Displaying items by tag: Sydney Genco

I fondly recall watching the 1964 children’s television special Rudolph the Red-Nosed Reindeer each year with great wonder! Its message of hope—that you can be yourself and different from the herd—left a lasting impression. The idea that, through perseverance, you can be loved and appreciated for your unique talents is as relevant today as ever. This timeless lesson is humorously celebrated in Hell in a Handbag Production’s 25th anniversary edition of Rudolph, the Red-Hosed Reindeer.

Written by Handbag Artistic Director David Cerda, directed by Anthony Whitaker with musical direction by Chad Gearing, this year's production of Rudolph the Red-Hosed Reindeer (An Unauthorized Musical Parody) is as significant as ever. It’s a delightful experience and provides so many much-needed laughs, particularly during these dark winter months following the election. I always enjoy David Cerda’s brilliant sense of humor whether writing, acting or both - and his fabulous camp costumes. This time, David is dressed head to stiletto-heeled toe in luscious candy apple red, parodying one of the 'Reindeer Housewives of the North Pole,' and it's fantastic.

The Handbag satire remains faithful to the storyline and characters of Rudolph the Red-Nosed Reindeer, but with a distinctive Handbag twist. In this version of the Christmas classic, Rudolph, a young reindeer at the North Pole, stands out not because of a shiny, glowing red nose, but for his love of wearing red-hosed stockings. His 'unusual' clothing choice often makes him the target of teasing and exclusion by his fellow reindeer. In his quest for acceptance, Rudolph runs away and, thanks to friends he meets along the way, like Herbie the elf who wants to be a dentist and Yukon Cornelia the gold miner, our red-hosed wearing reindeer learns that it's okay to be different and to love yourself for who you are. Rudolph’s story highlights themes of acceptance, determination, and celebrating individuality. 

(left to right) Kelly Bolton, Caitlin Jackson and Peter Ruger in Hell in a Handbag Productions’ production of ‘Rudolph the Red-Hosed Reindeer (An Unauthorized Musical Parody).’

This show features hysterical spins on all the well-known Rudolph characters, brought to life by many beloved Handbag favorites. Caitlin Jackson, whom I’ll always adore for her fantastic portrayal of Bette Midler in Handbag’s Bette: Live at the Continental Baths, plays Mrs. Claus, the oft-drunken, lonely wife of the narcissistic and sex-addicted Santa Claus - and she steals every scene she's in! Jackson’s outstanding singing voice, paired with her sharp wit, generates continuous laughter throughout this hilarious production. While Jackson excels as Mrs. Claus, Michael Hampton delivers an uproariously funny performance in Handbag’s amusing spoof of Santa Claus.

Handbag fave, Sydney Genco, who plays Elfina and also doubles as Choo Choo, the misfit square-wheeled train, is funny and adorable as always, showcasing her terrific singing voice. Genco also took on the role of make-up designer for this production, contributing to the fantastic visual elements of the show.

The show is brimming with fantastic performances, so I'll continue to heap on the praise. Longtime Hell in a Handbag member Terry McCarthy is the ideal comedic counterpart to Cerda, portraying another of the influential, spoiled reindeer wives of the North Pole. Their characters are suspicious of poor Rudolph, clad in lacy red underwear, who is quite a departure from the macho bucks that usually pull Santa's sleigh. Lori Lee shines as Yukon Cornelia, the slightly confused gold miner, in this production. A very talented comedienne and singer, and a Hell in a Handbag member, Lee is a delight in her role. With the help of the fearsome Drag Beast (well played by Mark Bartishell), Cornelia finally realizes she is gay, a hunch that every other character in the play had all along! Kelly Bolton glows as the quirky elf Herbie, who dreams of being a dentist rather than a toymaker. Bolton perfectly captures the character, eliciting plenty of laughs from the enthusiastic opening night audience.

