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Lake Forest’s Citadel Theatre has announced the full cast and crew for its season opener - the satirical comedy EUREKA DAY, which examines the frequently contradictory practices of a fictional, highly progressive private school located in Berkeley, California. The play, which premiered in Berkeley in 2018, deals with topical subjects like vaccinations, privilege, and communication, utilizing sharp wit, farce, and intense dialogue to create laughter. It was produced on Broadway in the 2024-25 season and won the 2025 Tony Award for Best Revival of Play. Scott Westerman, the director of such Citadel hits as MISERY, A JUKEBOX FOR THE ALGONQUIN, THE MOUSETRAP, THE CHRISTIANS, and SEX WITH STRANGERS, will direct. 

Leading Westerman’s cast as Don, a member of the school’s board who tries to keep the peace when the debate over whether or not the school should require vaccinations becomes heated, will be Steve McDonagh, who recently earned raves for his performance as “Man in Chair” in Theo Ubique’s THE DROWSY CHAPERONE. The school’s founder, Suzanne, will be played by Jennifer Ruffner, seen earlier this year in Citadel’s ADMISSIONS. Cast as Carina, the parent of a black student at the school, is Alexis Primus, who appeared in TUTA Theatre’s THE LONG CHRISTMAS DINNER in 2024 and 2025. Ethan Check, of 2023’s GODS AND MONSTERS at Theater Wit, has the role of Eli, a stay-at-home dad. Carmen Liao (Raven Theatre’s A DOLL’S HOUSE) will be Meiko – a single mother who deeply opposes vaccinations.  Kristin Weed, seen recently on the North Shore in HAIRSPRAY with Uptown Music Theatre, will play Winter – one of the parents on the school’s executive committee. Understudies are Jason Clark (u/s/ Don), Amy Yulish (u/s Suzanne), Kristin Weed (u/s/ Carina), Austin Rambo (u/s/ Eli), and Stephanie Fongheiser (u/s/ Meiko).

The production team is Scott Phelps (Producer), Ellen Phelps (Producer), Kate Espinoza (Stage Manager), Bob Knuth (Set Design), kClare McKellaston (Costume Design), Jodi Williams (Lighting Design), Petter Wahlbäck (Sound Design), Mitchell Pollitt (Master Carpenter), Randy Rozler (Properties Design), Kira Nutter (Intimacy Director), Devon Carson (Assistant Director), Kristin Weed (Run Crew).

Season subscriptions are available for the full four-show season at $140.00, or as flex passes that can be used for the patron’s choice of either three shows for $115.00 or two shows for $80.00. Preview flex passes are also available for $45 (two shows), $55 (three shows), or $65 (four shows). Subscriptions and single tickets priced at $50 (plus ticketing fees) are now on sale at www.citadeltheatre.org.

Citadel Theatre is in residence in the West Campus of the Lake Forest School District at 300 S. Waukegan Road, Lake Forest. Further information and ticketing is available on the company’s website at www.citadeltheatre.org.

LISTING INFORMATION

EUREKA DAY

By Jonathan Spector

Directed by Scott Westerman

Friday, September 11 – Sunday, October 11, 2026

(Preview September 9 at 7:30 pm)

Thursdays, Fridays and Saturdays at 7:30 pm, Sunday matinees at 3 pm, Wednesday matinees at 1 pm on September 16 and 30. Understudy performance Wednesday, September 30 at 6:30 pm.

No performances Friday, September 18; Friday, October 2; or Saturday, September 26.

Preview ticket prices $27.15 including ticketing fee. Regular run prices $53.40 including  ticketing fee. Discounts available for groups, seniors and students.

Citadel Theatre, located in the West Campus building of the Lake Forest School District, 300 S. Waukegan Rd., Lake Forest, IL. 60045

Tickets available online at www.citadeltheatre.org or by phone at 847-735-8554, ext. 1

In this hilarious 2025 Tony Award-winning satire, an elite private school is thrown into crisis when a mumps outbreak divides parents and board members over vaccines. As debates intensify and facts grow slippery, every solution only deepens the conflict. EUREKA DAY asks us to fully recognize the humanity of those we disagree with.

BIOS

Scott Westerman (Director) makes, does, and teaches theatre and film in and around Chicago. At Citadel, he has directed MISERY, A JUKEBOX FOR THE ALGONQUIN, THE MOUSETRAP, THE CHRISTIANS and SEX WITH STRANGERS. Scott is the founding Artistic Director of Go To Productions, a 501©3 nonprofit which develops projects that explore the nexus between theatre and film. He created and directed the web series HAMLET & OPHELIA which won Best Picture at the New York Film Awards, Best Web Series at the LA Film Awards, and Best Mobile Series at the 2022 New Media Film Festival. Scott has directed stage productions for The Artistic Home, ChiArts, City Lit Theatre, Chimera Theatre Company, Citadel Theatre, Beyond This Point, Barter Theatre, Stage Left Theatre, The Smithsonian Institution, American Theatre Company (Bridge), National High School Institute (Cherubs), and Reverie Theatre Company. Scott is a member of the Screen Actors Guild, an ensemble member with The Artistic Home, represented by Gray Talent Group, and a teaching artist with Writers Theatre and The Theatre School at DePaul University. He has an MFA from The Shakespeare Theatre Academy. As an actor, Scott has worked with Chicago Shakespeare Theatre, Lookingglass, Northlight, The Shakespeare Theatre and Ford’s Theatre in DC, Everyman Theatre in Baltimore, the Warehouse Theatre in South Carolina, and the Barter Theatre in Virginia to name a few. On Camera credits include MACHINE GUN PREACHER, PRISON BREAK, and HEIST 88. More about Scott can be perused at www.ScottWesterman.org.

Jonathan Spector  (Playwright) is a Tony Award-winning playwright based in Oakland, California, whose work has been produced on and off-Broadway, regionally and internationally. His plays include EUREKA DAY (2025 Best Revival: Tony Award, Drama Desk Award, Drama League Award & Dorian Award); THIS MUCH I KNOW (Edgerton Award, Glickman Award, BATCC Award); BIRTHRIGHT; BEST AVAILABLE; SIESTA KEY; and GOOD. BETTER. BEST. BESTED. Jonathan’s work has been produced with Manhattan Theatre Club, the Old Vic/Sonia Friedman Productions, Pasadena Playhouse, Hampstead Theatre, Miami New Drama, Colt Coeur, Theater J, Syracuse Stage, Asolo Rep, Aurora Theatre, Marin Theatre and Mosaic Theater, among others. He has been a MacDowell Fellow, Playwrights Foundation Resident Playwright, TheatreWorks Core Writer, Playwrights Center Core Writer, SPACE on Ryder Farm Resident and PlayPenn Haas Fellow. Jonathan is currently under commission with Manhattan Theatre Club, Roundabout Theatre Company and La Jolla Playhouse.

