. and John D. Nichols Artistic Director Braden Abraham, concluded its 2025/26…
Chicago City Opera (CCO) presents an evening of two one act Mozart operas The Impresario and Bastien and Bastienne combined…
Producers Kevin McCollum and Kurt Deutsch, along with Broadway In Chicago are thrilled to announce THE NOTEBOOK, a new musical based…
Following last year’s smashing sold-out engagement, the Joan W. and Irving B. Harris Theater for Music and Dance proudly presents the return…
Chicago Magic Lounge welcomes back acclaimed magician David Parr as its Fall Artist in Residence with David Parr: Time Traveler, a new theatrical experience…
Nearly fifty years after its groundbreaking premiere, Ntozake Shange's for colored girls who have considered suicide / when the rainbow…
A quick history lesson: Anne Bonny and Mary Read are two of history’s most famous female pirates. Both women disguised…
PrideArts' 2026-27 season will open in August with the world premiere of Chicago-based playwright Matt Schutz's WINDOWS, a comedy of LGBT…
The Tony Award® winning Best Musical, THE OUTSIDERS, based on the seminal novel by S.E. Hinton and Francis Ford Coppola’s landmark motion picture, returns to Chicago…
Otherworld Theatre's Starship Edsel - Second City’s De Maat Theatre - Through September 13
CHICAGO HUMANITIES announces full Fall Festival 2026 programming
Tin Drum Theatre Company announces Chicago premiere of A Dark Wood by Eric Coble, Oct. 15–Nov. 1 at Greenhouse Theater Center
The 37th annual Rhinoceros Theater Festival Returns September 20 – October 26 at Six Chicago venues
Does your theatre company want to connect with Buzz Center Stage or would you like to reach out and say "hello"? Message us through facebook or shoot us an email at This email address is being protected from spambots. You need JavaScript enabled to view it..
*This disclaimer informs readers that the views, thoughts, and opinions expressed in the text belong solely to the author, and not necessarily to Buzz Center Stage. Buzz Center Stage is a non-profit, volunteer-based platform that enables, and encourages, staff members to post their own honest thoughts on a particular production.