Indeed, the praise for this show is boundless… While Peter Ruger enchants as our hero, Rudolph, with charm and flair, yet another standout performance comes from Matt Sergot, who brilliantly embodies Sam the Snowman in this delightful musical. As the show's narrator, Sergot sets up each scene with perfect whimsy, adding a charming touch to the entire production. Rudolph the Red-Hosed Reindeer also benefits from the talents of ensemble performers Eustace Allen, Cameron Cai, Micah Mixon, TJ O’Brien, Shawn Quinlan, Michael Radford, and Whitney Willard Wilkinson, who impresses in her role as Clarice.

Special kudos also go out to costume designer Marquecia Jordan for doing a splendid job bringing Herbie, Yukon Cornelia, Sam the Snowman, and our other Rudolph favorites to life. The entire production team crushes it in this one.

Each year's production of Rudolph consistently features a great deal of updated humor. Some jokes are bawdy, but all are undeniably funny, touching, and heartfelt – and that is the magic that is Hell in a Handbag. Alongside the humor also comes valuable life lessons—in this case, the importance of being true to yourself and accepting others for doing the same.

One thing I can always count on when bringing friends to a Hell in a Handbag production, especially this Christmas-themed show, is that we'll have a great laugh, hear fun songs, enjoy a couple of drinks during the generous intermission, and leave feeling like part of the uniquely wonderful straight and LGBTQ family celebrating right here in Chicago.

If you need a laugh and to unwind during the holiday season, then be sure to attend Rudolph the Red-Hosed Reindeer through January 5^th. And please take special note of the show's benefit weekend, from Friday, December 20th through Sunday, December 22nd. During this time, you can enjoy this fantastic camp parody holiday-themed show, knowing that the proceeds will go directly to support the food needs of Chicagoans living with AIDS.

Hell in a Handbag’s Rudolph the Red-Hosed Reindeer and Unauthorized Musical Parody is being performed at Hoover Leppen Theatre at Center on Halsted through January 5^th. For tickets and/or more show information click HERE.  

I’m amazed that it’s been 18 years or so since I first saw a Hell in a Handbag production. Though it seems like yesterday, my first experience with Handbag was taking in their production of The Poseidon Adventure at the cozy and artistic Chopin Theatre in Wicker Park. It was fantastic and it was funny - fantastically funny. The musical’s parody humor, clever innuendos and dry wit reeled me in immediately. I was instantly blown away by Founding Artistic Director and performer David Cerda and the company’s cast of very talented comedic singers and dancers - and I still am. Hell in a Handbag is a dependable theater company that consistently provides hilarious, high-quality productions of camp entertainment (i.e. Golden Girls: The Lost Episodes, Christmas Dearest, Caged Dames) to the appreciative Chicago community and, like so many others, I find myself always looking forward to their next production. 

Handbag’s current production is yet another gem. Also performed at Chopin Theatre, Poor People! The Parody Musical, was brilliantly written by Tyler Anthony Smith and is wonderfully directed by Stephanie Shaw. Poor People! is a dynamite brand-new production that creator Tyler Anthony Smith describes as being a tribute to the characters in shows like Annie and Les Miserables, “that despite dire circumstances, the characters were still belting their faces off and dancing in the streets. Anybody can be happy and sing but it takes something special to be on your deathbed and still be on key.”

In the gritty, smoke-filled streets of 1979 New York City, the story’s fiery-haired protagonist, Li’l Orphan Arnie (played by Dakota Hughes), is on the run. Escaping the clutches of a lascivious, meth-cooking, authoritarian head of the orphanage, Miss A (Sydney Genco), Arnie’s fate takes an unexpected turn when they encounter a mysterious feline dancer named Whiskers (Matty Bettencourt). Whiskers leads Arnie through a supernatural manhole, hurtling them back in time to 1815 Paris, France.