Scott Phelps (Artistic Director) is in his 24th year as the Artistic Director at Citadel. He’s acted in and directed dozens of Citadel productions for over two decades since founding this North Shore theatre in 2002 with his friend and lifelong companion, Ellen. In 2025, Scott co-starred with Ellen in MISERY, and the two played husband and wife in 2023’s THE CHRISTIANS. He has acted/directed in NYC, and in his home state of California; trained as an actor at the Pacific Conservatory of the Performing Arts in Santa Maria, CA; received his BFA from the University of Utah and did an apprenticeship at the Actors Theatre of Louisville. For 18 years Scott worked for a promotional company and raised his three daughters and his son in Lake Forest. Recently he has been taking on the next chapter of his life — the role of “Beepa” to his grandchildren. Although he is unsure if he is old enough to play that part, he’s been enjoying the challenge.

Citadel Theatre is one of Chicagoland’s premier live theatres, producing hundreds of performances annually and inspiring audiences for nearly 24 years. Founded by Scott and Ellen Phelps in 2002, Citadel Theatre is comprised of its Main Stage performances and its theatre acting classes for children. A proud member of the League of Chicago Theatres and the Lake Forest/Lake Bluff ArtsLink, Citadel Theatre offers a unique intimate theatre experience that transports you to another setting and leaves you feeling exhilarated and wanting more. A recognized 501(c)3 non-profit organization, Citadel can accept tax-deductible donations. For more information, ticketing, and to donate, please visit Citadel online at www.CitadelTheatre.org or call 847.735.8554.

Definition Theatre is proud to present How We Got On, a mix-tape for the stage by playwright Idris Goodwin and directed by Tyrone Phillips. How We Got On will play a limited run from September 11– 27, 2026 at Definition Theatre (1160 E. 55th St, Chicago, IL) with previews September 11–12, 2026 and an opening on September 13 at 7:30pm. Tickets are $35 and are on sale now at definitiontheatre.org.

How We Got On tells the story of three suburban teenagers who discovered something that would change their lives forever. It's the 1980’s, and Hank, Julian, and Luann are determined to make their mark on the explosive new world of rap music. Armed with turntables, notebooks, and raw talent, they’ll navigate cultural isolation, family struggles, and fierce competition as they chase their dreams of becoming the next big thing.

But in the suburbs, far from hip-hop's birthplace, they'll have to fight twice as hard to prove they belong. Guided by a sultry DJ, the selector, who spins their stories with wit and wisdom, this electrifying production celebrates the passion, creativity, and determination of the generation that helped build hip-hop from the ground up—one beat, one rhyme, one battle at a time.

The cast features Jamal Turner, Tony Garcia, Anuoluwa T. Awolola, and Definition Ensemble Member Maya Vinice Prentiss.

The production team includes Director Tyrone Phillips, Assistant Director Lucy Whitehead, Production Manager Julie Jachym, Stage Manager Carissa Greene, Scenic Designer Sydney Lynn Thomas, Costume Designer Janelle Smith, Lighting Designer Garrett Bell, Lighting Design Intern Bria Hall, Sound Designer Kyle Cortes, and Movement Designer Breon Arzell.

Running in tandem with the production is The Sound Barriers Vol. 4, an installation of vintage boomboxes, paintings, and photography by Chicago muralist John Vergara. The exhibit is open Monday–Thursday from 5pm–9pm from Monday, September 14 – Thursday, Sept 24, 2026.

Chicago-based artist John Vergara time travels via boomboxes, the ultimate muse, in The Sound Barriers Vol. 4. Immersed in 1980’s Chicago hip-hop, funk, and house music, Vergara's vibrant brushstrokes, paint splatters, and graffiti work embody the movement of sound, while his cityscape photographs and portraits present music as a life form accompanying each person. Vergara has created more than 200 public murals, curated Chicago art shows for over 20 years, and is an advocate for the preservation of historical public art—work that helped lead to the founding of the City of Chicago Mural Registry.

PERFORMANCE DETAILS

How We Got On

Dates: September 11 – 27, 2026

Previews: September 11 – 12, 2026

Location: Definition @ 55th | 1160 E. 55th Street, Chicago, IL

Tickets: On sale now at definitiontheatre.org

EXHIBIT DETAILS

The Sound Barriers Vol. 4 by John Vergara

On View: September 14 – 24, 2026 (concurrent with How We Got On)

Hours: Monday – Thursday, 5pm – 9pm.

Location: Definition @ 55th | 1160 E. 55th Street, Chicago, IL

Admission: Free for How We Got On ticket holders, $15 for General Admission

ABOUT DEFINITION THEATRE

Definition Theatre has been a vibrant force for over a decade, celebrating stories created with, inspired by, and intended for people and communities of color. Through the act of making, Definition expands perspectives, stewards resources, and bridges the possibilities found at the intersection of art, innovation, and education. Known for bold and impactful productions, we’ve brought to life plays by Oscar-winner Tarell Alvin McCraney, Pulitzer Prize-winners James Ijames and Jackie Sibblies Drury, and Tony Award-winner Branden Jacobs-Jenkins. We strive to promote equity, foster empathy, and enhance the quality of life for our community members by offering opportunities for creative, entrepreneurial, and cultural expression. Our work emphasizes collaboration in theater-making and raises awareness of career paths in the arts. In 2024, Definition leased and equipped a storefront space in Hyde Park, enabling us to engage artists and expand programs as we prepare for our permanent home in Woodlawn on the southside of Chicago. This new theater, community center, and business incubator will amplify and preserve BIPOC voices, promote social justice, and empower the next generation of artists, entrepreneurs, and changemakers to drive positive progress through the transformative power of the arts.

Definition Ensemble members include: Adia Alli, Owais Ahmed, Ariel Beller, Jared Bellot, Carley Cornelius, Ari Craven, Julie Jachym, Willow James, Martasia Jones, Slick Jorgensen, Yeaji Kim, Kristy Hall, James Ijames, Julie Jachym, Willow James, Kiki Layne, Kelson Michael McAuliffe, Victor Musoni, Neel McNeill, Sophiyaa Nayar, Karyn Oates, Alexandra Oparka, Julian Parker, Maya Vinice Prentiss, Tyrone Phillips, Ireon Roach, Jacqueline Rosas, Christopher Sheard, and Dujon Smith.

Definition Artistic Advisory Board members include: director May Adrales, Steppenwolf ensemble member Alana Arenas, actress Shannon Cochran, actor Brandon Dirden, actor Jason Dirden, actor Jon Michael Hill, director Pam Mackinnon, Equity Quotient CEO Keryl McCord, professor JW Morrissette, director Ron OJ Parson, professor/lighting designer Kathy Perkins, media producer and host Troy Osborne Pryor, Tony Award-winning actress and stage director Phylicia Rashad, and Goodman Theatre director in residence Chuck Smith. Tyrone Phillips is the Artistic Director, Neel McNeill is the Executive Director, Willow James is the Civic Engagement Director. For additional information, visit definitiontheatre.org and @definitiontheatre on Facebook and Instagram #stayinit

The nonprofit service organization 3Arts announces the date for its annual 3Arts Awards Celebration, a festive evening of dynamic performances by Chicago artists and the announcement of the recipients of unrestricted grants to artists working in the performing, teaching, and visual arts. The 2026 3Arts Awards Celebration takes place at the Harris Theater for Music and Dance (205 E Randolph) on Monday, October 26, at 5:30pm. Tickets for the event, which includes a welcome reception, awards program, and a jubilant after-party, are $150 (general admission) and $300 (VIP) with a limited number of $50 tickets available for industry professionals. Tickets will be available at 3arts.org/tickets in early September. Funds raised during the event will be split between 3Arts and Chicago nonprofit, Center for Native Futures.