In this new period of time, Arnie trades one impoverished existence for another. The search for their birth parents takes a backseat as they join forces with a ragtag gang of pickpocketing prostitutes, masterminded by the enigmatic Fagin (David Cerda).

Life takes a darker turn when Mama Moneybags (Brittney Brown), a corrupt Republican hailing from the future, sets her sights on dismantling Fagin’s crew. But fear not! A motley crew of vibrant, down-and-out characters steps up to the challenge. Among them are the consumptive Pantene (portrayed by Caitlin Jackson), the wild and feral Beggar Woman (Elizabeth Lesinski), and Nance, the quintessential hooker with an unexpectedly golden heart (brought to life by Tyler Anthony Smith). 

Besides Annie and Les Miserables, the story also parodies a bevy of characters and songs from other favorite Broadway productions including The Phantom of the Opera (“The Groomer of the Flop’ra”), Oliver, and even a lampooned version of Mary Poppins’ “Feed the Birds (Tuppence A Bag)”.   

(front center) Sydney Genco with (back, l to r) Tyler Anthony Smith,Taylor Dalton, Caitlin Jackson and Patrick O'Keefe in Hell in a Handbag Productions world premiere of POOR PEOPLE! The Parody Musical.

So, let's get to the talented cast members…

Dakota Hughes plays Li’l Orphan Arnie with a childlike charm and sass. Not just gifted with comedic talent, Hughes has a tremendous vocal range and gets to show it off throughout the play. Caitlyn Jackson, who plays Pantene and Sydney Genco as Miss A have been longtime favorites of mine in the Hell and a Handbag Productions troupe throughout the years and were both very funny and also had great song and dance numbers, which I have come to expect and enjoy! Along with Genco and Jackson, Brittany Brown also gets to impress the audience with her sensational singing voice. Another favorite Handbag veteran of mine is Elizabeth Lesinski and she absolutely crushes in her role as the Beggar Woman, drawing laughs with just about each delivered line. She also shows us that she can manage a herd or ravenous squirrels while holding a tune. 

Warm, commanding, and consistently hilarious, David Cerda shines in his role as Fagin. Cerda’s presence exudes both comedy and a nurturing energy that envelops the entire cast. Audiences eagerly anticipate his every entrance. Meanwhile, Tyler Anthony Smith remains a beloved fixture from previous Handbag productions - and absolutely steals the show! Smith brilliantly adapted many numbers from well-known Broadway shows into rousing, funny, bawdy and touching ensemble performances that keep the entire audience laughing and cheering right up until the end of this wonderful full-length production.

To complete the ensemble, Matty Bettencourt sizzles as Fosse Kitty, and special recognition is also due for the outstanding performances of Taylor Dalton as Epipen, Shane Roberie as The Groomer, Patrick O’Keefe as Twinky, and Tommy Thurston as Pretty Rich Boy. There is so much to love about this gifted ensemble. Truly, every cast member delivers an exceptional and delightful experience for the audience. 

Poor People! is a fun show filled with one hilarious moment after the next that does not mind pushing the envelope as far as it can. Yet, no matter how ribald or risque the show may be, a Hell in a Handbag production always includes a heartwarming message to the audience of support and acceptance to all people, regardless of their gender, race or age - and this show is no exception. Tyler Anthony Smith delivers the timeless message of wisdom in the uproariously funny and endearingly adapted finale, “We’re All Gonna Die Soon!” Embrace the present moment! We’re all here now, but who knows what tomorrow holds. So, let’s have fun and enjoy life! 

Poor People! The Parody Musical with musical direction by Andrew Milliken and choreography by Christopher Kelley is being performed at The Chopin Studio Theatre (1543 W. Division St.) through June 16th. For tickets and/or more show information visit https://www.handbagproductions.org/.   

Highly recommended.

*Extended through June 23rd!

Caitlin Jackson as Bette Midler recreating one wonderful cabaret night at the Continental Bathhouse in New York city is a heartfelt, moving and entertaining way to remember and celebrate Bette's humble and "hungry" beginnings as a performer with the legendary “Tommy” (Tommy Robb) her pianist.