"When artists rise, communities rise with them,” says Cat Tager, Executive Director of 3Arts. "Because art isn't a luxury; it's a foundation of any thriving community. As we head into our 20th year in 2027, we are looking forward to celebrating the milestone of putting $10 million directly into the hands of Chicago artists, and to continuing our mission to provide the critical programming that helps those artists to experiment, to take risks, and to elevate our communities.”

Thirty-six artists will be honored at this year’s program, which distributes unrestricted awards across three categories: the 3Arts Awards ($30,000 each), Next Level Awards ($50,000 each), and the peer-selected Make a Wave Awards ($2,000 each). The celebratory evening will also feature powerful performances by three past 3Arts awardees.

Expanded for 2026, the Next Level Awards will now include two awards in Music and two in Theater, made possible by support from the Paul Angell Foundation. This marks the first time these unrestricted grants will be available to musicians and theater artists, following the initiative's initial launch in Visual Arts (2020) and subsequent expansion into Teaching Arts.

3Arts has distributed more than $10 million in grants to more than 3,050 artists since 2007. 3Arts awardees reflect 66% women artists, 74% artists of color, and 17% Deaf or disabled artists.

2026 3Arts Awards Celebration

Dates:                 Monday, October 26, 2026

                              5:30pm Welcome Reception

                              6:30pm Awards Celebration and Performances

                              7:45pm After Party

Location:           Harris Theater for Music and Dance

                              205 East Randolph Drive

Tickets:              Tickets are $50-$300 and can be purchased in early September at 3arts.org/tickets and via the Harris Theater Box Office at 312.334.7777.

About 3Arts

Founded in 1912 with a history centered on women artists and reimagined as an arts service organization in 2007, 3Arts supports artists in the Chicago metropolitan and greater Carbondale areas working in the performing, teaching, and visual arts, including women-identified artists, artists of color, and Deaf and disabled artists. The 3Arts Awards were launched in 2007 to provide unrestricted awards, project funding, residencies, professional development opportunities, and promotion to help artists take creative risks, build sustainable careers, and contribute to the cultural vitality of Chicago and the broader region.

3Arts extends special thanks to the 2026 Award Partners: The HMS Fund, The SIF Fund at the Chicago Community Foundation, Stan Lipkin & Evelyn Appell Lipkin, and MSU Federal Credit Union.

One of the ten 3Arts Awards, the 2026 3Arts/MSUFCU Community Award celebrates the collective generosity of artists and supporters across Chicago, whose contributions made the award possible.

3Arts also recognizes support for the Next Level Awards from an anonymous donor at The Chicago Community Foundation, the Paul Angell Foundation, and the John D. and Catherine T. MacArthur Foundation.

For more information about 3Arts, please visit www.3arts.org.

Promethean Theatre Ensemble announced today it will stage the Chicago premiere of BLOOD OF THE LAMB, by Arlene Hutton, a gripping two-woman, Kafka-esque, thriller. In a time about two days from now, Nessa, traveling from LAX to JFK, finds herself diverted to Dallas. Trapped in a room with Val, a lawyer, Nessa just wants to leave on the next plane out. But this is Texas, and Nessa is pregnant and Val is on the phone with legislators who are pulling the strings. BLOOD OF THE LAMB premiered in 2023 at the Edinburgh Fringe Festival, where THE GUARDIAN called the 70-minute intermissionless drama "an acutely tense drama of reproductive rights." It received a 2025 Drama Desk Award Nomination for Outstanding Play for its 2024 off-Broadway premiere in 2024, which BROADWAYWORLD called "an essential must-see show." BLOOD OF THE LAMB will play at Chicago's Den Theatre following previews on September 3 and 4. It will play through October 3.

Anna C. Bahow, an ensemble member with Promethean and an Artistic Associate with Silk Road Cultural Center and the International Voices Project, will direct two alternate casts. Bahow says, "this double casting will allow us to give four great women actors a chance to show their skills in these incredibly challenging  roles that are so pertinent to the pressing concerns of women's reproductive health." One cast will feature Heather Dennis* (title role in PTE's ANTIGONE) as Nessa and Kirsten D'Aurelio as Val, and  the other cast will include Meghann Tabor* (Ismene in PTE's ANTIGONE) as Nessa and Delia Ford (emeritus member of Babes with Blades) as Val.

There will be a press opening for each cast, with Tabor and Ford performing on Saturday, September 5 at 7:30 pm and Dennis and D'Aurelio performing on Sunday, September 6 at 3:00 pm. For the remainder of the schedule, D'Aurelio and Dennis will perform Thursdays and Saturdays, and Tabor and Ford will perform Fridays and Sundays. Tabor and Ford will perform the Thursday, September 3 preview and the Tuesday, September 29 industry night performance, and D'Aurelio and Dennis will perform the Friday, September 4 preview and the Tuesday, September 22 industry night performance.

Tickets are $35 general, $25 students and seniors and are on sale at https://www.prometheantheatre.org or The Den Theatre Box Office, 773-697-3830.

BLOOD OF THE LAMB
By Arlene Hutton
Directed by Anna C. Bahow
September 3 – October 3, 2026
Previews Thursday September 3 and Friday, September 4 at 8 pm 
Regular Run: Thursdays – Saturdays at 8 pm, Sundays at 3 pm. 

Industry Night performances Tuesdays September 22 and 29 at 8 pm
The Den Theatre, 1331 N. Milwaukee Ave., Chicago 60622
Ticket Prices: $35 general, $25 students and seniors

For tickets, visit https://www.prometheantheatre.org or The Den Theatre Box Office, 773-697-3830.
 
A searing drama about bureaucratic chaos in a post-Roe America. When pregnant Nessa's transcontinental flight is diverted to Dallas, she is detained with an unexpected adversary: a court-appointed attorney assigned to represent her baby and decide her future. BLOOD OF THE LAMB is an urgent post-Roe thriller about the choices taken from us—and the choices we can still make.

INTENDED AUDIENCE This production is intended for mature audiences, ages 16 and up. The content explores intense political and medical themes surrounding reproductive rights and medical procedures. 
 
BIOS
 
Arlene Hutton (Playwright) is an alumna of New Dramatists, member of Ensemble Studio Theatre and recipient of a NYFA Fellowship. Her NIBROC TRILOGY includes the first FringeNYC production to transfer Off-Broadway, LAST TRAIN TO NIBROC (NY Drama League Best Play nomination), along with SEE ROCK CITY (In the Spirit of America Award) and GULF VIEW DRIVE (LA Weekly and Ovation Award nominations, 2018 Ovation Award for Best Production at Rubicon Theatre). Other works include ACCORDING TO THE CHORUS, RUNNING, I DREAM BEFORE I TAKE THE STAND, LETTERS TO SALA, THREE SISTERS BRONTË and AS IT IS IN HEAVEN. Her play for young audiences, Happy Worst Day Ever, was commissioned by Cincinnati Playhouse in the Park and was named winner of the 2010 Macy's New Play Prize.
 
Anna C. Bahow (Director) is a member of Promethean Theatre Ensemble. Committed to the development of new work and a diversity of voices she is an Artistic Associate with Silk Road Rising which foregrounds Asian, South Asian, and Middle Eastern artists, an Associate Artist with The International Voices Project which brings plays from around the world in translation to Chicago, and an Associate Artist at Chicago Dramatists. Bahow has received an After Dark Award for her directing, and her productions have received Chicago Jeff Awards for New Work and Use of Multi-Media. She was honored to have served as a Michael Maggio Fellow at the Goodman Theatre, is recipient of a 3ARTS WAVE Grant, and several Illinois and City of Chicago Individual Artist Grants. More about her work can be found at AnnaBahow.com
 
ABOUT PROMETHEAN THEATRE ENSEMBLE
 
Promethean Theatre Ensemble produces and develops ensemble-focused theatre with vibrant language in dynamic and purposeful storytelling. We select a service organization to support and promote with each production, bridging ideas within the play to real-world efforts to address challenges within our communities. Since its founding in 2005, Promethean has produced a body of work ranging from Shakespeare, 19th and 20th Century classics, and new work. The company was in the midst of its 14th season when the pandemic struck. ANTIGONE is Promethean's 36th production.

Carmela misses her papi, because papi is missing some of his papers.

Chicago Children’s Theatre presents Carmela Full of Wishes, a moving ode to family – and dreamers – adapted from the contemporary children’s book by Newbury Award-winners Matt de la Peña and Christian Robinson, the same Newbery Medal and Caldecott Honor winning team behind Last Stop on Market Street. 

Carmela Full of Wishes, a Chicago Children’s Theatre world premiere in 2022, returns to tell a warm, timely, and ultimately hopeful story about a sweet young Latina girl living in a big city who dreams of her dad getting his papers fixed so he can finally come home. 

More relevant than ever, Carmela is the first of four of “greatest childhood hits” Chicago Children’s Theatre is reviving for its 21st birthday season. Full of touching, funny fantasies, the play portrays a little girl’s big city migrant community as a vibrant world of hope and possibility. The Chicago Tribune called it “a heartwarming tale of an exuberant Latina girl that celebrates family, community and hope — perfect themes for young audiences.” f

Public performances are October 25-November 15: Saturday and Sunday at 9:30 a.m. and 11:30 a.m. Press openings are Sunday, October 26 at 9:30 a.m. and 11:30 a.m. Run time is approximately one hour. Carmela Full of Dreams is recommended for ages 6 and up. Schedule exceptions: Show time Saturday, October 25 is 9:30 a.m. only;  Show times Sunday, November 8 are 11:30 a.m. and 2 p.m.  

Single tickets are $42 and go on sale on August 24 at chicagochildrenstheatre.org. Book early, as many shows will sell out. For group discounts, schools, playgroups, birthday parties and scouting groups are encouraged to call CCT Guest Services at (312) 374-8835 or email This email address is being protected from spambots. You need JavaScript enabled to view it..

School groups in particular are encouraged to inquire about Chicago Children’s Theatre’s in-class R.O.A.R. Residencies connected to the world of Carmela Full of Wishes. CCT’s R.O.A.R. (Residencies of Arts and Resilience) program, rooted in trauma-informed activities and conversations, provides opportunities for students to authentically reflect on challenging or stressful situations, gain the tools for sharing with others, self care and self agency in those moments, and promote coping mechanisms, social-emotional expression and resilience. CCT’s R.O.A.R. program was developed in partnership with the Ann and Robert H. Lurie Children’s Center for Childhood Resilience. To inquire, email CCT Director Education Catherine Councell at This email address is being protected from spambots. You need JavaScript enabled to view it..

Chicago Children’s Theatre is a “no shushing” theater. It’s located at 100 S. Racine Ave., at Monroe, in the heart of Chicago's West Loop, minutes from I-90 and I-290, downtown and Ashland Avenue. Free, onsite parking is available on the south side of the building. Free street parking can be found on weekends, or try the Impark parking lot, 1301 W. Madison St.

Finally, if you agree Chicago is the greatest theater city in the world, and that Chicago families deserve an equally great professional children’s theater, purchase a subscription to Chicago Children’s Theatre’s 2026-27 season, on sale now at chicagochildrenstheatre.org. Three more joy-inducing productions follow Carmela Full of Wishes: The Beatrix Potter Holiday Party, Manual Cinema’s Leonardo! A Wonderful Show About a Terrible Monster, and The Very Hungry Caterpillar Show. Packages start at only $35.70 per show. Or, create your own mix-and-match subscription plan to match your child’s age and interests.

Access performances for Carmela Full of Wishes

Sensory Friendly
Saturday, November 7 at 9:30 a.m.

Audio Description and Touch Tour

Sunday, November 8 at 2 p.m.

*To request Audio Description and Touch Tour services, tickets must be purchased three weeks before the performance.

ASL and Open Captions
*To request ASL and/or Open Captions services, tickets must be purchased three weeks before the performance you are planning to attend.

To learn more information, go to chicagochildrenstheatre.org/access_performances or email This email address is being protected from spambots. You need JavaScript enabled to view it..

Jackalope Theatre Company is proud to announce the schedule for the 17th Annual Living Newspaper Festival, August 20 - 24, at the Jackalope Theatre in the Broadway Armory, 5917 N. Broadway. The Living Newspaper Festival is inspired by the 1930s Living Newspapers of the Federal Theatre Project that created stories based on recent events. Each night, the Festival includes five one-act plays inspired from recent news headlines. The running time is 75 minutes with no intermission. The performance schedule is Friday, Aug. 21 at 7:30 p.m., Saturday, Aug. 22 at 7:30 p.m., Sunday, Aug. 23 at 2 p.m. and Monday, Aug. 24 at 7:30 p.m. Tickets for August 20 - 24 are $20 - $35 and are available at JackalopeTheatre.org or by calling 773.340.2543. 

The 17th Annual Living Newspaper Festival includes 

Picture Day 

By Madie Dopelt

Directed by Breon Arzell

Cast includes Miriam Lee, Niko Kourtis and Reilly Oh

Inspired by Epstein-Linked Rumors Ignite Panic Over School Photos in Coulee Dam

When Reddit users loosely link a school photography company with the Epstein files, parents in Coulee Dam, Washington express their concerns. As the school decides how to handle their upcoming picture day, the parents take matters into their own hands.

Let them East Cake

By Anelga Hajjar

Directed by Kaiser Ahmed

Cast includes Yourtana Sulaiman, Chris Chmelik and Claudia Quesada

Inspired by GLP-1 drugs are changing how Americans eat. Food companies are racing to catch up

It's Selma's birthday but the cake is uneaten and something seems terribly off. Can her mom and boyfriend get to the bottom of what's infected her? Let them Eat Cake, exposes the insidious consequences of our bodies being injected with public opinion. 