 
I really can't say enough about how talented Caitlin Jackson is as a comedienne and vocalist to be able to carry off this show with such style. Jackson's own vocal stylings are superb and many of the songs were delivered so strongly and such emotional insight into Midler's early struggles as a sexually liberated woman searching for love through her loneliness brought me to tears.

I actually lived in the historic pre-war luxury building, The Ansonia, on 72nd and Broadway showcased in Woody Allen's film Manhattan, for 4 years right after graduating from college. The bathhouse was long gone when I lived there in 1983-1988, but sometimes when I was doing laundry in the cavernous basement of the Ansonia, I imagined I could still hear the sounds of Bette's exquisite voice and the excitement of her loving fans laughing and clapping for her bawdy, yet tender humor.

I think Caitlin Jackson has a marvelous, powerful voice and does Bette Midler's humor and patter (taken almost verbatim from one show) justice without doing a full on impersonation which allows the audience to feel they are seeing the young Bette for the first time. 

I had forgotten just how many of Midler's amazingly moving songs are about her extreme loneliness and heartbreak in love relationships - "Empty Bed Blues," “Long John Blues,” “Do You Wanna Dance?” and, of course, "I Shall Be Released" and "Waiting for my new Friends to Come," so I was really happy to discover that this Christmas Edition wisely pumps up the Joy factor with several fantastic renditions of toe tapping Christmas songs and the ever popular "Superstar," "Baby Please Come Home" and "Boogie Woogie Bugle Boy".

Sydney Genco and Allison Petrillo are a delight as her backup singers and bring their bright sexy dame harmonies and dance moves that really help support Jackson - who otherwise carries every minute of this very demanding vocal and theatrical "one woman show". 'Bette: Xmas' is adapted by both Artistic Director David Cerda and Jackson, and Jackson also directs this production along with Marc LeWallen while music direction is handled by Tommy Robb.

I highly recommend seeing this unique and talent-filled Hell in a Handbag production, which has only been improved from its original Summer form by being lit up with Christmas lights and the Joy of Christmas.

‘Bette: Xmas at the Continental Baths’ is being performed at Mary’s Attic through December 31st.

In 1956 a psychological horror-thriller film hit the big screens across America that undoubtedly shocked audiences nationwide. The film, The Bad Seed, was based on William March’s 1954 novel of the same name and also hit the stage that same year. In a time when UFOs and alien invasions caused country-wide panic, now comes a film where a sociopathic eight-year-old girl, Rhoda, murders when she doesn’t get what she wants when she wants it. Her mother, growingly suspicious of her daughter’s wicked deeds, is caught at a crossroads not knowing what to do since she also loves her more than anything in the world. The film goes on to debate whether criminal behavior is caused by one’s environment or perhaps is inherited. Sometimes a person is just a bad seed, right?

As serious and as creepy as the film is, it is the perfect material for the Hell in A Handbag theatre company to parody. Adding their own twists and turns and injecting their own unique blend of humor, the masters of camp have now given Chicago its newest comedy hit, The Drag Seed, by David Cerda. You may have guessed by the title that a drag theme is added to the story, this time the villain is not eight-year-old Rhoda but eleven-year-old Carson (Kristopher Bottral), a spoiled drag queen whose temper is turned on with a flick of the switch the moment he (in this case, “they/them,” as demanded by the child) doesn’t get what they want. The plot thickens as a trail of mysterious deaths occur throughout and Carson always seems to be found nearby.

It’s just a not-so-everyday life in the affluent suburbs where Miss Charles (David Cerda) is a live-in landlord. Miss Charles has taken a liking to tenants Miss Lingus (Ed Jones) and her dear Carson. Lee (Kelly Anchors) serves Miss Charles as the estate’s very quirky handyman and loves nothing more than teasing young Carson, who attends The Josephine Baker Rainbow Academy for Gifted Students led by Miss Ficus (also played by Anchors). It’s when fellow student Summer Breeze (Tyler Anthony Smith) wins a competition over Carson and is found dead shortly thereafter that the intrigue begins.

Carson’s mother Miss Lingus (“just call me Connie”) is at first ignorant to the clues being laid out in front of her, but slowly pieces them together and becomes conflicted since she loves her son more than a "fuck ton of kisses". Carson’s as a matter of fact behavior surrounding every death is not just a big clue, it’s downright creepy.

Directed by Cheryl Snodgrass, The Drag Seed, is a hilarious ride that’ll keep audience members on the edge of their seats. Ed Jones is like fine wine and just keeps getting more delicious with each show. I’ve probably said that this the last time around, but it’s true once again - Jones’ performance as Miss Lingus may be one of his best yet. His knack for executing the perfect facial expression at just the right moment coupled with capturing just the right tone in his line delivery makes him a comedic force. Excellent performances flood the stage in this production with Kristopher Bottral’s all-out hilarious and highly energetic “Carson” while David Cerda is comedic perfection as Miss Charles. Kelly Anchors doubling up for the roles of Miss Ficus and Lee is yet another highlight in this show, particularly the brilliance she infuses in her role as Lee, creating yet another sidesplittingly funny character that we won’t forget anytime soon. Handbag fave Elizabeth Lesinski returns, this time as Wendy Breeze, Summer’s drunk and distraught mother, and makes the most of her role with a flawlessly camped performance of Eileen Heckhart’s character in the 1956 film version. I know – high praise all around. Yes, but well-deserved. Sydney Genco and Tyler Anthony Smith also rock their roles, making this a truly well-round effort.

Handbag stalwarts will undoubtedly be very pleased with Cerda’s newest production and newbies that attend will be sure to get hooked on Handbag’s camp theatre.

The Drag Seed is perfect mid-summer fun and is an easy show to recommend. If you get the chance be sure to check out the The Bad Seed prior to seeing this production, if for anything just to appreciate Cerda’s brilliance that much more and the character nuances that these talented actors have so brilliantly executed into their roles. If you’re unable to catch the film first, don’t worry, you’ll still have a blast.

The Drag Seed is being performed at Mary’s Attic in Andersonville through August 24th. For more show information visit www.handbagproductions.org

When we think holidays in Chicago, we think ‘A Christmas Carol’ at Goodman, Joffrey’s ‘Nutcracker’, Christkindlmarket, Zoo Lights at Lincoln Park Zoo, Winter Wonderfest at Navy Pier and the list goes on and on. We should count our lucky stars, Chicago has a lot to offer this time of year. But perhaps one of the most fun holiday traditions (one I certainly look forward to each year) is Hell in a Handbag’s annual Christmas musicals and this year is no exception. Parody master David Cerda and company, who have brought us such hits in the past as ‘Rudolph the Red-Hosed Reindeer’ and ‘Christmas Dearest’, keep the tradition rolling this year with ‘Snowgirls’. You guessed it – a lampoon on the 90’s cult classic Showgirls.

It’s a tough, dog-eat-dog world out there for reindeer who want to make it to the top of the exotic dancing game. Making a name for yourself in local strip dives is one thing, but Snowmi Malone has her sights set much higher. She’s looking to make it in crowned jewel of the exotic revue world – the North Pole. But to do that, not only does opportunity need to present itself, she needs to be the best she can be. Ice Crystal Connors, the star dancer and Queen of the Scene might have something to say about that.

In “Snowgirls’ we are taken on a journey through the sleazy underworld of the North Pole in a hilarious adventure that rings the holidays in Handbag style.