Fellow Mortals

By Aurora Real de Asua

Directed by Janyce Caraballo

Cast includes Sierra Phan, Katie Bevil and Z Mowry

Inspired by Mouse study shows repeated cloning causes grave genetic mutations

Three individuals, trapped in a cage. Who put them there? And why? And how the hell are they going to get out?

Turning 

By Netta Walker

Directed by Sydney Charles

Cast includes Jalbelly Guzman and Morgan Lavenstein

Inspired by Newly declassified FBI documents detail UFO sighting by Anoka officers — and one of them filmed it

2048. Post Civil War. On a forest creek bed, south of the Mason Dixon, a young woman flees a colony only to be confronted by a relic of the past.

The Day The Night Came Down 

By Ike Holter

Directed by Stephanie Diaz

Cast includes Laura Lodewyck and Pedro Jimenez

Inspired by Newly declassified FBI documents detail UFO sighting by Anoka officers — and one of them filmed it

After a life changing encounter with an unexplained aerial phenomena, a rookie cop weighs the cost of speaking truth to power. 

ABOUT THE LIVING NEWSPAPER FESTIVAL

With a history in the USSR and Germany in the early part of the century, the Living Newspaper was initiated in the United States in 1935 as part of the Federal Theatre Project (FTP). Its founders believed in the value of drama as an instrument of social change and the Living Newspapers became a highly effective new form, boldly producing plays that often brought to light social injustices, challenged ideals and criticized the government.

In response to the Great Depression, Congress appropriated $4.8 billion for work relief and created agencies to administer the funds, including the Works Progress Administration. Despite being allocated less than one percent of WPA funding, the Federal Theatre Project employed approximately eight thousand theatre professionals a year during its four-year run.

In an attempt to create new plays, the Federal Theatre Project often recruited new writers. One of the goals of the short-lived FTP was to create plays and provide training for aspiring writers, and the Living Newspapers fostered this on a grand scale. Even though insiders acknowledged that it is much easier to build a dam or teach a trade than it is to develop a playwright, the legacy of the FTP laid the groundwork for using theatre to invoke conversation on national themes.

ABOUT JACKALOPE THEATRE

Jackalope Theatre Company expands the definition of American Identity by engaging with communities to produce works that celebrate diverse perspectives. Jackalope is a premier home for new and exciting Off-Loop Theatre based in Chicago's Edgewater and Rogers Park neighborhoods. They are committed to cultivating new voices that contribute to an expanding American culture and mythology. Each season, Jackalope produces full-length plays, new play development programming and provides free classes in partnership with the Chicago Park District.

It may be the middle of summer, but for fans of Universal’s “Love Actually,” Christmas comes early this year. GEA Live, RoadCo, Fifth Season, and Broadway In Chicago today announced LOVE ACTUALLY IN CONCERT will bring the heart, humor, and intertwined stories of Richard Curtis' beloved Christmas classic to Chicago this holiday season. A live orchestra performs the film's unforgettable soundtrack including Mariah Carey's "All I Want for Christmas Is You," Craig Armstrong's soaring score, and the timeless "Love Is All Around" while the complete film is projected on a cinema screen.

LOVE ACTUALLY IN CONCERT single ticket prices, ranging from $39 to $99 with a select number of premium seats available, may be purchased at www.BroadwayInChicago.com or in person at any Broadway In Chicago venue box office starting tomorrow, Saturday, July 25. Additional fees apply for online purchases. LOVE ACTUALLY IN CONCERT will play one night only at the Cadillac Palace Theatre (151 W. Randolph St) on Saturday, December 12. Discounted group rates for parties of 10 or more may be purchased by emailing This email address is being protected from spambots. You need JavaScript enabled to view it. or calling 312-977-1710. See below for additional ticket information.

Since its release in 2003, “Love Actually” has become a modern holiday tradition, celebrated for its star-studded cast, endlessly quotable moments, and its warm portraits of love in all its forms. Written and directed by Richard Curtis, “Love Actually” follows 10 different, yet interweaving stories of love around the festive period, involving a variety of individuals, many of whom are interlinked as the plot progresses. The film features Liam Neeson, Colin Firth, Laura Linney, Bill Nighy, Martine McCutcheon, Alan Rickman, Emma Thompson, Keira Knightley, Rowan Atkinson, Martin Freeman and many more.

“LOVE ACTUALLY IN CONCERT transforms a modern Christmas classic into a shared, heartwarming, and joy-filled celebration, perfect for fans, families, and anyone who believes love, actually, is all around,” says Floris Douwes, Producer and Managing Director at GEA Live.

Over the past two decades, “Love Actually” has built a global, multi-generational fanbase and become a holiday viewing tradition for millions. Its beloved characters, memorable music, and heartfelt stories have helped cement the film as a modern Christmas classic.   The film's composer, Golden Globe®, BAFTA® and Emmy®-winning Craig Armstrong OBE, is one of the most influential voices in modern film music, known for “Moulin Rouge!,” “Me Before You,” “Elizabeth: The Golden Age,” and more.

PERFORMANCE SCHEDULE

WEEK 1

TICKET INFORMATION (as of 7/25/26, based on availability and subject to change)
Individual tickets, priced from $39 to $99 with a select number of premium seats available, go on sale tomorrow. Tickets may be purchased at www.BroadwayInChicago.com or in person at any Broadway In Chicago venue box office. Additional fees apply for online purchases. Discounted group rates for parties of 10 or more may be purchased by emailing This email address is being protected from spambots. You need JavaScript enabled to view it. or calling 312-977-1710. For more information, visit www.BroadwayInChicago.com.

ABOUT BROADWAY IN CHICAGO
Broadway In Chicago was created in July 2000 and over the past 26 years has grown to be one of the largest commercial touring homes in the country. A Nederlander Presentation, Broadway In Chicago lights up the Chicago Theater District entertaining up to 1.7 million people annually in five theatres. Broadway In Chicago presents a full range of entertainment, including musicals and plays, on the stages of five of the finest theatres in Chicago’s Loop including the Cadillac Palace Theatre, CIBC Theatre, James M. Nederlander Theatre, and just off the Magnificent Mile, the Broadway Playhouse at Water Tower Place and presenting Broadway shows at The Auditorium.

Follow @BroadwayInChicago on Facebook, Instagram , TikTok, Bluesky #BroadwayInChicago

ABOUT GEA LIVE
GEA Live has established itself as the premier partner in location-based entertainment, combining creativity, excellence and credibility to deliver unforgettable events that bring iconic brands to life in all their glory. Working with renowned IPs from TV, film, theatre, music, gaming, and anime, GEA Live design, produces and distributes everything from symphonic and film concerts to immersive exhibitions and stage shows. With a vast portfolio of shows spanning more than 40 countries, GEA Live has collaborated with world-class brands like PlayStation, Avatar: The Last Airbender, Twilight, Dirty Dancing, Our Planet, and Demon Slayer, in addition to exclusively representing the legendary Ennio Morricone. As a trusted pillar of Sony Music’s Masterworks Live division, GEA Live has partnered with entertainment giants like Sony Pictures, Lionsgate, Viacom, and Warner Brothers, among others, delivering unparalleled value for licensors while further elevating the world’s most cherished brands.