Directed and Choreographed by Jon Martinez, with book by Derek Van Barham and Music by David Cerda, the world premiere holiday production of “Snowgirls the Musical’ comes with its Handbag stamp and certainly holds its own to other past holiday productions by this talented theatre company. As outrageous, envelope-pushing and downright funny as one would hope for, Hell in a Handbag has yet another hit show on their hands thanks to its witty and devilishly comical script and the company’s skilled ability for casting just the right people in just the right parts.

Harper Leander is adorable in the role of Snowmi where she not only gets the chance to display her well-timed physical humor and droll line delivery, she even gets to bust a few moves as the bratty stripper who will make it at any cost. Handbag favorite Sydney Genco as Ice Crystal Connors is terrifically cast as the top drawing attraction of the North Pole’s exotic dance scene. Conniving and ruthless when need be, Grenco gives us a brilliant Gina Gershon parody that is simply hysterical. So many reindeer so many performances that should be recognized. Patrick Stengle as a grown up and kinda hardcore Herbie (the dentist wannabe in ‘Rudolph’) delivers many laugh out moments as does Max McKune as shady club manager Rudolph (he apparently didn’t grow up as innocent as we thought he would) and Terry McCarthy, who has been with Hell and a Handbag since its inception, as club owner and tough guy, Tony.

Other familiar faces make this production the success that it is with their own stand out performances including Grant Dagger (Zip), Brittani Yawn (Jolly) and Erin Daly as Mrs. Claus.

‘Snowgirls’ is holiday fun and can be enjoyed whether you’ve seen Showgirls or not (but it does help to have seen it beforehand). Go see what everyone is buzzing about and see why Hell in a Handbag just might be the funniest theatre company in Chicago.

‘Snowgirls the Musical: The Other Side of the North Pole’ is being performed at Mary’s Attic through December 30th. For tickets and/or more show information visit www.handbagproductions.org.

Hell in a Handbag Productions tests the boundaries of morality once again as only they can, this time kicking off its 2015-16 season with “Miracle!”, the hilarious lampoon of The Miracle Worker. Instead of Helen Keller, we meet Helen Stellar, a deaf and blind 20-year-old drag queen who is thrust into performing at The Brass Connection, otherwise known as The Ass Infection. Written by Dan Savage, a well-known authority and activist on sexuality and GLBTQ issues, “Miracle!” doesn’t hold any punches, unapologetically injecting its braised humor into its audience with rapid fire speed and pinpoint accuracy.

Artistic Director David Cerda is brilliant (as always) as Helen Stellar’s protective drag queen mother and biological father, Crystal Pain, owner and show coordinator of The Brass Connection. Cerda, a true master of satire, takes the role of Crystal and knocks it out of the park with his deadpan delivery, stark remarks and physical comedy. In “Miracle!” we also get a deluge of tremendously funny performances from Handbag favorites Ed Jones, Elizabeth Lesinski, Sydney Genco and Steve Love as well as newcomer Kristopher Bottrall who is very impressive as Bailey Legal.

Everything is going smoothly at The Brass Connection, or so it seems. Gloria Blaze (Jones), Sissy Jizzmore (Jamie Smith) and the girls perform in the club’s nightly revue while Helen Stellar stumbles her way through an awkward dance routine with the help of a shock collar that “protects” her from falling off the stage. But when Bailey Legal gets jealous of the attention that Helen receives, a call is made to Child Protective Services and an investigation ensues as to the child’s well-being. After assessing the situation, caseworker Annie Sullivan (Lesinski) determines that Helen’s environment is unfit for tapping into her true potential. It is soon agreed that Annie take Helen for a period of three weeks so that she can work with her one on one. This proves more difficult than anticipated as Annie tries to connect with Helen by pressing sign language into her hands in relation to surrounding objects. Of course this process, as done by Handbag is also brutally droll.

Still, Annie’s persistence pays off as we begin to see a transformation occur in Helen. As part of her therapy, Annie takes Helen to a lesbian bar (opening up another world to which Savage is able to find the humor) to work out her performance kinks in an attempt to show a shock collar is not needed. Performing with Helen during the bar’s Bearded Slam event is also therapeutic for Annie as she reaches deep inside herself to conquer her own stage insecurities. Before too long, it is time for Annie to return Helen to Crystal as we, the audience, wonder what the outcome will be.  

The humor is offensive, but tasty. It’s campy dialogue gutty and unforgiving yet we relate to it so easily. Perhaps we are looking at something in the neighborhood of Helen Keller meets The Birdcage on crack, and that would be putting it mildly.

As funny as “Miracle!” is, whether a dance and song routine with attitude and pizazz (“Stop in the Name of Love”, for one) or in its multitude of hilarious character interactions, there is actually a heartwarming story taking place with plenty of feel good moments. I’m not going to go as far to say that one might get teary-eyed, but it is certainly not beyond the realm of possibility. The show triumpantly ends with a big finale number that has audience members clapping to the beat and cheering for the show’s wonderfully colorful characters.  

As a longtime fan of Cerda, Jones and Lesinski, I am happy to say that this Handbag nucleus of comic wunderkinds have once again hit their stride in what is a fully entertaining story that generates laughs as quickly as its many wig changes.   

“Miracle!” is being performed through July 10^th at Mary’s Attic, a cozy upstairs theatre located at 5400 N. Clark Street in Andersonville. For tickets and/or more show information, visit www.handbagproductions.org. If you are looking for a night of memorable comedy in a fun atmosphere, this is a summer event that you will not want to miss. Hell in a Handbag Productions – the king, or queen, of parody done right. 

Hell in a Handbag Productions has done it again, bringing yet another hilarious musical to the Chicago theatre scene, this time to Theater Wit. Caged Dames is one bad ass campy ride behind bars at a women’s correctional facility where “shocking” is just another day in the life. Writer and Artistic Director, David Cerda, brilliantly lampoons the old 1950s prison flicks, particularly “Caged” starring Eleanor Parker who lead character “Mary Anderson” is clearly created after.

Caged Dames, first produced in 2006, tells the story of innocent-natured Mary Anderson who, by a series of unfortunate events, winds up in the Calumet City Women’s Penitentiary. While in prison she comes across plenty of tough cookies while contending with a shady and sadistic prison matron and a warden who believes she can reach out to the inmates with psychiatric treatment and other unconventional methods. Matron Emerson and Warden Hope do not see eye to eye.

AJ Wright fantastically directs this Jeff Recommended production while each of the main characters bring something thoroughly entertaining to the table. Ed Jones is amazingly funny (as always) as the hard hitting “Matron Emerson” while Sydney Genco as “Big Lorraine” and Elizabeth Lesinski as “Myrtle Price” get constant laughs throughout along with the rest of this talentedly funny cast including lead Elizabeth Morgan as “Mary Anderson”. The show also comes with a live band and a larger than life set that takes its audience inside Calumet’s murky and dank prison walls.

Caged Dames is a fun take on film noir and then some, literally delivering laugh out loud moments nearly nonstop from beginning to end. We are treated to witty song and dance numbers with bite, Cerda’s delightfully genius humor and a smash performance by a very entertaining acting troupe that is considered among the funniest in Chicago. Cerda’s knack for parodying film classics is unbeatable. He has a keen ability to know when to push forward and when to hold back to perfectly capture, in some cases, the tiny nuances of a character while in other cases letting bold personality exaggerations fly to the extreme without going so far over the top the humor is lost.

Tickets are very reasonably priced at just $18-$37 leaving little reason not to see this greatly amusing production. Caged Dames – now Ken Recommended, as well – is running through July 13^th at Theater Wit located at 1229 W. Belmont. For more information visit www.theaerwit.org or call 773-975-8150.

Engaging and uproariously funny, Caged Dames is also plenty affordable, making it a show to enjoy on more than one occasion.