ABOUT ROADCO
RoadCo Entertainment, formed in 2020, is a producing and distribution agency specializing in live entertainment experiences. A collaboration between Sony Music Entertainment and independent touring entrepreneurs Stephen Lindsay and Brett Sirota, RoadCo represents a broad roster of live events based on popular brands and intellectual properties, as well as all-new immersive and interactive attractions for audiences of all ages.

Metropolis Performing Arts Centre, located in the heart of downtown Arlington Heights, 111 W. Campbell St., is proud to announce the cast and creative team for Ride the Cyclone, September 16 - October 25. Ride the Cyclone is presented with book, music and lyrics by Jacob Richmond and Brooke Maxwell. The Metropolis production is directed by original American cast member Lillian Castillo, and music directed by Carolyn Brady. Previews are Wednesday, Sept. 16 through Friday, Sept. 18 at 7:30 p.m. and Saturday, Sept. 19 at 2 p.m. The regular performance schedule is Thursdays and Fridays at 7:30 p.m. and Saturdays and Sundays at 2 and 7:30 p.m. The performance on Saturday, Sept. 26 at 2 p.m. will be closed captioned and the performance on Thursday, Oct. 8 at 7:30 p.m. will be ASL interpreted. Tickets are now on sale from $25 to $49 at MetropolisArts.com or by calling the box office at 847.577.2121.

In a now-abandoned theme park not so long ago, six teenagers hurtled to their death on the roller coaster The Cyclone. Now, those teens are back from the afterlife, with all of their unlived dreams, potential, hopes, and fears in tow. They grapple with the lives they led on Earth and the choices they made – all except a mysterious and headless girl named Jane Doe, who has no memory of her past. As instructed by a fortune-telling machine named The Amazing Karnak, the teens need to decide who amongst them will receive the gift of returning to their life. As they fight to be the one to return, they realize that life's ups and downs, tragedies and victories, love and loss are all just part of the ride.

An added bonus to the Metropolis production features Director Lillian Castillo. Castillo is the original "Constance" on the world premiere cast recording. She originated the role in the American premiere at Chicago Shakespeare Theater and continued performing in the Off-Broadway, Seattle and Atlanta productions.

The cast of Ride the Cyclone includes Alex Merkel (Ocean); Eric Amundson (Mischa); Eldon Warner-Soriano (Ricky); Diana Marilyn Alvarez (Constance); Dave Honigman (Karnak); Amelia Tam (Jane Doe); Peyton Owen (Noel); Connar Brown Sprenger (U/S Ocean); Eli Blanks (U/S Mischa); Aidan Leake (U/S Ricky); Rylee Michelle (U/S Constance); Ian Rigg (U/S Karnak); Z Mowry (U/S Jane Doe) and Joel D'Aroya (U/S Noel).

Ride the Cyclone's creative team is Lillian Castillo (director); Carolyn Brady (music director); Mandy Modic (choreographer); Angie Miller (scenic designer); Denise Karczewski (lighting designer); Sarah Ramos (sound designer); Rachel Boylan (costume designer); Miguel Ramos (wig and hair designer); Kelli Lawrence (props designer) and Tony Churchill (projections designer).

ABOUT LILLIAN CASTILLO, DIRECTOR

Lillian Castillo is honored to make her professional directorial and Metropolis debut. She is a proud Chicago actor, singer and acting coach who has had the pleasure of performing at many of Chicago's theatrical homes. Her most recent credits include: On Your Feet at Drury Lane Theatre; Titanic, Joseph and the Technicolor Dream Coat, 1776 and In the Heights at The Marriott Theatre; The Music Man at the Goodman Theatre and Comedy of Errors, Taming of the Shrew and of course the American Premiere of Ride the Cyclone at Chicago Shakespeare Theatre. Lillian spent 5 years workshopping Ride the Cyclone and bringing life to Constance Blackwood. She is thrilled to have punched her ticket to take this ride again from a new seat.

ABOUT CAROLYN BRADY, MUSIC DIRECTOR

Carolyn Brady returns to Metropolis after her debut as MD/Piano Conductor in The Wedding Singer this past spring. She operates a Chicagoland and national voice studio where her clients have appeared in the Broadway casts of The Book of Mormon and & Juliet; National Tours of The Book of Mormon and The Prom; NBC's "The Voice" and locally at Drury Lane, Marriott Theatre, Mercury Theater, Music Theater Works, Paramount, Porchlight Music Theatre and more. A four-time nominated music director, she has MD'd for Drury Lane (A Chorus Line, Cinderella, Beautiful: The Carole King Musical, A Christmas Carol), Steppenwolf (Lookout Series), Marriott Theatre (Elephant & Piggie), Paramount School of the Arts (The Lightning Thief, Mean Girls, & Matilda Jr.) and most recently she served as MD and Piano Conductor for Into the Woods at Saugatuck Center for the Arts in MI. She's a proud member of CFM Local 10-208. IG: @carolynbradymusic

ABOUT METROPOLIS PERFORMING ARTS CENTRE
Metropolis Performing Arts Centre is a vibrant cultural hub that enriches the community through inspiring live performances, creative arts education and impactful partnerships. It fosters artistic excellence, cultivates multi-generational connections and offers inclusive experiences that engage and uplift all community members. Located in the heart of downtown Arlington Heights, Metropolis is not just a theatre, it is the cultural pulse of the area, surrounded by premier shopping, dining and nightlife. Metropolis offers a dynamic year-round season of professional theatre, comedy, concerts and cabaret performances along with engaging arts education for ages 3 to 85 years old. Serving more than 65,000 patrons annually from across Chicagoland and beyond, Metropolis plays a pivotal role in the community. It provides arts education programs that support thousands of aspiring young artists, as well as community engagement initiatives like the Third Act Players (musical theatre for thespians over 50), Crescendo Chorus (for singers over 55), Flourish in the Footlights (for young artists with disabilities) and Clearbrook on Cue (for artists with disabilities). Metropolis is proud to partner with local organizations such as Endeavor Health, Arlington Heights Senior Center and Clearbrook. Scholarships are available for students at the School of the Performing Arts to ensure access to the arts for all.

Metropolis Performing Arts Centre, located in the heart of downtown Arlington Heights, 111 W. Campbell St., is proud to announce the cast and creative team for Ride the Cyclone, September 16 - October 25. Ride the Cyclone is presented with book, music and lyrics by Jacob Richmond and Brooke Maxwell. The Metropolis production is directed by original American cast member, Lillian Castillo, and music directed by Carolyn Brady. Previews are Wednesday, Sept. 16 through Friday, Sept. 18 at 7:30 p.m. and Saturday, Sept. 19 at 2 p.m. with a press opening Saturday, Sept. 19 at 7:30 p.m. The regular performance schedule is Thursdays and Fridays at 7:30 p.m. and Saturdays and Sundays at 2 and 7:30 p.m. The performance on Saturday, Sept. 26 at 2 p.m. will be closed captioned and the performance on Thursday, Oct. 8 at 7:30 p.m. will be ASL interpreted. Tickets are now on sale from $25 to $49 at MetropolisArts.com or by calling the box office at 847.577.2121. 

Following multiple sold-out runs, "I Killed Andy Breitbart," the acclaimed 75-minute solo show, written and performed by Pam Dickler and directed by Drew Martin, returns to The Apollo Theater Studio for a limited four-week engagement, Sept. 5-27.  Press opening is 8 p.m. Saturday, Sept. 5. Performances take place Saturday and Sundays through Sept. 27. "I Killed Andy Breitbart" is produced by Dickler and Rob Kolson. 

In 2012, Andrew Breitbart's final blog posting was about Terrapin Theatre's 1998 production of "The Love Song of Saul Alinsky," a play that featured then State Senator Barack Obama on a post-show discussion panel. Breitbart suddenly died that night, and his blog was posted posthumously. What followed was an extraordinary chain of events in which Terrapin's producer became an unlikely target in the far right's effort to derail President Obama's reelection campaign. 

The Chicago Reader calls the play, "smartly crafted and funny." With wit, satire and first-hand perspective, "I Killed Andy Breitbart" explores how easily an ordinary person and a small Chicago theater can be swept into the whirlpool of political divisiveness, disinformation and media amplification. At a moment when questions of truth, public discourse and competing narratives remain at the center of American life, the play offers a timely reminder of the importance of telling our own stories before someone else tells them for us or erases them completely. 

"I Killed Andy Breitbart" premiered to a sold-out 3-show run at Chicago's Solo Sunday in November 2024 before subsequent engagements at The Apollo Theater Studio and the Philadelphia Fringe Festival in 2025. It returned to The Apollo for a
successful May 2026 run and now returns Sept. 5-27 as the country heads into
the midterm election season. 

Says Dickler, "I'm thrilled to bring 'I Killed Andy Breitbart' back to Chicago, where so much of the story happened. The city's theater community has always embraced bold, provocative storytelling and I've been fortunate to be part of it. At a time when some of our history is being whitewashed and books are being removed from libraries, it's become more important than ever for us to share our stories before they're rewritten by others. And believe me, this story is a real doozy." 

Pam Dickler (writer/performer) has been part of Chicago's theater community for more than 35 years enjoying work on both the creative and administrative sides. As founding managing director of Terrapin Theatre, she produced 10 seasons of award-winning world-premieres and directed such plays as "Laurel & Hardy Sleep Together," "The Inspector General" and "From Thought to Finish." With Ifa Bayeza she produced such Chicago premieres as "Passages of Martin Luther King," "What Use Are Flowers," "Undesirable Elements-Chicago," and Bayeza's "Kid Zero." Their premiere of Bayeza's "Amistad Voices" at Chicago Shakespeare Theater was Critic's Pick in the Chicago Tribune and the Chicago Sun-Times. Their creation of The ShoeBox Theater, a subscription series of original plays for very young audiences at the Chernin Center for the Arts, was cited for excellence by the National Endowment for the Arts and the Chicago Arts & Business Council.

Dickler's plays include "Life Defying Acts" (winner, UMass New PlayLab; finalist Inkslinger Playwriting Competition); "Relative Distance"; and the musical "The Little Turtle." Her one-act "Promising" was part of Metropolitan Playhouse's East Village Festival and her comedies "Someone Has to Die Tonight" and "Philbert Meets a Nut" were performed at Stage Left's DrekFest. Her comedy "Life & Death & Crap" was seen last summer in the Durango Arts 10-Min Play Festival, and her comedy "Someone Has to Die Tonight" was at the Hendersonville Theatre in NC in November.  

Dickler was a contributing writer for "The Arab-Israeli Comedy Hour" (Chicago's iO), and she produced/directed Tony-nominee Herb Schapiro's world-premiere of "The Love Song of Saul Alinsky." The post-play panel discussion, featuring then-State Senator Barack Obama, was the focus of Andrew Breitbart's final blog entry, which led to her solo show, "I Killed Andy Breitbart."  

Dickler received her BFA from Syracuse University, where she later served on her college's advisory board. Originally from Bucks County, Pa., Dickler resides in Chicago. She is a proud member of The Dramatists Guild and PEN America. For more information, visit pamdickler.com. 

Drew Martin (director) has worked for more than 35 years in Chicago theater and was Artistic Director of Stage Left Theatre in the 1990s. Among the shows he's directed, 11 have been nominated for, and six honored with, Jeff Awards. He earned a Jeff for directing Stage Left Theatre's "Leander Stillwell" and received a Jeff nomination for "Police Deaf Near Far." His passion for new work is reflected in the many world-premiere productions he has directed.  

Martin graduated from Dartmouth College and studied with the Royal Shakespeare Company. He produces corporate meetings and events nationwide through his company, Polaris Productions. 

Tickets: 

"I Killed Andy Breitbart," written and performed by Pam Dickler and directed by Drew Martin runs Sept. 5-27 at the Apollo Theater Studio, 2550 N. Lincoln Ave.* Press opening is 8 p.m. Saturday, Sept. 5. Performances are Saturday at 8 p.m. and Sunday at 3 p.m. through Sept. 27

NOTE: The Studio is down several steps, so unfortunately is not wheelchair accessible.  

Tickets Range $20-30 (all-in price) (Save by calling the Apollo box office or purchasing at the theater) For tickets call 773.935.6100 or visit ticketmaster.com. For more information
about the production, visit pamdickler.com. 

This play is recommended for ages 16 and up. 

Related Special Events: There will be a post-play discussion after some of the Sunday shows. For more information visit pamdickler.com. 

Eight Chicago artists from diverse backgrounds and disciplines have spent the past eight months in residence at the Chicago Puppet Lab, the Chicago Puppet International Puppet Theater Festival’s puppet theater incubator and residency program.

Operating out of the Festival’s education and work spaces in Chicago’s Fine Arts Building, the program supports emerging artists as they bring new, original works of puppet theater to life.

Thursday, August 20 through Sunday, August 23, the program culminates with this year’s cohort presenting works-in-progress at the Chicago Puppet Lab Showcase at Raven Theatre, 6157 N. Clark Street in Chicago’s Edgewater neighborhood.

Program A features works by Rachel Anne Healy, Raven See, Mikayla Wilson and Zachary Sun. Performances are Friday, August 21 at 7 p.m., Saturday, August 22 at 3 p.m. and Sunday, August 23 at 7 p.m.

Program B showcases works by Ashwaty Chennat, Jerrell L Henderson, Abby Palen and Justin D’Acci. Show times are Thursday, August 20 at 7 p.m., Saturday, August 22 at 7 p.m. and Sunday, August 23 at 3 p.m.

Take your pick or buy tickets to two rotating group shows. Each presents a varied quartet of short, experimental works-in-progress that have grown and developed the past eight months through the Festival’s new puppetry incubation laboratory. Tickets to each program are $15 for student and seniors;  $20 regular; $50 booster. For tickets and information, visit chicagopuppetfest.org. 

And mark your calendars: The 9th Chicago International Puppet Theater Festival is January 20-31, 2027, returning bigger and better than ever with puppeteers from around the globe presenting 12 straight days of spectacular shows, intimate works, the popular Free Neighborhood Tour, and more events all over the city. Sign up for the Chicago Puppet Festival e-news at chicagopuppetfest.org/signup to be the first to learn the 2026 line-up.

More about the Chicago Puppet Lab

In addition to presenting the largest annual puppetry festival of its kind in North America, the Chicago International Puppet Theater Festival’s Chicago Puppet Lab is an education space that incubates new works of boundary-breaking puppetry, expands equity in the field of puppetry, and encourages interdisciplinary experimentation in puppet theater. Now in its sixth year, the program accepts eight artists or artist groups for an eight-month, in-person laboratory process led this year by Puppet Lab Co-Directors Tom Lee, Grace Needlman and Vanessa Valliere. Lab artists participate in weekly meetings where they share, discuss, meet deadlines, and learn from one-another’s work as well as from expert guest artists. Together all contribute to the advancement of the cohort’s work.

Meet the 2026 Chicago Puppet Lab cohort

Program A
Friday, August 21 at 7 p.m., Saturday, August 22 at 3 p.m. and Sunday, August 23 at 7 p.m.

Rachel Anne Healy is a Chicago-based theater artist. Credits include The Goodman Theatre, Steppenwolf Theatre, Chicago Shakespeare Theatre, Writers Theatre, Chicago Children’s Theatre, Northlight Theatre & Timeline Theatre. Regional Credits: American Players Theatre, Cincinnati Playhouse, Alliance Theatre, Milwaukee Repertory Theatre, Indiana Repertory Theatre, Hartford Stage, Huntington Theatre, & The Alley Theatre. International Credits: The Prague Quadrennial, Letni-Letna Festival in Prague and Galway Theatre Festival. Healy is a professor at Loyola University teaching theater design. IG: @healyrachelanne

Raven See is a gender non-comforming artist who follows their impulse to create. They are a spoken word poet, a contortionist, and member of the interdisciplinary movement collective Such Creatures. See is a graduate of Aloft Circus Arts’ professional training program and a member of the Board of Directors for the European Beat Studies Network. Their work embodies queer experience as they seek to explore new modes of expression and test the limits of their own body. IG: @see.the.raven

Zachary Sun is a China-born, Chicago-based interdisciplinary artist working across performance, installation, text, video, sound and puppetry. His practice instrumentalizes observation and perception, dismantling relationships between body, identity, history, and material through weaving and collage. His recent work investigates personal experience, archaeological histories, and geopolitical transformations as structural expressions. His works have been presented internationally, and he currently works with the Chicago International Puppet Theater Festival. IG: @zzzzacharyyyy

Mikayla Wilson (she/her) is a theater and puppetry artist from Asheville, North Carolina. Wilson is a crafter, primarily a knitter and sewist, and uses puppetry to tell history by making the puppets the vessel for the horrifying and painful parts of black history and experiences, but also the levity and brightness inherent to the human spirit. IG: @mikaylas_makes

Program B
Thursday, August 20 at 7 p.m., Saturday, August 22 at 7 p.m. and Sunday, August 23 at 3 p.m.

Ashwaty Chennat is an interdisciplinary artist and performance maker based in Chicago. Rooted in dance, Ashwaty’s training includes bharatanatyam with Sudha Chandrasekhar, studio dance practices, and heritage forms learned through her Amma and community artists. She has performed in and created works including Beaten Path with Alvin Cobb Jr., Moods of Nayika, with Abhijeet, and the ephemeral (ice) puppet show Anywhere by Théâtre de l’Entrouvert. Their practice begins with long conversations, meets the thresholds of cultural structures, and then reimagines inherited narratives. IG: @shwatcat

Justin D’Acci is a Chicago-based clown, artist, and puppeteer experimenting with found objects and techniques of automatism. His puppets often take the form of shadows and grotesque humanoids, appearing in Rough House’s House of the Exquisite Corpse III, IV, & V; We Wiggle Dolls’ Midwest Tour; and Auricle’s scrap !!! attak. Recent exhibitions of clown and art objects include Survey at Unda.m. 93; Tenebrae at Weatherproof; and Pressure Dome at SULK CHICAGO. IG: @stevebuscemi

Jerrell L. Henderson is a director, puppeteer and Black theatre archivist. Past projects include the cinematic shadow play AmericanMYTH: Crossroads and directing projects with Virginia Stage Company, Raven Theatre, and Griffin Theatre. He co-developed and co-staged events with 12ft. Syrian puppet Little Amal in Chicago and NYC. Puppet short films include I Am The Bear with Chicago Puppet Fest, Hamlin: La Revue Sombre with Handmade Puppet Dreams and Diamond’s Dream with Chicago Children’s Theatre. IG: @directnu15, @black_theatre_vinyl_archive, @celebratingblacktheatrepod

Abby Palen is a director, designer, and performer whose fascination with spectacle puppetry fabrication and performance has taken them across North America. For Palen, puppets express ideas and emotions that transcend human form; a puppet can embody many anythings and anyones. Palen is the co-director of Rabbit Foot Puppetry and has worked with the Chicago International Puppet Theater Festival, Paperhand Puppet Intervention, Bread and Puppet Theater, Heart of the Beast, Fox and Beggar, and more. IG: @abbyart

About the Chicago International Puppet Theater Festival

The Chicago International Puppet Theater Festival is the largest of its kind in North America. Last January’s 2026 Festival attracted a record 25,000+ audience members to 24 different Chicago venues large and small for 106 shows and events showcasing entertaining and eclectic puppet styles from around the world.

Since its inception in 2015 as a project of Blair Thomas & Co., the Chicago International Puppet Theater Festival promotes peace, equality, and justice on a global scale, presenting artists presented from around the world including Belgium, Chile, China, Denmark, England, France, Germany, India, Indonesia, Israel, Japan, Kenya, Korea, Mexico, Norway, Puerto Rico, Poland, Scotland, South Africa, South Korea and Spain as well as from Chicago and across the U.S. 

In 2022, the festival moved from a biennial to an annual event, while it tripled its footprint in Chicago’s historic Fine Arts Building, opened its own in-house puppet fabrication division, the Chicago Puppet Studio, and launched the Chicago Puppet Lab, an education space and developmental residency designed to incubate more works of boundary-breaking puppetry in Chicago.

It’s kismet that the Fine Arts Building is home again to one of the most influential puppetry organizations in the world. In 1912, after Ellen Van Volkenburg founded the Little Theater of Chicago in the Fine Arts Building. She needed a name for the actors manipulating marionettes in Shakespeare’s A Midsummer Night’s Dream, so she credited them in the program with a new word, “puppeteer.” Many agree this marked the initial intersection of traditional puppetry with contemporary theater still practiced today, and now flourishing around the world.

The Chicago International Puppet Theater Festival continues to grow and expand under the guidance of Co-Founder and Artistic Director Blair Thomas, Executive Director Sandy Smith Gerding, a dedicated staff, and a generous, active board of directors. For more, visit chicagopuppetfest.org and follow the festival on Facebook, Instagram or Vimeo, hashtag #ChiPuppetFest.